Griffin Theatre Company is pleased to continue its 31th anniversary season with W. Somerset Maugham's classic war drama FOR SERVICES RENDERED, directed by ensemble member Robin Witt*, playing May 19 - July 6, 2019 at The Den Theatre (Upstairs Main Stage), 1331 N. Milwaukee Ave.
The Owosso Community Players are presenting the Tony Award-winning play, The Curious Incident of the Dog in the Night-Time, starting April 26th at the Lebowsky Center in Owosso. The play by Simon Stephens is based on the novel of the same title by Mark Haddon and the story follows the mystery surrounding the death of the neighbor's dog. Young Christopher Boone decides to investigate, and although he is exceptionally intelligent, he is ill-equipped to interpret everyday life. His pursuit of the truth leads him to far greater mysteries, revealing family secrets he could never have imagined. A number of special visual effects are employed to allow audiences to experience the world in a way Christopher does. 'This heartwarming story follows a young teenager in a quest to find his mother,' said Anna Owens, director. 'It shows that even in a chaotic world, the human spirit is strong.' BroadwayWorld Detroit had a chance to speak with Anna about directing this fascinating and special play and what audiences will experience when they see it. Read what she had to say below:
Kat Stewart (Offspring) stars as the audacious and spontaneous Georgie opposite Peter Kowitz (Janet King) as routine-loving Alex in the Australian premiere of Heisenberg, directed by Tom Healey (The Spook).
According to the New York Times, Sea Wall / A LIFE, written by Simon Stephens and Nick Payne respectively and directed by Carrie Cracknell, will transfer to Broadway next season. Starring Jake Gyllenhaal and Tom Sturridge, it will begin performances on July 26 and will open on August 8. The limited engagement will conclude on September 29.
The Owosso Community Players will present The Curious Incident of the Dog in the Night-Time beginning April 26 for two weekends. Performances will take place at the Lebowsky Center, 122 E. Main Street in Owosso.
'Playwriting' feels like a love letter to theatre and the craft of writing for the stage. It echoes encouragement to new, emerging and struggling playwrights and exudes an unexpectedly paternal affection to the reader.
USC's CURIOUS INCIDENT says goodnight, Trustus' GATSBY keeps swinging, and the HT@MTC Performance Incubator launches its newest project - a world premiere from Full Circle Productions!
The John F. Kennedy Center for the Performing Arts hosts more than 120 outstanding theater students from colleges and universities across the nation as part of the 50th annual Kennedy Center American College Theater Festival (KCACTF), which runs April 16-20, 2019 in multiple locations throughout the Center. The Center also announced the national awardees for the KCACTF. Selected awardees and representatives will be brought to Washington, D.C. for an expense-paid trip to participate in the National Festival. These student artists from across the United States have been recognized for their outstanding work from the eight regional festivals that were held January 8 through February 28, 2019.
Groups of passionate young theatre makers are gearing up to take over Curve and venues across Leicester city as part of National Student Drama Festival (NSDF).
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) are pleased to announce the complete casting for the world premiere of Continuity, the new play by Lortel and Drama Desk Award nominee Bess Wohl (Small Mouth Sounds, American Hero) and directed by Tony Award nominee Rachel Chavkin (Hadestown; Natasha, Pierre & The Great Comet of 1812). The production will feature Max Baker (1984, The Explorers Club), Jasmine Batchelor (The River), Rosal Colon ('Orange is the New Black,' Between Riverside and Crazy), Curran Connor (Pidgeon, A Picture of Autumn), Garcia ('Tales of the City'), Darren Goldstein (Lillian Hellman's The Little Foxes, The Madrid), Alex Hurt (Cardinal, The Whirligig) and Megan Ketch (The Big Wedding, 'American Gothic').
A story about a murdered dog turns into a character study of a teenager with autism spectrum disorder (ASD), brilliantly portrayed by 19-year-old Benjamin Colby Wilson. This play will warm your heart as it shows Wilson's honest and sympathetic portrayal of a boy in search for comfort and acceptance by his separated mother and father.
LAGUNA PLAYHOUSE is thrilled to present a co-production with the Rubicon Theatre Company, the critically acclaimed (LA Times Critics' Choice) production of HEISENBERG, written by Simon Stephens (The Curious Incident of the Dog in the Night-Time) directed by Katherine Farmer (South Pacific, Gulf View Drive) and starring Faline England (Valentine's Day) & Joe Spano (Hill Street Blues and NCIS). Comments Artistic Director Ann E. Wareham and Executive Director Ellen Richard, "What a special opportunity to co-produce this critically acclaimed production with the Rubicon Theatre Company. Simon Stephens has written a funny, tender and quirky love story that celebrates human relationships in all their complexity. Faline England and Joe Spano are giving masterful performances under the brilliant direction of the gifted Katharine Farmer. Our subscribers and audiences are sure to fall in love with this wonderful and extraordinary play." HEISENBERG begins previews on Wednesday, March 27; will open on Sunday, March 31 at 5:30pm and perform through Sunday, April 14, 2019 at the Laguna Playhouse, 606 Laguna Canyon Drive in Laguna Beach.
A new play about growing up gay in the North of England in the early noughties to be workshopped in Higher Walton Community Centre, prior to a London showcase at the Omnibus Theatre in Clapham.
K.I.S.S. It's the best advice you can give anyone in acronym form; meaning, Keep It Simple Stupid, and it's the mantra that the folks at Village Theatre should have taken to heart when attempting to stage Simon Stephens' brilliant play, 'The Curious Incident of the Dog in the Night-time'. Now, you may say, 'But Jay, the Broadway and touring productions were anything but simple.' And that's true, but unless you can pull off that level of stage wizardry, then you need to go in another direction. Unfortunately, Village went in another direction but also kept everything quite complex throwing everything they could think of on stage, none of which really worked completely, resulting in a mish mash of inconsistencies and a play that didn't communicate what it should.