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BWW Review: RENT at The Collins Theatre Rocks Out Through Their Seasons of Love

As I hurriedly walk into the Collins Theatre, 120 W. Emerson St. In Paragould, I was thrilled with how charming it was and mentally kicked myself for not getting there sooner so I could explore the building. Originally built in 1925, this facility takes you back to yesteryears to what theaters use to be before all the modern updates, but though the look was dated, the choosing to perform RENT, music and lyrics by Jonathan Larson, definitely was not. The people of the Collins Theatre chose a very bold, daring musical that exceeded way past my expectations, and even though they had technical difficulties early on (and what theatre doesn't have those), they reset and performed like they were on Broadway.

BWW Review: HADESTOWN at Kennedy Center

It is mere coincidence that Anaïs Mitchell’s remarkable, Tony Award-winning Hadestown, now being given a solid production at the Kennedy Center’s Opera House, debuted on Broadway just before our twenty-month plague began, but it fits. Mitchell’s story is at bottom a moral call to arms, which cleverly mines the saddest tale in all of mythology and marries it to a still older myth – one which was designed to explain the seasons.

BWW Review: MAMMA MIA! at Fairfield Center Stage

On Friday, October 15, I had the pleasure of seeing yet another phenomenal production by Fairfield Center Stage, an innovative theatre company that continues to go that extra mile to bring the audience fresh new experiences with familiar shows that Fairfield Center Stage brings to life in positive ways that the audience has never seen before.  Here we go, again, with MAMMA MIA!, which is written by Catherine Johnson, based on the Swedish group Abba’s songs that were written by Benny Andersson and Bjorn Ulvaeus.  Performed outdoors on the back lawn of the Scandinavian Club, in Fairfield, CT, the venue fits the show perfectly!  With the help of the strong skills of choreographer Kelsey Kaminski, executive producer Eli Newsom and artistic director Christy McIntosh-Newsom bring out the best in this outstanding cast of talented actors and actresses who have tremendous stage chemistry with each other.  The cast members all shine forth with positive energy that radiates outwards through the audience, creating a positive vibe that enhances the audience’s enjoyment of this production, seeing how much the performers are clearly enjoying their roles.

The National Theatre Conference Announces 2021 Award Recipients

The National Theatre Conference, is an organization of theatermakers that connects, supports, and advocates for the field. Each year, leading theatre professionals and academics gather in New York City to engage in the essential questions of our art.

Tickets Go On Sale Today For HADESTOWN At Saenger Theatre

Tickets will go on sale to the general public on Friday, Oct. 15 at 10 a.m. Presented by the New Orleans Theatre Association, Hadestown is part of the Hancock Whitney Broadway in New Orleans 2021-2022 season.

Black Theatre Troupe Presents BLACK NATIVITY This December

Since 1975, Black Theatre Troupe audiences have enjoyed BLACK NATIVITY, the legendary holiday event by Harlem Renaissance poet Langston Hughes. For its 50th anniversary season, the company announces its return to the stage with a stunning new production, December 3 - 19, 2021.

Virtual Writers' Symposium to Address and Inspire Future Of Theatre

In partnership with the Writers' Guild of Great Britain (WGGB), leading UK theatre company, HighTide, will bring writers and change-makers together with inspiring creative thinkers, artists and industry figures in an online symposium on Friday 22 and Saturday 23 October.

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