Sarah Kane News

Rivendell Theatre Ensemble is adding performances to the sold-out world premiere run of Motherhouse by RTE Ensemble member Tuckie White, directed by Azar Kazemi. 

The tony award-winning Drama Book Shop is hosting a special in-person conversation with playwright Joanna Pickering on May 2nd, 7.30pm to discuss her trilogy: Truth, Lies and Deception.

Bad Victims, written and performed, by award-wining Joanna Pickering, and directed by Erica Gould (world premiers of Neil LaBute and Theresa Rebeck) confirms its cast and returns to stage at The Courtyard Theatre, London with three more special dates on April 26th, 27th and 28th.

Rivendell Theatre Ensemble has announced the two-week extension of the world premiere of Motherhouse by RTE Ensemble member Tuckie White, directed by Azar Kazemi. 

The Catastrophic Theatre's production of Sarah Kane's CLEANSED, scheduled to open this Friday, March 31, has been canceled due to the sudden, untimely death of a beloved cast member. 

Mercury Theatre, led by Executive Director Steve Mannix, Executive Producer Tracey Childs and Creative Director Ryan McBryde, has announced four new associate companies who will partner with the venue for a period of three years.

Soho Rep and the NAATCO National Partnership Project have announced a one-week final extension of the world premiere production of Public Obscenities. See how to purchase tickets!

In a former university, society's “undesirables” are subjected to a series of tortures designed to test the limits of human love on the battlefield of the human body. Explosively aching, hauntingly poetic, and disarmingly tender, CLEANSED is a fever-dream fable of unimaginable brutality and miraculous beauty. CLEANSED is about how love survives the most extreme circumstances. Violence is merely the obstacle. The story is one of righteous need and unrelenting hope. 

Family memory is weaponised in this grime lined new production of Enda Walsh's 2006 black comedy

Rivendell Theatre Ensemble will present the world premiere of Motherhouse by RTE Ensemble member Tuckie White, directed by Azar Kazemi. 

Bad Victims, written and performed, by award-wining Joanna Pickering, and directed by Erica Gould returns to stage, with its original cast, at The Courtyard Theatre, London by popular demand, adding two special dates on March 14th and 15th.

ETT (English Touring Theatre) has announced their new production of Shakespeare’s Macbeth, and further programming for 2023.

Axis Theatre Company will present a return engagement of Washington Square, a contemporary take on Henry James’ novel.

St. Ann’s Warehouse and Good Chance will bring The Jungle back to St. Ann’s, where it made its sold-out American Premiere in 2018. See performance dates, how to purchase tickets, and more.

Eddie dreams of escape—from the office where he suffers at the hands of his co-workers, from a doctor whose treatments seem far worse than any medical complaint, perhaps from even the play itself! 

Soho Rep and the NAATCO National Partnership Project will present Public Obscenities, a bilingual play performed in Bangla and English from writer-director Shayok Misha Chowdhury, co-commissioned and produced by the two organizations, February 15-March 26, 2023.

The Gate Theatre has announced the appointment of Nicola Clements as its new Executive Director and CEO. Nicola joined the Gate in November, succeeding Shawab Iqbal who stepped down to start a new position as Executive Director at Leeds Playhouse.

The much-anticipated new co-production of the National Opera with the Opéra La Monnaie of Brussels is The Tales of Hoffmann under the intelligent direction of the leading European director of opera and theater Krzysztof Warlikowski, who undertakes to reveal the essence of a work where place and time are the remains of a damaged mosaic. 

The Endgame, a new play written by Joanna Pickering, is on the roster for The Big Funk Company (American Theatre in Paris) for their American Friday play reading evening on December 2nd, at Le Pave D’Orsay in Paris. 

There is a growing trend of operas drawing inspiration from and working alongside the contemporary theatre world. Whether it is collaborations or borrowing ideas, in these tempestuous times for the performing arts our artistic ecosystem inevitably grows richer as a result.