It's 1828. In the dank, mist shrouded streets of Edinburgh two enterprising men go about their business. Their goal is to make money by whatever means necessary. William Burke and William Hare are about to hit upon the perfect scheme. The first rule of commerce? Supply and demand. In the leading city for medical research, there's a huge demand for bodies and inconveniently people aren't dying in enough numbers to meet the need. The profitable solution? Murder, of course. As the infamous pair flourish in their new careers, the more they murder, the less they care. But for how long will they get away with it? How long will they go on making a killing?
Hunter Theater Project's ecstatically reviewed debut production of Anton Chekhov's Uncle Vanya that left Ben Brantley, The New York Times, feeling "shivery, teary-eyed and stunned," with a "career-high performance" from Jay O. Sanders in the title role, has announced its final extension through Sunday, November 18. $37 single tickets and $15 student tickets are available at www.huntertheaterproject.org, or at the Hunter College Box Office at the Kaye Theater (East 68th Street between Lexington and Park Avenues).
Jermyn Street Theatre launches into its 25th anniversary year with a season of work that brings together celebrated theatrical figures Trevor Nunn and Howard Brenton with a rich array of exciting new talent. The PORTRAIT Season, which runs from January to July 2019, comprises a diverse programme with a common thread. A thread that scrutinises and interprets complex lives, painting individual characters and revealing how the intricacies of appearance can change with differing perspectives.
There are very few bargains left in New York City, but $37 buys you access to a production that left Ben Brantley, The New York Times, "shivery, teary-eyed and stunned." Hunter Theater Project's ecstatically reviewed debut production of Anton Chekhov's Uncle Vanya, featuring what Brantley called a "career-high performance" from Jay O. Sanders in the title role, has been extended due to popular demand through Sunday, October 28. Single tickets for $37, and $15 student tickets (with valid ID) are available now at www.huntertheaterproject.org, or at the Hunter College Box Office at the Kaye Theater (East 68th Street between Lexington and Park Avenues).
Pioneer Theatre Company begins the sixth season of Play-by-Play's New Play Reading Series with Art & Class by Utah playwright, Matthew Ivan Bennett. The staged readings will take place at the Babcock Theatre on Friday, October 5 and Saturday, October 6, 2018.
The Hunter Theater Project at Hunter College (President, Jennifer J. Raab) announced a two-week extension today for the critically acclaimed New York premiere of Anton Chekhov's UNCLE VANYA, directed by Richard Nelson, at the Frederick Loewe Theater (E. 68th Street between Lexington and Park Ave). Translated by Richard Nelson, Richard Pevear, and Larissa Volokhonsky, and directed by Nelson, UNCLE VANYA began performances on Friday, September 7 and was originally scheduled to run through October 14.
Gingold Theatrical Group is presenting the 13th Season of Project Shaw, a special series of evenings offering some of Shaw's greatest works and those of his contemporaries. The season continued on September 24th with The New Word by J. M. Barrie (author of Peter Pan) and Bernard Shaw's O'Flaherty V.C.
The Hunter Theater Project at Hunter College (Hunter College President, Jennifer J. Raab) will officially open the New York premiere of Anton Chekhov's UNCLE VANYA, directed by Richard Nelson, on Sunday, September 16 at the Frederick Loewe Theater (E. 68th Street between Lexington and Park Ave). Translated by Richard Nelson, Richard Pevear, and Larissa Volokhonsky, this production marks the first time renowned Russian literature translators Pevear and Volokhonsky have had a work premiere in New York City, following its world premiere at The Old Globe in San Diego earlier this year. UNCLE VANYA began performances on Friday, September 7 and runs through Sunday, October 14.
For the better part of the present decade, playwright/director Richard Nelson has been going seriously Chekhovian, first with a quartet of plays set during the Obama years in the Rhinebeck, New York home of a family named Apple and then with a trio of visits during the 2016 presidential campaign with the nearby Gabriel family.
The Hunter Theater Project at Hunter College (Hunter College President, Jennifer J. Raab) will officially open the New York premiere of Anton Chekhov's UNCLE VANYA, directed by Richard Nelson, on Sunday, September 16 at the Frederick Loewe Theater (E. 68th Street between Lexington and Park Ave). Translated by Richard Nelson, Richard Pevear, and Larissa Volokhonsky, this production marks the first time renowned Russian literature translators Pevear and Volokhonsky have had a work premiere in New York City, following its world premiere at The Old Globe in San Diego earlier this year. UNCLE VANYA began performances on Friday, September 7 and runs through Sunday, October 14.
Gingold Theatrical Group is proud to announce the next presentation of the 13th Season of Project Shaw, a special series of evenings offering some of Shaw's greatest works and those of his contemporaries, presented monthly at Leonard Nimoy Thalia at Peter Norton Symphony Space (2537 Broadway at 95th Street).
La Jolla Playhouse announces the appointment of Eric Keen-Louie as Producing Director. Keen-Louie will take over the reins producing the Playhouse's subscription season from Associate Artistic Director Jaime Castañeda, who will be departing the Playhouse next month to pursue freelance directing projects for theatre and television in Los Angeles.
The Public Theater's production of Public Works' TWELFTH NIGHT, conceived by Kwame Kwei-Armah and Shaina Taub, music and lyrics by Shaina Taub, Choreography by Lorin Latarro, and directed by Oskar Eustis and Kwame Kwei-Armah, opened just last night, July 31, running through Sunday, August 19.
HISTORY MATTERS/BACK TO THE FUTURE presents an evening of scenes from women's plays of the past, performed by renowned actors April Matthis (Lear; The Sound and the Fury; April Seventh, 1928), Maryann Plunkett (Blue Valentine, The Apple Family Plays) and Jay O. Sanders (Blindspot, The Apple Family Plays) directed by Joan Vail Thorne, founder of History Matters/Back to the Future.
In this collaboratively-created play by blossoming theater company TV, the ensemble unpacks the longing one can feel for another time and place, whether real or imagined: childhood, years without war, early human history, a time when everyone enjoyed the outdoors and raised chickens and heard gossip from the neighbors, when strawberries were tiny and sour. With choral odes by Deepali Gupta, this whimsical show hops millennia in its exploration of what once was or never was at all.
HISTORY MATTERS/BACK TO THE FUTURE presents an evening of scenes from women's plays of the past, performed by renowned actors April Matthis (Lear; The Sound and the Fury; April Seventh, 1928), Maryann Plunkett (Blue Valentine, The Apple Family Plays) and Jay O. Sanders (Blindspot, The Apple Family Plays) directed by Joan Vail Thorne, founder of History Matters/Back to the Future.
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) is pleased to announce that Gregory Doran, artistic director, Royal Shakespeare Company, has invited Michael Boyd to stage his edit of Tamburlaine, Boyd's version of Christopher Marlowe's two-part epic, Tamburlaine the Great, which will open the Swan Theatre season at the Stratford-Upon-Avon based RSC.
Red Bull Theater announced the casts for their eighth annual festival, featuring two brand new commissions from Tina Howe and Doug Wright, alongside 6 brand new plays chosen from hundreds of submissions from playwrights across the country.
In her third production at JACK, playwright Amina Henry shares a ghost story (with songs) about a homeless man who is approached in the park by the ghost of a murdered prostitute. The ghost enlists him on a quest to find her remains so that her grieving mother can finally bury her and move past her mourning. Hunter John and Jane approaches trauma, mental illness and violence towards women in a whimsical way, giving the audience the opportunity to engage with difficult topics through poetic language as well as through a rich musical and visual landscape. With this work, Henry re-imagines what a love story can be, re-imagines what a musical can be, and proposes a world in which all lost or missing individuals are worthy of being found.
Hunter College President Jennifer J. Raab announced today the inaugural production of the Hunter Theater Project, the New York premiere of Anton Chekhov's UNCLE VANYA at the Frederick Loewe Theater at Hunter College (E. 68th Street and Lexington Avenue), directed by Richard Nelson. Translated byRichard Nelson, Richard Pevear, and Larissa Volokhonsky. This production is the first time renowned Russian literature translators Pevear and Volokhonsky will have a work premiere in New York City, following the show's world premiere at The Old Globe in San Diego, California. Previews for UNCLE VANYA begin Friday, September 7. The production runs through Sunday, October 14, with an official press opening on Sunday, September 16. Tickets are on sale now.
