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• How I Learned to Drive — 2022 Broadway
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THE DIFFICULTY ADJUSTMENT to Make World Premiere at Beverly Hills Playhouse

by Rachel Stone — Oct 16, 2026

Allen Barton's drama examines financial crises through two men separated by time: an economics professor during 2008's market collapse and a theatre owner navigating pandemic lockdowns.

Andy Grammer, Aubrie Sellers Release New Music Friday

by Rachel Stone — Oct 16, 2026

Andy Grammer released his sixth studio album BIG STUPID HEART, while Aubrie Sellers unveiled a stripped-back version of Prototype. Additional releases from Boy Golden, MYND READER, and Zacchae'us Paul arrived this week.

Theater Resources Unlimited Workshop on Commercial Potential Nov. 22

by Rachel Stone — Oct 16, 2026

Theater Resources Unlimited will present a hybrid workshop on evaluating theatrical productions as investments Nov. 22, featuring producers, attorneys, and investors discussing how to assess commercial viability and pitch shows to potential backers.

Onyekachi Iwu Wins 2026-2027 Paula Vogel Playwriting Award

by A.A. Cristi — Oct 14, 2026

Vineyard Theatre named Nigerian American playwright Onyekachi Iwu as the recipient of the 2026-2027 Paula Vogel Playwriting Award, which includes a cash prize and yearlong residency.

Interview: Karole Foreman of SANTA ZADDY in Los Angeles & San Diego

by Gavin Glynn — Oct 10, 2026

Karole recently appeared in Cygnet Theatre’s production of Sondheim's Follies, winning a San Diego Craig Noel Award for her performance. Other notable stage credits include the Old Globe’s production of Murder on the Orient Express, the reprise of Jelly’s Last Jam, at The Pasadena Playhouse, and regional appearances of her LA Ovation award-winning performance as Billie Holiday in Lady Day at Emerson's Bar & Grill. She has won numerous Best Actress awards for the short film Light Bunny, by Valerian Zamel. Karole is a multi-hyphenate artist who has had an extensive career in stage, film, and television.  She also produces through her company Signal Hill Sandbox, Inc. and has won awards for her writing. Her most recent collaboration is a jazz holiday song SANTA ZADDY written with Damon Carter and Karl Vincent. https://release.landr.com/991048980792

Interview: Helen McKenna of TELL-TALE POE at Ritz Theatre

by Donna Marie Nowak — Oct 10, 2026

As All Hallows’ Eve approaches when the witching hour will be upon us, there’s no more appropriate seasonal spookiness than Helen McKenna-Uff’s riveting one-woman show at the Ritz Theatre, Tell-Tale Poe, in which she is eerily transformed beyond recognition into Edgar Allan Poe (and Sarah Helen Whitman, a poet who was briefly his fiancée). 

A KIDMAN CAROL Brings Holiday Parody to Off-Broadway This November

by Nicole Rosky — Oct 7, 2026

BroadwayWorld has just learned that following a sold-out developmental run last year, A Kidman Carol will open Off-Broadway this holiday season starring three-time Tony Award-nominee and Olivier Award-winner Marla Mindelle as Nicole Kidman and Drama Desk Award-nominee Josh Sharp as Cate Blanchett. Written by Kevin Zak and directed by Skylar Fox, the production will play a limited, 6-week engagement at New World Stages beginning Monday, November 16 with an official opening on Monday, November 30. 

Angelica Chéri & Ross Baum Explain How WANTED’s 'The Way I Am' Went From a Minor Moment to a Major Song

by Sam Anctil — Oct 2, 2026

What goes into making the music of our favorite Broadway shows? How do Broadway composers make our favorite characters sing and our favorite scenes come alive? BroadwayWorld is finding out with Notes on a Score. Today we continue the series with Angelica Chéri (book and lyrics) and Ross Baum (music), who make their Broadway debuts this season with Wanted. Watch as they unpack Mary's (played by Solea Pfeiffer) big Act 1 ballad, 'The Way I Am.'

Interview: Domenico Leona of WE ONLY COME OUT AT NIGHT at The Phoenix Group With Company Onstage

by Brett Cullum — Sep 30, 2026

Domenico Leona is directing We Only Come Out at Night, a horror-comedy for Company OnStage. It is a co-production with his The Phoenix Group. The show is written by Austin Brady, and it is a world premiere.

Arizona Theatre Matters to Present Inaugural Glendale International Fringe Festival

by Rachel Stone — Sep 25, 2026

Arizona Theatre Matters, founded in Tucson in 2012, will produce the inaugural Glendale International Fringe Festival featuring six productions and 50 free performances across two library venues.

Eva Noblezada, Billy Eichner and More Join Blue Roses Project Advisory Board

by Chloe Rabinowitz — Sep 22, 2026

Blue Roses Project, a New Orleans-based artist's retreat for emerging queer playwrights, has formed its inaugural Artistic Advisory Board featuring Eva Noblezada, Billy Eichner, and more.

THE ADDAMS FAMILY to Open at TheaterWorks in Peoria

by A.A. Cristi — Sep 21, 2026

TheaterWorks stages the Broadway musical THE ADDAMS FAMILY with a 21-actor local cast at the Peoria Center for the Performing Arts. Chris Hamby directs the production, which centers on Wednesday's romance with a normal young man.

Theater Resources Unlimited to Host Community Gathering on American Theater's Future

by Stephi Wild — Sep 21, 2026

Theater Resources Unlimited will host a Zoom community gathering featuring Brett Bernardini and Cody Lassen discussing optimism about American theater's prospects amid ongoing industry challenges.

Meet Israeli Dancer and Educator Inbar Nasa

by Miranda Stück — Sep 18, 2026

Inbar Nasa is a professional dancer and educator based in Israel, recognized for her dynamic versatility across the commercial and contemporary dance landscapes. Seamlessly bridging high level technical foundations—trained in classical ballet, contemporary, and modern dance—with elite commercial styles like Hip-Hop, Heels, Popping, House, Afrobeat, and Jazz Funk, she has become a go-to creative force for large-scale entertainment.

Interview: ONE OR EIGHT Are Bringing Japanese Culture to the World With New EP 'EN-GÏNE'

by Stephi Wild — Sep 17, 2026

Japanese boy group ONE OR EIGHT have released their first EP, 'EN-GÏNE,' which gives a nod to their Japanese identity. I chatted with the members of the group about the EP, their recent tour, global success, and more. Read the full interview here.

Sarah Ruhl And Paula Vogel To Be Honored At Colt Coeur’s Benefit Bash

by Chloe Rabinowitz — Sep 16, 2026

Colt Coeur will honor Pulitzer Prize finalist Sarah Ruhl, Pulitzer Prize-winning playwright Paula Vogel, and board trustee Roberta Kelly at its annual benefit event in Brooklyn.

THE WALKING DEAD: DEAD CITY S. 3 Score Released by Lakeshore Records

by Rachel Stone — Sep 14, 2026

Lakeshore Records released the original score for THE WALKING DEAD: DEAD CITY season 3, composed by Ian Hultquist and featuring the Arnema Orchestra recorded in Porto, Portugal.

Interview: Peter Fernandes of ONE FOR THE POT AND SLEUTH at Shaw Festival

by Elizabeth Armstrong — Sep 13, 2026

BroadwayWorld spoke with Fernandes to discuss both projects, early theatrical memories, portraying several characters in a fast-paced farce, playing games with audiences, and his experience as a first-time director with the Shaw Festival. 

Review: HOW I LEARNED WHAT I LEARNED at RESIDENT ENSEMBLE PLAYERS

by Greer Firestone — Sep 10, 2026

A one-man show is a monumental undertaking—and a monumental responsibility. For veteran REP actor Hassan El-Amin – who is Black -there is further gravitas in giving voice to August Wilson’s HOW I LEARNED WHAT I LEARNED, a 90-minute, no-intermission journey through the experiences that forged one of America’s greatest playwrights. Wilson created the remarkable American Century Cycle, ten plays chronicling the African American experience across ten decades of the 20th century. They include Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, Fences and The Piano Lesson, the latter two earning Pulitzer Prizes. His works have been produced on Broadway and around the world. Denzel has made them part of his life’s work.

Ivy Crest Theatre Co. Will Present NO VACANCY SERIES

by Nicole Rosky — Sep 9, 2026

Ivy Crest Theatre Co. has just announced its production of the No Vacancy Series. No Vacancy is a collection of 3 one act plays set in motels throughout the last 50 years. Cabin 12 by John Bishop from the 70s, Motel Story by Alexandra Vassilaros in the 90s and Here Comes the Drone by Arlene Hutton from the 2010’s. A mix of drama and comedy the plays all deal with themes around connection, isolation and identity. Performances of the No Vacancy Series begin Thursday, September 10 for a limited run through September 13 at Urban Stages (259 West 30th Street).

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