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FESTIVAL THEATRE

55 Queen Street
Stratford,

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About the Theatre

Built in 1953, the Festival Theatre's revolutionary thrust stage provides a theatrical experience so profound, it has inspired look-alikes around the world. Originally housed in a tent, the stage now sits in an iconic example of Modernist architecture. 

The theatre offers special access seating on the orchestra level. 

PARKING

Paid parking is available in our lower Queen Street Lot (below the Festival Theatre, at Lakeside Drive). The cost is $25, but it is only $20 when pre-booked along with your auditorium ticket order. Special access parking (with a valid accessible parking permit) is available in our Upper lot next to the Festival Theatre. Spaces are limited, so reservations should be made in advance.

Parking may also be available in our Upper Lot for patrons without a disability permit. The cost is $25 and is only available day of show if space permits.

Limited free parking is available along the circular drive in Upper Queen's Park (Richard Monette Way), adjacent to the theatre, and on both sides of the Avon River. 

For Motor Coaches/Buses, load and unload in Upper Queen's Park (Richard Monette Way). Please do not remain in the loading zone longer than 15 minutes.



Review: SOMEONE'S KNOCKIN' AT THE DOOR, Oran Mor


by Natalie O'Donoghue - February 28, 2026

In 1976, Jack and Kathy set out on a mission to find Paul McCartney’s house on the Mull of Kintyre, where he was living off-grid after The Beatles broke up. ...

Review: GRIDLOCK, SWG3


by Natalie O'Donoghue - February 27, 2026

SWG3’s Poetry Club presents Gridlock, a tense, intimate new drama about love, memory and the tiny choices that change everything....

Review: WAITING FOR GODOT, Citizens Theatre


by Natalie O'Donoghue - February 27, 2026

Set in a shifting, timeless landscape, Waiting for Godot follows two men, Vladimir and Estragon, as they wait for someone who may never come. As they pass the time with scraps of conversation, moments of tenderness and flashes of dark humour, their story becomes a moving reflection on what it means ...

Review: HERE AND NOW, Edinburgh Playhouse


by Natalie O'Donoghue - February 25, 2026

It’s Friday night and the vibe is right as Caz and her fabulous friends dream of the perfect summer of love. But when Caz discovers her ‘happy ever after’ is a lie, and the gang’s attempts at romance are a total tragedy, they wonder – will love ever get a hold on their hearts? Or should th...

Review: THE EVENTS, Tron Theatre


by Natalie O'Donoghue - February 21, 2026

David Greig’s modern classic returns in a bold new staging by Wonder Fools in association with Cumbernauld Theatre. Featuring a live community choir, every performance becomes unique – powerful, uplifting, and rooted in the place where it is staged....

Review: SAINT JOAN, Citizen's Theatre


by Natalie O'Donoghue - February 20, 2026

Based on the extraordinary true story of a sixteen-year-old girl who led France to victory in the Hundred Years War,  Saint Joan explores power, gender and youth-led change, taking us on the journey of someone from a marginalised background impacting international politics....

Review: CHRISTMAS CAROL GOES WRONG, King's Theatre


by Natalie O'Donoghue - February 19, 2026

A new production of CHRISTMAS CAROL GOES WRONG smashes into King's Theatre direct from a strictly limited West End run. Don’t miss this guaranteed Christmas catastrophe from Mischief, the multi award-winning company behind The Play That Goes Wrong, Peter Pan Goes Wrong and The Comedy About a Bank ...

Review: TOP HAT, Glasgow Kings Theatre


by Mary Baillie - February 09, 2026

Top Hat tap-danced its way into Glasgow this week, bringing with it plenty of sparkle and some superb performances. Based on the 1930s film, the plot depicts a classic case of mistaken identity: American dancer Jerry Travers arrives in London, falls for society girl Dale Tremont, and through a serie...

Review: BURNOUT: A VERBATIM PLAY, Tron Theatre


by Natalie O'Donoghue - February 07, 2026

Burnout is a feeling some of us know all too well, but how can it be confronted? And is it here for the long-run? Burnout: A Verbatim Play explores the psychological and physical impacts of burnout in education, healthcare, activism, and more....

Review: SIZE MATTERS, Citizens Theatre


by Natalie O'Donoghue - January 31, 2026

Size Matters is a wildly inventive new show from Mamoru Iriguchi (Eaten, What You See When Your Eyes Are Closed / What You Don’t See When Your Eyes Are Open). Blending puppetry, science, and surrealist theatre, Julia and Mamoru and their puppet doubles explore how time and perception shift with si...

Past Shows

Innovations Contemporary Dance Platform
Oct 7 – Oct 8, 2025

Innovations Contemporary Dance Platform returns to The Studio at Festival Theatre in Edinburgh for two nights, showcasing new works from diverse choreographers and dance artists....

The Nutcracker
Jan 8 – Jan 12, 2013

An enchanted dolls' house, an evil governess, and a nutcracker who may just be a handsome prince in disguise - prepare to enter a magical...

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