Richard Termine News

Get a first look at The Public's Mobile Unit production of A MIDSUMMER NIGHT'S DREAM, directed by Jenny Koons.

Musica Viva NY commemorates the 100th anniversary of the end of World War I with a program entitled the End of the War to End All Wars on Sunday, November 11 at 5:00 p.m. at All Souls Church.

Long Island's newest theatrical venue The Argyle Theatre presents the Tony Award-winning hit Broadway play Peter and the Starcatcher written by Rick Elice, based on the novel by Dave Barry and Ridley Pearson, with music by Wayne Baker at The Argyle Theatre

The Pond is currently playing host to the world premiere of The Naturalists by Irish playwright Jaki McCarrick who is making her own New York debut with the company. The production is largely successful in its goals, scarring the range of emotions as the audience gets a glimpse into the quiet yet troubled lives of a group Irish people living in the countryside.

The New York Pops, led by Music Director Steven Reineke, kicks off its 2018-19 season with Roll Over Beethoven: A Different Kind of Orchestra on Friday, October 19 at 8:00 p.m. in Stern Auditorium / Perelman Stage at Carnegie Hall. The orchestra is joined by three time 'Las Vegas Headliner of the Year' singer Frankie Moreno, plus band and a pair of dancers, for an evening of rock 'n' roll favorites by Chuck Berry, Jerry Lee Lewis, Elvis Presley, The Beatles, and others. Songs include 'Great Balls of Fire,' 'Jailhouse Rock,' 'Eleanor Rigby,' 'Bridge Over Troubled Water,' and more.

Ashley Fure's and Adam Fure's THE FORCE OF THINGS: AN OPERA FOR OBJECTS--one of this week's unusual attractions at Lincoln Center's Mostly Mozart Festival--took place at Brooklyn's Gelsey Kirkland Academy of Classical Ballet. As far as I could tell, that first sentence was filled with misnomers: no recognizable opera, no Mozart--and no classical ballet either. But what the piece may lack in clarity, it gains in its boundary-stretching reminder that while we're sitting around, going about our business, climate change is happening. Now.

This week, Lincoln Center's Mostly Mozart Festival added its two-cents to the Leonard Bernstein centennial festivities, with the first of two performances of Bernstein's MASS: A THEATRE PIECE FOR SINGERS, PLAYS AND DANCERS, in an environmental production by Elkhanah Pulitzer.

BroadwayWorld has a first look at Bernstein's MASS at the Mostly Mozart Festival! Check out the photos below!

Broadwayworld.com recently had the opportunity to enjoy a Saturday evening performance of 'Mystere' at Treasure Island on the Las Vegas Strip. This is a show that is ideal for people of all ages. It invites you to visit a spirited, fun place that is full of colorful characters and a world of adventure.

Long Island's newest theatrical venue The Argyle Theatre presents the Tony Award winning hit Broadway musical Hairspray with book by Marc O'Donnell and Thomas Meehan, music by Marc Shaiman, and lyrics by Scott Wittman and Marc Shaiman at The Argyle Theatre (34 West Main Street, Babylon, Long Island). Performances began Thursday, July 12, 2018 for a limited run through Sunday, August 26, 2018.

Musica Viva NY-a chamber choir under the artistic direction of Dr. Alejandro Hernandez-Valdez, that presents a series of chamber concerts on the Upper East Side-today announces its 2018-19 season.

Ranking up there with MEDEA and OEDIPUS REX, Eugene O'Neill's family tragedy LONG DAY'S JOURNEY INTO NIGHT would most likely make any playgoer's list of inappropriate classics to revive on Mother's Day weekend.

No one in the audience was on Facebook or Twitter during Lliam Paterson's opera BAMBINO at the Met's List Hall--a rare occurrence for the company these days--on Friday May 4. In fact, no one looked at a cell phone at all during the performance. And nobody fell asleep--even though the opera was written for 6-18 month-olds and the children might have been forgiven for napping on the comfy pillows that filled the stage. (Their parents were on good behavior, too.)

Can you imagine coming out on the stage of the Metropolitan Opera--facing an audience of about 4000 and be ready to sing without really much of a chance to warm up? That takes guts--and it's what the nine finalists in the Met's National Council Auditions Grand Final Concert did on Sunday, April 29. At stake? A grand push forward for the careers in opera that they've dreamed about. (There was also some money involved: $15,000 apiece for the winners, $5,000 each for the runs up.)

The Juilliard School pulled out all the stops for Stephen Wadsworth's production of HIPPOLYTE ET ARICIE (1733) by Jean-Philippe Rameau this week. Gorgeously designed by Charlie Corcoran with marvelous costumes by Sarah Cubbage, Juilliard has the resources to do it right, with professional level performers from their Historical Performance, Marcus Institute for Vocal Arts and Dance departments plus the Juilliard415 early music ensemble under Stephen Stubbs.

I recently attended a production of Twist's Symphonie Fantastique, an interesting feast of visual delight choreographed to Liszt's piano transcription of Berlioz's masterpiece – it was Fantasia for adults.

The Eugene O'Neill Theater Center announced today the 2018 summer season of plays, musicals, and other works in development at the National Puppetry Conference, National Music Theater Conference, National Playwrights Conference, and Cabaret & Performance Conference.

Check out what's happening this weekend in classical music!

One Thousand Nights and One Day is a new musical with book and lyrics by Jason Grote, with music by Marisa Michelson, and directed by Erin Ortman. Get a first look below! 

National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2017-2018 Season at Lincoln Center with Beethoven Symphony #9 on Friday, April 13, 2018 at 8pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC. Tickets are $30-$100 and are available at www.nationalchorale.com, or by calling (212) 333-5333.