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William Barton
It’s time to vote! South Australians are encouraged to help select the next artists to have their name set in lights on Adelaide Festival Centre’s star-studded Walk of Fame with online public voting open today.
Adelaide Festival Centre will launch its Innovate Reconciliation Action Plan (RAP) today, furthering the Centre's commitment to be a destination where equity thrives and First Nations people and cultures are recognised, engaged, represented and celebrated.
The Canberra International Music Festival has announced its Festival program for 2023.
The 38th Adelaide Festival, to be launched this Wednesday 9 November, at Adelaide Town Hall and via livestream offers a total of 52 events in theatre, music, opera, dance, media and visual arts, including major festivals-within-the-festival Adelaide Writers' Week, UKARIA Chamber Landscapes and WOMA
The Sydney Opera House has unveiled five works created by diverse and multi-disciplinary artists responding to our fast-changing world, as part of the latest installment of its bi-annual season of UnWrapped.
Edinburgh International Festival has revealed full details of a month-long digital programme series, Edinburgh International Festival At Home in partnership with abrdn, alongside a video featuring an excerpt of a brand-new poem by Edinburgh Makar, Hannah Lavery.
Premiering as part of the 2022 Adelaide Film Festival, a genre-defying work of art that unites digital imagery, ceramics and sound will open at the Art Gallery of South Australia on 19 October.
The Song Company returns to Riverside Theatres with Songs from the Heart, a new creative collaboration with Indigenous composers and singers Elizabeth Sheppard (Yamatji/Gandangarra) and Sonya Hollowell (Dharawal) on 2nd October.
The Sydney Opera House has unveiled five works created by diverse and multi-disciplinary artists responding to our fast-changing world, as part of the latest installment of its bi-annual season of UnWrapped.
The Cape Symphony has an exciting slate of new performances scheduled for the upcoming 2022-23 season, designed to inspire joy among audiences.
Three finalists have been selected to compete for The Music Trust's 2022 Freedman Classical Fellowship, after an extensive search for Australia's most creative classical musicians aged 35 and under.
Zilker Theatre Productions has announced the cast for Disney’s Newsies the Musical for the 63rd year of its free, outdoor, summer musical production in partnership with the City of Austin.
The UK/Australia Season, the largest and most ambitious cultural exchange between the two nations, today announces a series of new commissions and UK premieres as part of Edinburgh International Festival (5 – 28 August 2022).
From 5 – 28 August 2022, Edinburgh International Festival celebrates its 75th anniversary, and 75 years of bringing world cultures together, with a programme defined by international partnerships and bold collaborations that span continents, generations and genres.
Walsh Bay Arts Precinct, Australia’s newest cultural precinct, has opened to the public following the completion of major redevelopment works on the historically significant Pier 2/3 located on the Sydney Harbour foreshore.
The ACO celebrates the opening of its new home with special guests including William Barton, Jimmy Barnes, Jane Campion, Omar Musa, Genevieve Lacey, Slava Grigoryan and more.
The 2022 Adelaide Festival officially opens today! With a whole host of events over the next 17 days, 2022 marks the 37th Adelaide Festival over 62 years, and the sixth festival under Artistic Directors Neil Armfield and Rachel Healy.
Local students will be helping Nashville Ballet make their triumphant return to the Tennessee Performing Arts Center stage this holiday season as part of the Youth Cast for Nashville's Nutcracker.
Forget what you knew.
On Thursday November 25 from 7:30pm, four trail-blazing young instrumentalists will battle it out to win The Music Trust's coveted $21,000 Freedman Classical Fellowship, before a live streamed audience, filmed by the Melbourne Digital Concert Hall.
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