TheatreWorks News

Concord Music Publishing has signed songwriting team Chris Miller and Nathan Tysen. Learn more about the pair and about the publishing deal.

The Weathervane Theatre will offer a Workshop presentation of GALLERY by Tony Award and Pulitzer Prize winner Ed Kleban (A Chorus Line). Learn more about Gallery and see who is starring!

The Marsh Berkeley will present the world premiere of a stunning new work by film, television, and stage actor/writer Algiin Ford, Tobacco, Zigzags & Gum, developed and directed by David Ford.

Center Repertory Company will present The Great Leap by San Francisco native and award-winning playwright Lauren Yee.

TheatreWorks New Milford is now accepting submissions for their 2024 Ten Minute One Act Play Festival, entitled 'Tales from the Brookside.' Submit your ten-minute play online by March 30, 2024. The festival/competition will be held at TheatreWorks New Milford from August 20-24, 2024.

Lianne Marie Dobbs is bringing a new show celebrating neurodiversity by way of some Dusty Springfield tunes to the Green Room 42. THE WINDMILLS OF MY MIND... FOR DUSTY SPRINGFIELD plays on Saturday February 17th at 9:30 pm at the Green Room 42. I spoke to Dobbs about the upcoming show and the way she's embraced her ADHD.

​WAM Theatre has unveiled its 2024 season centering new paths and brave futures, through four innovative theatrical stories and a special 15th Anniversary Benefit.

Several things rush to mind in the thoughts of the prolific theatre-goer when a Neil Simon production is promised: smart & funny being chiefly amongst them.  Both are on tap at Desert Theatreworks in their current production of Simon’s “Plaza Suite”.  A collection of three vignette scenes connected only by locale, Room 719 of Manhattan’s once opulent Plaza Hotel, and the ramifications of love (gaining it, losing it and being frankly terrified by it). 

The Movement Theatre Company has unveiled the line-up of special events, readings and residencies that will take place this spring. Learn how to purchase tickets!

THE ANIMAL KINGDOM, a quietly galvanizing play produced and directed by Jack Serio, extends its run at Connelly Theater Upstairs. Learn how to purchase tickets.

WATER FOR ELEPHANTS begins previews tonight, Saturday, February 24, 2024, and opens on Thursday, March 21, 2024, at the Imperial Theatre (249 West 45th Street). Meet the cast of Water For Elephants here!

Theater Latté Da has announced the commission and first workshop of the new musical She's Come Undone, with music and lyrics by Michael Holland and a book co-written by Darrah Cloud and David Simpatico.

BroadwayWorld chats with virtuoso actor/pianist/filmmaker Hershey Felder about his return to TheatreWorks Silicon Valley in his popular 'George Gershwin Alone' & 'Great American Songbook Sing-Along' shows February 7th thru 12th.

Get a first look at Hershey Felder as he illuminates the life and music of George Gershwin, the legendary tunesmith whose work shaped a distinctly American style of music with such iconic works such as “A Rhapsody in Blue,” “I Got Rhythm,” “’S Wonderful,” and many more.

Central Works 2024 season opens March 2 with Boss McGreedy (Mar 2–Mar 31) by Gary Graves, at the historic Berkeley City Club.

Central Works Season opens March 2 with Boss McGreedy (Mar 2–Mar 31) by Gary Graves, at the historic Berkeley City Club.

Get a first look at TheatreWorks Silicon Valley's stunning new production of August Wilson’s How I Learned What I Learned.

Theatre NOVA, Ann Arbor's resident nonprofit professional theatre, has announced the Michigan Premiere of 'Fortune' by Deborah Zoe Laufer. 

Chicago Shakespeare Theater will present SHORT SHAKESPEARE! The production will welcome thousands of students from across the region.

TheatreWorks opens 2024 with a super trifecta winner with August Wilson’s deeply personal and revelatory How I Learned What I Learned: a brilliant, bravura performance by Bay Area legend Steven Anthony Jones, excellent direction by Wilson interpreter Tim Bond, and of course, the profoundly poetic and incisive words of Wilson that resonate just as clearly today as when written and performed by him in 2003.