The performance is itself an exercise in critical thinking. Schreck almost immediately goes 'over time' to talk about how the Constitution has both liberated and imprisoned women's bodies. She burrows into her own family's painful past of spousal abuse; in one section, about her grandma Betty, she has to read from notecards so that she can muscle through the text without crying. In two years of building the show, Schreck has crafted a powerful argument that uses everything at hand: legal analysis, a dive into history, a consuming rage at sexual-assault statistics and her own very personal reasoning. (There's a scary and hilarious audio recording of Supreme Court justices that's worth the price of admission.) When her own raw grief threatens to overwhelm her, she invites a young local debater-either Rosdely Ciprian or Thursday Williams-for a sparkling debate, which offers tangible hope for the future.