Review: BASKERVILLE: A SHERLOCK HOLMES MYSTERY at Village Theatre
Mysterious and mischievous are two words that ensure a pretty good time when it comes to a night at the theater.
The latest reviews and critic recommendations from Seattle.
Mysterious and mischievous are two words that ensure a pretty good time when it comes to a night at the theater.
Daphne in Concert, Seattle Opera’s latest offering in their series of concert presentations initiated in 2023, proved that the series concept is a successful one.
Seattle Rep has opened a deeply moving and heartfelt production on its stage.
Village Theatre strikes again with its latest production of 9 to 5, based on the beloved 1980 film and featuring music and lyrics by the iconic Dolly Parton.
A night at Seattle’s Benaroya Hall is always worth it.
The movie Elf is one of those films that sticks with you throughout your life; you remember the spaghetti, the syrup, and the unrivaled holiday cheer from the unique story.
Stage adaptations of movies are always tricky, but there’s a certain level of prestige that comes with adapting and pulling off one of the most loved and highly regarded movie adaptations of all time.
Bravo to the Seattle Symphony for offering these holiday feasts for all the senses as much-welcomed gifts of love and cheer.
Dear Readers, back in 2015 we were blessed with the masterpiece that is “Come From Away” by Irene Sankoff and David Hein.
Cole Porter’s gold standard musical Anything Goes is a blast from the past, but Reboot Theatre’s Anything Goes blasts audiences directly into the future by putting the entire musical in space.
The Humans might be the perfect show to see in that strange, autumnal window between Halloween and Thanksgiving happening now, walking the line between a haunted house story and a family drama.
Dear Readers, I want to talk to you about somewhat under the radar shows, and corn.
At the theater’s entrance, audience members are handed a packet of tissues sealed with a photo of a frowning man in a birthday hat—Brendan Healy.
Dear Readers, if you’re a die-hard musical theater nerd like me, there are certain shows that just feel like a warm hug.
What did our critic think of THE MANOR at MAP Theatre?
It’s spooky season, and what’s spookier than a wealthy, greedy family willing to do anything to fulfill their selfish desires? Moral decay lies at the heart of Lillian Hellman’s The Little Foxes, now performing at Intiman Theatre in a production by The Feast.
There’s truly no feeling quite like being in the presence of a legend.
Dear Readers, I love a good farce.
Sometimes, Dear Readers, a play can come along that feels so topical, and so raw, that you may walk out of the theater feeling uneasy.
Dear Readers, what did you want to be when you grew up? Firefighter? Doctor? Lawyer? Bathroom attendant? Dragon? All worthy goals.
Musical theater productions serve different purposes: some embrace or challenge the cultural milieu, keeping audiences keenly aware of the context with which the musical exists, and others invite a full escape, an invitation into a completely different world.
Dear Readers, lately it feels like our most basic and dearly held civil liberties are being stripped away.
Dear Readers, first off there were way too many empty seats at the Paramount last night for the new musical version of “Some Like It Hot”.
What do we mean when we say someone is “like family”? In Washington Ensemble Theatre’s Hells Canyon, playwright Keiko Green takes that question and reveals the complicated debts, histories, and power dynamics hiding underneath.
Dear Readers, whether you want to admit it or not, we all love a little bit of schadenfreude to some extent.
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