Review: DEAR EVAN HANSEN Is Troublingly Timely at Split Stage
Split Stage delivers a high-tech, high-tension production of a musical that shouldn't feel as relevant as it does.…
Split Stage delivers a high-tech, high-tension production of a musical that shouldn't feel as relevant as it does.…
In a time of increased political insecurity, Sondheim and company's parable of nihilism and the American Dream still hits home.…
While some have accused it of being too twee, this musical docudrama provides hope and humanity in a time when both are hard to come by.…
Launching a new theater company is always a leap of faith, but 2nd Floor Theatre Company lands on solid footing with its inaugural production of Grease.…
The (maybe) final show in CLO's history, this tour stop still has a lot to say.…
Ever heard the joke about how you know you're old when the songs of your childhood get played in grocery stores? As a lifelong Westmoreland County resident, I've long been a fan of Saint Vincent Summer Theatre. They're a classic summer stock company in an era when such things have been mostly forgot…
Just because the music speaks for itself in this jukebox musical, doesn't mean the stories aren't worth hearing.…
I've always been a comics guy, ever since I was five years old and discovered my dad's shipping crate full of seventies and eighties cult titles like Howard the Duck and Doctor Strange.…
This Pittsburgh-centric update of the seventies cult musical bridges the gap between the old world and the new.…
The genderqueer indie rock cabaret staple has lost none of its bite, and found two definitive interpreters.…
13 total · showing 11–13
Main Stage: - Y York; dir: Samantha Bellomo.
Suspicious that his wife Hermione has been unfaithful, King Leontes of Sicilia imprisons the queen, orders the death of her suspected lover, and banishes his own newborn daughter. But callous hearts are redeemed—and broken ones mended—when the abandoned orphan falls in love with...
Main Stage: - Samantha Bellomo, Pete Pryor; lyrics: Michael Ogborn; music: Michael Ogborn; dir: Pete Pryor.
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