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Full Cast Set For CLEANSED at the Almeida Theatre

The Almeida Theatre announced the full cast for CLEANSED, Sarah Kane's play directed by Olivier Award-winner Rebecca Frecknall, featuring Leo Bill, Pearl Chanda, and others. The production runs in London this summer.

Royal Ballet and Opera Reveals 2026/27 Season

Royal Ballet and Opera announced its 2026/27 Season, featuring 10 new opera productions including PARSIFAL, GÖTTERDÄMMERUNG, and LA GIOCONDA, plus ballet masterworks and Wayne McGregor's 20th anniversary. Tickets go on sale June 24, 2026.

REVIEW: Oynak Kumpanya Presents Phaedra’nın Aşkı

Phaedra is a difficult tragedy to stage with a straight face. Given the stakes, her desire for her stepson Hippolytus can easily tip into the absurd. This is not a youthful Romeo and Juliet infatuation.

Critics’ Choice: Franco Milazzo's Best Theatre Of 2025

Looking back over 2025, it appears I sat in a dark room and wrote barely legible thoughts into a notebook on about 150-odd occasions. By the grace of God and the BroadwayWorld UK editor, I saw a real smörgåsbord of delights, everything from highly anticipated West End theatre to opera, dance, circus, cabaret, comedy and immersive theatre.

BWW Q&A: Brendan Healy Talks A DOLL'S HOUSE at Canadian Stage

BroadwayWorld spoke with Brendan Healy about Canadian Stage's production of A Doll's House. Nora appears to be the perfect wife, but beneath the surface she harbours a secret that threatens to unravel her seemingly happy world. As the truth emerges, Nora gradually awakens to her own desires, and the play builds toward a radical act of self-liberation.  

What Is Absurdist Theatre? Inside the Movement that Changed Modern Drama

This fall, Samuel Beckett’s Waiting for Godot is once again drawing audiences to Broadway, with its enigmatic blend of humor, hopelessness, and haunting stillness. It’s a timely reminder of how profoundly absurdist theatre reshaped the modern stage—inviting audiences to laugh at the meaningless, search for significance in repetition, and confront the unsettling question at the heart of human existence: Why are we here at all?

GOD IS DEAD Comes to Theatro Technis in London

Noctis Theatre Company will present their new play God Is Dead, written and directed by Matthias Moret and Fanny Le Pironnec at Theatro Technis in Camden, as part of the Voilà Festival 2025.

Review: 4.48 PSYCHOSIS, Royal Court Theatre

Sarah Kane is part of the mythology of British theatre. A brilliant mind, unbridled in her explorations of existence. Severely depressed, she hanged herself in the toilets of King’s College Hospital on the 20th of February, 1999. Tragically, it wasn’t a surprise. She wrote and talked about suicide very matter-of-factly. Kane authored, in total, five plays and a short film, all of equal, tragic precision in their emotional quality. It’s astonishing how much beauty came from someone who suffered so intensely.

Review: BURNT TOAST, Battersea Arts Centre

It’s difficult to say at which exact point during Susie Wang’s Burnt Toast I noticed that my jaw had dropped and stayed dropped. If Sarah Kane’s Blasted had been set in Fawlty Towers, it may have turned out something like this.

Review: CRAVE at Intiman Theater

CRAVE, Sarah Kane’s stylistic one-act play, is an uncompromising plunge into the raw, chaotic landscape of human emotion. Now performing at Intiman Theater, this is a 55-minute concept piece that seems to revel in its own disarray. In true avant‐garde fashion, the play introduces us to four enigmatic characters–A (Lathrop Walker), B (Christopher Morson), C (Marya Sea Kaminski), and M (Alexandra Tavares)–whose disjointed, abstract musings recall the erratic pulse of late 90s beat poetry. Their relationships remain a mystery, their interactions sparse, each figure channeling a distinct, seething rage that resonates deeply with our current socio-political climate.

Photos: CRAVE Presented By Intiman Theatre

Love, loss, sex and desire play across the stage in this poetic and deeply personal play from legendary playwright Sarah Kane, returning to Seattle nearly two decades after it last stunned audiences as one of the first productions from Washington Ensemble Theatre (WET). Check out photos from the production.

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