Golden Globe winner and star of 'The Crown Josh O'Connor and 'Fargo' star Jessie Buckley lead the original film for television by The National Theatre, Great Performances: Romeo & Juliet, which premieres tonight, Friday, April 23 at 9 p.m.
An original film for television by the National Theatre, Great Performances: Romeo & Juliet premieres Friday, April 23 at 9 p.m. on PBS, pbs.org/gperf and the PBS Video app.
A first-look image has today been released for the National Theatre’s Romeo & Juliet, a feature film for broadcast on Sky Arts and PBS this April. The image features Romeo, played by Josh O’Connor (The Crown, God’s Own Country) and Juliet, played by Jessie Buckley (Chernobyl, Judy), as they meet by moonlight at Juliet’s balcony. The image was taken during filming at the National Theatre.
The National Theatre's new filmed version of Romeo & Juliet for television is coming soon! The play was originally to have played to theatre audiences in the NT's Olivier auditorium from Summer 2020.
One of the BBC’s most ambitious and cinematic TV series ever makes its highly-anticipated Stateside debut on Acorn TV this December: A Suitable Boy, an epic tale of life and love set in vibrant 1950s India in the first screen adaptation of the classic, bestselling, 1,349-page novel of the same name by Vikram Seth.
The National Theatre has today announced it is creating a new filmed version of Romeo & Juliet for television, temporarily transforming the vast stage spaces of its Lyttelton theatre into a film studio to capture Shakespeare's timeless play for a new generation of audiences.
Shakespeare's Globe has announced casting for the Winter Season 2018, its plans for a year-long cycle of history plays from February 2019, and Globe Associates, to include Sean Holmes, who is to become Associate Artistic Director.
Documenting his grandparent's experiences of moving overseas, Vinay Patel has written a three-hour epic, which puts ethical choice and identity at the forefront of the narrative. Spanning 60 years and a couple of generations, Madani Younis' production is a beautiful reminder of the importance of family, and the values we place upon it.
A drama of unprecedented scope and heart, spanning seven decades and three continents, inspired by the experiences of his immigrant grandparents, Vinay Patel's An Adventure opens at Bush Theatre on 6 September (press night 11 September).
Shakespeare's Globe is delighted to announce the launch today of Such Stuff, a brand new podcast. Such Stuff is hosted by Artistic Director, Michelle Terry, producer Imogen Greenberg and Head of Higher Education and Research, Dr. Farah Karim-Cooper.
Earlier this week news broke that Glenda Jackson, fresh from her triumphant, Tony-winning run in Three Tall Women, will next don the crown as Shakespeare's tragic monarch King Lear. Broadway is making much ado about something and understandably so. New York stages haven't seen much gender-swapped or gender-blind casting of Shakespeare, but take a peek across the pond to find a revolution of sorts in the interpretation of the Bard's work.
Michelle Terry's first season as Artistic Director of the Globe will be carefully scrutinised. Emma Rice's contentious exit raised important questions about the venue's purpose, its balancing of tradition and innovation, new and returning audiences, and about how we engage with Shakespeare in the 21st century.
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From meaty revivals to the open-air theatres opening their doors, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!
Shakespeare's Globe is delighted to announce Michelle Terry's first season as Artistic Director. 2018's Shakespeare productions include Hamlet, As You Like It, The Two Noble Kinsmen, The Winter's Tale, Othello and Love's Labour's Lost. A premiere of three new plays, a national and international tour of Shakespeare and other performances on and off site are announced together with a year-long programme of events exploring the history and future of theatre censorship, as well as a series of events looking at race, refuge and refugees in relation to Shakespeare.