The Australian Ballet today announced a 2020 season that showcases ballet's enduring power to enchant and transform. In his 20th and final year as artistic director, David McAllister has programmed Australian and world premieres alongside the works that have left an indelible mark on modern ballet. It's a year of milestones and new beginnings that celebrates the dynamism of the company and the art form, with productions that will delight, enthral and inspire.
As the centerpiece of its 2018-19 season, The Joffrey Ballet proudly announces the world premiere of Yuri Possokhov's historic reimagining of Leo Tolstoy's classic novel, Anna Karenina, considered the greatest literature ever written. This majestic full-length work is presented in a first-time collaboration between The Joffrey Ballet and the renowned Australian Ballet to be performed in Chicago at the Auditorium Theatre of Roosevelt University, 50 E. Congress Parkway, in ten performances only, February 13-24, 2019.
As the centerpiece of its 2018-19 season, The Joffrey Ballet proudly announces the world premiere of Yuri Possokhov's historic reimagining of Leo Tolstoy's classic novel, Anna Karenina, considered the greatest literature ever written. This majestic full-length work is presented in a first-time collaboration between The Joffrey Ballet and the renowned Australian Ballet to be performed in Chicago at the Auditorium Theatre of Roosevelt University, 50 E. Congress Parkway, in ten performances only, February 13-24, 2019.
To celebrate the birthday of Dusty Springfield (born 16 April 1939) further casting has been announced today for DUSTY, the landmark new musical about her life which will have its world premiere at Theatre Royal Bath in June 2018 before dates at The Lyceum in Sheffield, Newcastle Theatre Royal, and The Lowry in Salford.
To answer the most burning question for many: Yes, Broadway's Kelli O'Hara can sing opera, acquitting herself nobly and well in the company of “real” opera singers and filling the huge Met Opera without a mike. (FYI: She did study opera herself in her early days.) She brought theatrical pizzazz and was a great partner, as the maid, Despina, for the wonderful, resonant British baritone Christopher Maltman (Don Alfonso) as the co-conspirators of the piece, in director Phelim McDermott's manic production.
Inspired by real, untold stories from the world of women's football, Offside provides an untold commentary on the breakthroughs and limitations in women's football, exploring wider themes of inequality, self-belief and empowerment.
Ashley Wheater, Artistic Director of The Joffrey Ballet, proudly announces an impressive 2018-19 season featuring the world premiere of Yuri Possokhov's historic reimagining of Leo Tolstoy's classic novel, Anna Karenina, presented as part of a first-time collaboration between The Joffrey Ballet and the renowned Australian Ballet, along with a world premiere by rising urban dance star Andrea Walker, the Chicago Premiere of Wayne McGregor's Kairos and the return of two popular works by Tony Award-winning choreographer Christopher Wheeldon.
The UK tour of DUSTY will hold an open casting call for male and female dance ensemble members. Dusty is written by Jonathan Harvey, directed by Maria Friedman, designed by Tom Pye, and choreographed by Tim Jackson. The call will be held Friday 19th January at Toynbee Studios, 28 Commercial Street, E1 6AB.
DUSTY, the landmark new musical based on the authorised biography of Dusty Springfield, will have its world premiere at Theatre Royal Bath in June 2018 before dates at The Lyceum in Sheffield, Newcastle Theatre Royal, and The Lowry in Salford.
I wouldn't exactly call Matt Aucoin, 27, a show-off, even though he wrote the music and libretto for THE CROSSING--his 2015 opera having its NY debut at BAM's Next Wave Festival this past week--and conducted the performance as well. (He left the subtle, fine direction to Diane Paulus, who originally mounted it at the American Repertory Theater in Cambridge, MA, where it was commissioned for the National Civil War Project.) But I would say he's remarkably (and justifiably) confident.
BAM presents The New York premiere of Matthew Aucoin's acclaimed opera Crossing, an American Repertory Theater production directed by Diane Paulus, running tonight, October 3, through October 8, 2017 at BAM Howard Gilman Opera House (30 Lafayette Ave).
The Australian Ballet has just announced that it has partnered with Chicago's Joffrey Ballet to create a new joint production of Tolstoy's timeless masterpiece, Anna Karenina. In an all-Russian partnership, prolific and award-winning Russian choreographer, Yuri Possokhov will collaborate with award-winning Russian composer, Ilya Demutsky who has been commissioned to create a new score for this production.
BAM presents the New York premiere of Matthew Aucoin's acclaimed opera Crossing, an American Repertory Theater production directed by Diane Paulus, running October 3-8, 2017 at BAM Howard Gilman Opera House (30 Lafayette Ave).
Anna Netrebko reprises one of her most acclaimed roles as Tatiana, the naive heroine of Tchaikovsky's opera, adapted from Pushkin's classic verse novel. Peter Mattei stars as the title character, who rejects Tatiana's love until it's too late. Eugene Onegin airs on Great Performances at the Met Sunday, August 13 at 12 p.m. on PBS (check local listings). (In New York, THIRTEEN will air the opera at 12:30 p.m.)
Anna Netrebko reprises one of her most acclaimed roles as Tatiana, the naive heroine of Tchaikovsky's opera, adapted from Pushkin's classic verse novel.
Audiences now have just three weeks left to see the critically acclaimed West End production of multi-Tony and Pulitzer prize-winning playwright Edward Albee's Who's Afraid of Virginia Woolf? The play stars Imelda Staunton as Martha, Conleth Hill as George, Imogen Poots as Honey and Luke Treadaway as Nick.
It's getting near the end of the season at the Met in New York and it's nice to see that they're still bringing out their “A” game, with a splendidly cast run of Tchaikovsky's EUGENE ONEGIN, with the wonderful Met orchestra under the sensitive baton of Robin Ticciati, music director at the Glyndebourne Festival. The Met's chorus, under Donald Palumbo, was also in fine fettle.
Much has been written about the snack ban instigated by this Edward Albee revival at the behest of its star, Imelda Staunton. No problems on that score: with performances of such scorching intensity sustained over a shattering three hours, audiences will be unwilling to release a breath, let alone distract with a rustling crisp packet.
The Metropolitan Opera's 2017-18 season will feature 220 performances of 26 works, including two Met premieres, one co-commissioned by the company and one an older masterpiece having its first Met performances; a variety of repertory favorites, three in new productions; and performances of Verdi's towering concert work for soloists, orchestra, and chorus, the Requiem. Of note, Broadway star Kelli O'Hara is set to return to the Met in Così fan tutte this season.
