Executive Producer Joe Hisaishi and the Royal Shakespeare Company (RSC) have announced that leading innovator in puppetry, animatronics, and digital animation, Jim Henson's Creature Shop, will create the puppets for the global stage premiere of Studio Ghibli's My Neighbour Totoro, opening at the Barbican on Saturday 8 October 2022.
The Royal Shakespeare Company has released the new concept trailer for the upcoming global premiere of the stage adaptation of Studio Ghibli’s My Neighbour Totoro.
One of the greatest successes of recent Met seasons is Philip Glass's AKHNATEN, first seen in 2019.I saw it three times that year and fell under its spell each time.It is being revived this season.
The world premiere of the stage adaptation of My Neighbour Totoro has broken the Barbican's box office record for ticket sales in one day. The record had previously been held by Sonia Friedman Production's 2015 production of Hamlet starring Benedict Cumberbatch in the title role.
The Royal Opera House has announced its biggest Cinema Season ever. Over 2022/23, an astonishing 13 productions from The Royal Ballet and The Royal Opera will be broadcast to more than 1,300 cinemas around the world, bringing the joy of live performance to audiences from the UK all the way to New Zealand.
The world premiere of the stage adaptation of Studio Ghibli’s My Neighbour Totoro which will open at the Barbican for a strictly limited run this autumn in collaboration with Improbable and Nippon TV.
The Royal Opera House today announces its 2022/23 Season, unveiling a rich range of new work, world premieres and beloved revivals. Over 40 productions, performed by an incredible roster of international stars and created in collaboration with global companies, will be accompanied by more than 200 events and activities in our stunning Covent Garden Home, and outreach programmes reaching more than 27,000 children across the UK.
Cultural vibrancy and exemplary artistry from world-class companies and artists will grace the John F. Kennedy Center for the Performing Arts’ stages during its 2022–2023 ballet and dance season, announced today.
Phelim McDermott is among the very top tier of opera directors and, with this welcome revival of his 2014 interpretation of Così fan tutte, it is easy to see why.
Ashley Wheater MBE, The Mary B. Galvin Artistic Director of The Joffrey Ballet, today announced the Joffrey’s 2022–2023 Season at Lyric Opera House, featuring a world premiere from a rising choreographic star, a revival from a Joffrey icon, the return of a Joffrey blockbuster, and a full-length story ballet of such grand scale that it is rarely seen in the United States.
The Metropolitan Opera today announced its 2022–23 season, which features seven new productions, the most in ten seasons. Opening Night is September 27 with the company premiere of Cherubini’s Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar’s new staging, conducted by Carlo Rizzi.
This March, the 'hilarious production' that 'combines clever comedy and sublime arias' (Daily Express), Mozart's Così fan tutte returns to the English National Opera (ENO). Last staged in 2014, Mozart's dark comic masterpiece that is 'funny, fast and farcical' (What's On Stage), is brought to life by the multi-award winning director and Artistic Director of Improbable, Phelim McDermott.
Two years ago, when I first saw photos of the projected new COSI FAN TUTTE,which was a production that originated at English National Opera and was slated to come to the Met, I was circumspect. I had grown up on three previous incarnations of COSI, the first dating from the 1950's a very traditional production which starred Richard Tucker and Eleanor Steber, the subsequent one dating from the 1980's, which had featured Kiri TeKanawa, and the last from 1996, which starred Carol Vaness and Suzanne Mentzer as the sisters Fiordiligi and Dorabella. All were very much 'period' pieces which made no effort to update or change the locale from the original setting of eighteenth century Naples.
Tis the season for Santa Claus, holiday lights, people lining up at three am to get a deal on a 76 inch TV set, and of the course the perennial holiday ballet favorite by Peter Ilyich Tchaikovsky known as The Nutcracker.
It has taken 35 years for Philip Glass's AKHNATEN to get to the Met, since its premiere at the Staatsoper in Stuttgart in 1984. If you're an acolyte of Glass, Phelim McDermott's production, designed by Tom Pye, made it well worth the wait; if you're not, there's enough going on to keep you occupied during the 3 ½-hour performance.
Featuring Tchaikovsky's timeless score and celebrated dance maker Yuri Possokhov's fresh choreography, Atlanta Ballet makes its Kennedy Center debut with its reimagined production of The Nutcracker, November 27-December 1 in the Opera House.
The Metropolitan Opera presents the company premiere of Philip Glass's modern masterpiece Akhnaten on November 8, 2019, with performances continuing through December 7.