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Festival Theatre

55 Queen Street
Stratford

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About the Theatre

Built in 1953, the Festival Theatre's revolutionary thrust stage provides a theatrical experience so profound, it has inspired look-alikes around the world. Originally housed in a tent, the stage now sits in an iconic example of Modernist architecture. 

The theatre offers special access seating on the orchestra level. 

PARKING

Paid parking is available in our lower Queen Street Lot (below the Festival Theatre, at Lakeside Drive). The cost is $25, but it is only $20 when pre-booked along with your auditorium ticket order. Special access parking (with a valid accessible parking permit) is available in our Upper lot next to the Festival Theatre. Spaces are limited, so reservations should be made in advance.

Parking may also be available in our Upper Lot for patrons without a disability permit. The cost is $25 and is only available day of show if space permits.

Limited free parking is available along the circular drive in Upper Queen's Park (Richard Monette Way), adjacent to the theatre, and on both sides of the Avon River. 

For Motor Coaches/Buses, load and unload in Upper Queen's Park (Richard Monette Way). Please do not remain in the loading zone longer than 15 minutes.

Review: THE TRAGEDIE OF MACBETH, Chandler Studio Theatre

Review: THE TRAGEDIE OF MACBETH, Chandler Studio Theatre

by Mary Baillie · July 19, 2026

Staged by the MA Classical and Contemporary Text students at the Royal Conservatoire of Scotland, Marc Silberschatz’s adaptation of The Tragedie of Macbeth is certainly ambitious. The cast is clearly brimming with talent and commitment, packing the production with conceptual promise... even if it…

Review: LEAR, Pitlochry Festival Theatre

Review: LEAR, Pitlochry Festival Theatre

by Natalie O'Donoghue · July 13, 2026

In this bold new imagining of Shakespeare’s classic tragedy, Scottish theatre legend Maureen Beattie takes on the towering role of the monarch whose decision to test her daughters’ love unravels both family and kingdom. A thrilling story of pride, folly and misplaced trust.…

Review: BIG BAD RIDING HOOD, Oran Mor

Review: BIG BAD RIDING HOOD, Oran Mor

by Natalie O'Donoghue · July 5, 2026

It’s been another long, wet summer in Panto Land, it’s enough to make you right bloody miserable, so it is! But, on the edge of Woodlands Road, Gran’s not letting that get her down. She’s just grateful to have everything she could ever have wanted: a humble, comfy, wee house; her two grandso…

Review: THE KARATE KID THE MUSICAL, Theatre Royal

Review: THE KARATE KID THE MUSICAL, Theatre Royal

by Natalie O'Donoghue · July 2, 2026

Don’t miss the unforgettable theatrical experience of the season as this heartfelt coming-of-age story takes flight with spectacular musical numbers and dazzlingly inventive choreography. Daniel LaRusso’s journey is reimagined through movement, music, and raw, energetic storytelling. At its hear…

Review: MEAN GIRLS, King's Theatre

Review: MEAN GIRLS, King's Theatre

by Natalie O'Donoghue · June 30, 2026

Winner of Best New Musical (WhatsOnStage Awards) and direct from the West End, Mean Girls is the hilarious smash-hit musical comedy from an award-winning creative team including writer Tina Fey (30 Rock, Unbreakable Kimmy Schmidt and Saturday Night Live) and starring TV personality, actor & Steps st…

Review: SUNSET BOULEVARD: THE BACKSTAGE CUT, Òran Mór

Review: SUNSET BOULEVARD: THE BACKSTAGE CUT, Òran Mór

by Natalie O'Donoghue · June 29, 2026

A fascinating insight into the one of the most iconic films in cinematic history. In front of the camera were award-winning performances centred around the story of a wealthy egotistical faded star, Norma Desmond, desperate to ‘return to the millions of fans she deserted’, and a young down-on-hi…

Review: KANPUR: 1857 at Tron Theatre, Glasgow

Review: KANPUR: 1857 at Tron Theatre, Glasgow

by Mary Baillie · June 30, 2026

After an Edinburgh Fringe sell-out, Kanpur:1857 came to the Tron in association with Glasgow Mela. Strapped to a cannon, an Indian rebel (Niall Moorjani) finds themselves answering to a British officer (Jonathan Oldfield) for the crimes of Kanpur - an Indian uprising against British colonial forces.…

Review: THE HEN NIGHT, Òran Mór

Review: THE HEN NIGHT, Òran Mór

by Natalie O'Donoghue · June 13, 2026

Jade, Amber and Lilac have been organising Coral’s hen night for the past six months and it’s going to be epic! But at the last minute, Coral’s cousin Luna rocks up uninvited. Perfect skin, a model, a poet, and a human rights lawyer…a total goddess. It’s too easy to hate her but little do…

Review: MISS SAIGON, King's Theatre

Review: MISS SAIGON, King's Theatre

by Natalie O'Donoghue · June 12, 2026

Michael Harrison in association with Cameron Mackintosh presents the spectacular new production of MISS SAIGON as Boublil and Schönberg’s legendary musical is reborn. The soaring score features hit songs including; “The Heat is On”, “The Movie in My Mind”, “Last Night of the World” an…

Past Shows

Innovations Contemporary Dance Platform

Oct 7 – Oct 8, 2025

Innovations Contemporary Dance Platform returns to The Studio at Festival Theatre in Edinburgh for two nights, showcasing new works from diverse choreographers and dance artists....

The Nutcracker

Jan 8 – Jan 12, 2013

An enchanted dolls' house, an evil governess, and a nutcracker who may just be a handsome prince in disguise - prepare to enter a magical...

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