THE BOY FROM TROY, a new musical featuring original book/ lyrics by Bryan-Keyth Wilson (FOR COLORED BOYZ...) and original music/lyrics by Constance T. Washington will get a private workshop this fall.
The 5th Avenue Theatre presents Sister Act, March 14 - April 5, 2020.
Complete casting has been announced for The 5th Avenue Theatre's new production of Sister Act, which begins rehearsals today.
Seattle Theater Writers Seattle's theater reviewers circle announces the Winners of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found across the area.
Seattle's critics' circle announces nominees for the 2020 Gypsy Rose Lee awards celebrating excellence in Seattle theatrical productions.
Equity. Joy. Imagination. These were the words conveyed to us by Angie Kamel, the Director of Public Works at the Seattle Rep, before the opening performance of Public Works' production of “As You Like It”. And as with their inaugural production of “The Odyssey” back in 2017, those words say it all. Bringing together people from all walks of life across Seattle, professionals and non-professionals alike, to tell a story in such a positive way brings joy and imagination to life in the most equitable way possible.
Dear Readers, when seeing the west coast premiere of Christina Ham's "Nina Simone: Four Women", currently at the Seattle Rep, if you're expecting a light, jukebox musical about the works of Nina Simone then you may be disappointed and you probably don't know much about Nina Simone in the first place as you couldn't really call her style "light". But what you are in for is a searing look at how Simone branched out from American Songbook covers to her own distinct style of songs that spurred the civil rights movement.
The votes are in and the nominees have been announced! And now, the worthy recipients of the 2018 Gypsy Rose Lee Awards are finally able to get the recognition they richly deserve.
Seattle's critics' circle announces Nominees of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found in the myriad of professional theater productions that we reviewers attend in a year.
A few years ago, Dear Readers, Seattle audiences were treated to the tour of Dennis Kelly and Tim Minchin's lovely musical version of Roald Dahl's "Matilda". A clever little tuner that managed to go beyond simply adding songs to a beloved book and find the heart of the story. Unfortunately, the complaint I heard most often back then from people who saw it was that they couldn't understand the lyrics owing to a bad sound mix in the theater and a bevy of child actors putting on quite thick British accents. So, if you didn't know the lyrics then maybe you didn't get to know them. Well, Village Theatre has picked up this tale of these revolting children (not a judgment of the kids, it's one of the songs) and while the lyrics are much clearer in the more intimate setting and the talent from the kids and adults alike is top notch (with some excellent diction) the show at times feels like it's striving to find it's rhythm and barely finds its magic.
Village Theatre is elated to bring Roald Dahl's magical misfit Matilda to the stage in the hit musical that swept up five Tony Awards, seven Olivier Awards, and was named TIME's #1 Show of the Year in 2013. The production features an incredible cast of 15 local youth who have been training for their roles in music, acting, and CrossFit since June. They will be joined by some of the Puget Sound's best performers.
Once again, Dear Readers, we've ventured into the realm of one of my favorites. We recently had my all-time number one in town, but I'd have to say Marc Shaiman and Scott Wittman's "Hairspray", is certainly in the top five with its infectious and rousing score and incredible book from Mark O'Donnell and Thomas Meehan. I've seen countless productions including the original cast and even had the honor of being in the show. And now Village Theatre has thrown their wig in the ring with their own production and I have to say in some ways it surpasses all those others. With its Beat, Power, and Humor it's a true show triple threat.
Village Theatre is closing out their season with an all-new stage production of the Broadway hit musical, Hairspray. Tracy Turnblad is a big girl with big hair and an even bigger dream: to dance her way onto national TV, dethrone the reigning teen queen, win the affections of the local heartthrob, and integrate a TV network… all without denting her 'do! The Tony and Drama Desk Award-winning Best Musical teach us to look past skin color and size in the fight for equal rights. "What excites me about this show," says co-director Timothy McCuen Piggee, "is that we get to tell stories that humanize in a world that constantly works to dehumanize. This play is really clever because it offers the opportunity to examine issues like racism, sizeism, homophobia, and bias. This show is thoughtful and courageous and I'm excited to bring it to life with such a strong team of individuals."
Village Theatre is closing out their season with an all-new stage production of the Broadway hit musical, Hairspray. Tracy Turnblad is a big girl with big hair and an even bigger dream: to dance her way onto national TV, dethrone the reigning teen queen, win the affections of the local heartthrob, and integrate a TV network… all without denting her 'do! The Tony and Drama Desk Award-winning Best Musical teach us to look past skin color and size in the fight for equal rights. "What excites me about this show," says co-director Timothy McCuen Piggee, "is that we get to tell stories that humanize in a world that constantly works to dehumanize. This play is really clever because it offers the opportunity to examine issues like racism, sizeism, homophobia, and bias. This show is thoughtful and courageous and I'm excited to bring it to life with such a strong team of individuals."
The 5th Avenue Theatre is a vibrant hive of musical theater activity as the projects of NextFest: A Festival of New Musicals have started rehearsals this week. A three-week musical theater intensive development cycle, NextFest has played a role in the creation of musicals ranging from Persuasion by Harold Taw and Chris Jeffries (Taproot Theatre, 2017) to Come From Away by Irene Carl Sankoff and David Hein (Broadway). Nationally recognized for its contribution to the contemporary musical theater cannon, The 5th Avenue Theatre is a celebrated incubator for new musicals. Each year, the nationally renowned theater company connects writers at all stages of development with some of the region's most brilliant performers, giving life to the words on the page and allowing book writers, composers and lyricists to see their work in action. This year's various works are brought to life by Alexandria Henderson, Justin Huertas, Matthew Kacergis, Shaunyce Omar, Brandon O'Neill, Timothy Piggee, Hannah Schuerman, Billie Wildrick and many more.
The winners of the 2017 Gypsy Rose Lee Awards are announced by the Seattle critics circle, Seattle Theater Writers!
Seattle's critics announce the Nominees of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found in as much professional theater as we reviewers can attend in a year. Named in honor of the famed theater entrepreneur and Seattle native, Gypsy Rose Lee, and in a nod to the vast numbers or theater practitioners forced to travel the country to earn their living, the Gypsys seek to acknowledge the excellence of the Seattle theater community.
Dear Readers, it's been quite a year and, hopefully, we've come through it unscathed. God knows we've needed some shows to help us escape and others to make us think. But through it all we've had several shows that have proven to shine as some of the best of the year. Out of all the shows I was fortunate enough to see this year, I've selected a few that stood out. Here are those stand outs, a few honorable mentions and a few special mentions about which I just couldn't help myself but to mention in their own special way.
Easily one of the most influential American writers of our time, Maya Angelou beyond being an amazing poet an author was also an outspoken civil rights activist and icon for our age. Book-It Repertory has done honor to this fine woman with their current production of her autobiography I Know Why the Caged Bird Sings .
Book-It Repertory Theatre will open its 28th season with a stage adaptation of Dr. Maya Angelou's masterpiece I Know Why the Caged Bird Sings. Founding Co-Artistic Director Myra Platt originally adapted and directed this piece for its 2003 world premiere at Book-It. Platt is thrilled to collaborate with Malika Oyetimein who will direct and join Platt as co-adapter on a new script for 2017.
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