The American Theatre Critics Association (ATCA) has selected three finalists for the Francesca Primus Prize, sponsored by ATCA and the Francesca Ronnie Primus Foundation. The award, presented annually since 1997, recognizes the best work by an emerging woman playwright who has not yet achieved national prominence.
The Acting Company announces the cast and creative teams for its 2019 Summer Repertory Season. Native Son and Measure for Measure will play July 14 through August 24, 2019 at the Duke on 42nd Street (229 W. 42nd Street), with opening night for both plays set for Sunday, July 28, 2019. Single tickets and subscription packages are on sale now.
The Acting Company (Founded by John Houseman and Margot Harley; Ian Belknap, Artistic Director; Elisa Spencer-Kaplan, Executive Director) announced casting today for the second reading in the 23rd John McDonald Salon Reading Series, Frederick Knott's classic thriller Wait Until Dark. The reading will take place on Monday, May 20 at 7 PM at the Peter Jay Sharp Theater at Playwrights Horizons (416 W. 42nd Street, New York, NY). Tickets are available now online at www.theactingcompany.org.
NATIVE SON, a novel written in 1940 by Richard Wright, tells the story of 20-year of Bigger Thomas, an African American youth living in utter poverty in a poor area on Chicago's South Side in 1939. While not apologizing for Bigger's crimes, Wright portrays a systemic inevitability behind them, making the case that there is no escape from his destiny since he is the inevitable product of the society in which he has lived since birth, faced by expectations imposed upon him by others tasked to teach him the proper way for a Black man to live in society. It is often said that those who do not learn from history are doomed to repeat it. This is certainly the case in Wright's original story which could have been written today, given the similar news stories filling the airwaves right now involving police beatings of Black men and gun violence leading to senseless murders.
Antaeus Theatre Company's production of "Native Son," which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the third annual Block Party: Celebrating Los Angeles Theatre, will open Saturday, April 20 at 8 p.m. Written by Nambi E. Kelley, based on the novel by Richard Wright and directed by Andi Chapman, "Native Son" is currently in previews and will close April 28.
It would have been interesting to hear the 1953 conversation between author Richard Wright and the upstart man of letters James Baldwin at the ex-pat literary nexus of Les Deux Magots in Paris.
The Queens College Evening Readings series is back for the spring season with highly anticipated readings by acclaimed writer Brad Gooch and performer Cherita Armstrong.
Court Theatre and playwright Nambi E. Kelley have received the Prince Prize for Commissioning Original Work for 2018. Prince Charitable Trusts makes an award of $75,000 each year to a major Chicago dance, music, visual arts or theater company. When the Trust approached Court Theatre about projects that might fit their vision for the Prize, it was only natural to ask playwright Nambi E. Kelley to create an original play based on the story of Stokely Carmichael's activism and legacy for the stage. In 2014, Kelley had adapted Richard Wright's Native Son for Court Theatre in a co-production with American Blues Theatre that garnered great critical and popular acclaim. Another collaboration would build upon these successes.
Antaeus Theatre Company's 2018 Southern California premiere of NATIVE SON has been chosen as the third and final production of Center Theatre Group's BLOCK PARTY 2019, beginning April 18, 2019 at the Kirk Douglas Theatre. Nambi E. Kelley's adaptation of Richard Wright's classic novel Native Son will be reprised with its entire original Antaeus cast of nine, again with director Andi Chapman at its helm. I had the chance to ask some delving questions of Jon Chaffin, who portrays NATIVE SON's most integral character, Bigger Thomas.
The play, a fair and angry indictment of social injustice, asks a number of important questions, and the gorgeous cast, under the adept direction of Atlanta-favorite Tinashe Kajese Bolden and Keith Arthur Bolden, and with help from an incredibly able design team, brings the indictment to powerful life.
Casting is set for Antaeus Theatre Company's production of "Native Son," which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the third annual Block Party: Celebrating Los Angeles Theatre. Written by Nambi E. Kelley, based on the novel by Richard Wright and directed by Andi Chapman, "Native Son" will begin previews April 18, open April 20 and continue through April 28, 2019.
'Native Son' is a heavy drama with an important story to tell. But what makes this production really shine is Psalmayene 24's guiding emphasis on "radicalizing empathy." In Mosaic Theater Company's production, the audience isn't asked to excuse Bigger, but to try to understand him. That understanding, that empathy, it's suggested, can go a long way in ensuring that the circumstances surrounding Bigger's story can maybe be kept in the past.
The Acting Company (Founded by John Houseman and Margot Harley; Ian Belknap, Artistic Director; Elisa Spencer-Kaplan, Executive Director) announced today complete casting for the first reading in the 23rd John McDonald Salon Reading Series, Lillian Hellman's acclaimed drama Watch on the Rhine. The reading will take place on Monday, March 18 at 7 PM at the Mainstage Theater at Playwrights Horizons (416 W. 42nd Street, New York, NY). Tickets are available now online at www.theactingcompany.org.
Richard Wright's iconic novel, Native Son, streamlined into a blazing 90 minute adaptation by actor/playwright Nambi E. Kelley, will run in repertory with Les Deux Noirs: Notes on Notes of A Native Son, inspired by James Baldwin's blistening critique of Wright's controversial work. Award-winning director and playwright Psalmayene 24's stages the innovative take on Wright's masterpiece while authoring a modern reimagining of Wright's real-life meeting with Baldwin in 1953 Paris.
American Blues Theater, under the continued leadership of Artistic Director Gwendolyn Whiteside, announces the lineup for its 2019 - 2020 Season, "Then & Now".
The HBO Films presentation NATIVE SON, based on the classic novel by Richard Wright, will debut SATURDAY, APRIL 6 at 10:00 p.m. (ET/PT) on HBO, it was announced today by Len Amato, president, HBO Films. Directed by first-time director and renowned visual artist Rashid Johnson from a screenplay by Pulitzer Prize-winning playwright Suzan-Lori Parks (“Topdog/Underdog”), the drama had its world premiere in January at the Sundance Film Festival.
The Acting Company announced today initial casting for the first reading in the 23rd John McDonald Salon Reading Series, Lillian Hellman's acclaimed drama Watch on the Rhine.
In PIPELINE, playwright Dominique Morisseau reflects on the cracks in the inner-city public-school system, and the ways in which it often functions as a school to prison pipeline for young black men, without vilifying the system's participants. It's a skillfully crafted balance that demonstrates how the brokenness of the system is disheartening for teachers and students alike. And under the direction of Cheryl Lynn Bruce, Victory Gardens Theater's ensemble makes this a very human struggle.
The Acting Company announces OTHELLO, a touring production visiting New York City schools across the five boroughs in January and February 2019.
Dramatists Guild Foundation (DGF) has announced the second-ever recipients of the DGF Writers Alliance Grants. These Grants provide $5,000 to both a non-profit theater's production of a new work and $5,000 to the writer or group of writers whose work is being produced. Gary Garrison, who serves on both the DGF Advisory Board and the Writers Alliance Grant selection committee, said: "The DGF's Writers Alliance Grant is the perfect combination of support for both writer AND theater. It acknowledges that the writer has a story that should to be told while also smartly pointing to the theater that should be telling it."
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