BWW Dance: Honoring André De Shields for Black History Month
by Juan Michael Porter II
- Feb 3, 2020
I am pleased to kick off BroadwayWorld Dance's 2020 Black History Month Celebration by honouring the incredible Emmy, Grammy, Tony, & Drama Desk award-winning, multi-hyphenate creative André De Shields!
BWW Review: MISS SAIGON Tour Lands At OKC Broadway, A Sensational Production Of A Problematic Show
by Ronn Burton
- Jan 24, 2020
The tour of MISS SAIGON is a heartbreaking, epic, sensational production of a problematic show. Restaging MISS SAIGON in 2020 feels more unsteady than it might have 30 years ago. All in all, MISS SAIGON brings devastating, gritty realism to some problematic events. While the show's writing may feel dated at times, the production values and performances are first class, and I'm grateful to OKC Broadway for bringing in these tours of the highest caliber.
Photo Flash: Barbara Bleier and Austin Pendleton Bring BITS AND PIECES to Pangea
by Stephi Wild
- Jan 17, 2020
Tuesday January 14th was a fabulous night at the well known east side cabaret haunt, Pangea. The show: “Bits and Pieces” starring cabaret duo, singer/actress Barbara Bleier and theater/film actor/singer, Austin Pendleton. Their special guests were their show director, singer/actress, Barbara Maier Gustern and theater legend Richard Maltby, Jr. This was the second night in a three night run.
BWW Review: MISS SAIGON Opens At The Music Hall In Kansas City
by Steve Wilson
- Dec 13, 2019
Smoke, gunfire, screams, the sound of a helicopter overhead, it's not just another night in Kansas City it's the opening night for Miss Saigon now playing at the Music Hall through December 15. While other theaters are busy bringing Christmas shows to life the Kansas City Broadway Series brings us a musical tale from one of the most turbulent times in American history, the Vietnam War.
Photo Flash: First Look at Production Photos of BABY Starring Alice Ripley and More
by Chloe Rabinowitz
- Dec 10, 2019
First photo of the Out of the Box Theatrics' limited engagement of Sybille Pearson (book), Richard Maltby, Jr.(lyrics) and David Shire's (music) heart-warming musical, BABY, are now available. The production has extended through Saturday, December 21, 2019 due to strong ticket sales. Directed and choreographed by Ethan Paulini, BABY stars Tony Award-winner Alice Ripley and plays a site-specific loft in midtown Manhattan (14 W 45th Street). Preview performances began on Friday, December 6, 2019. Limited tickets are available online at www.ootbtheatrics.com.
Frank Wildhorn Joins Theater Resources Unlimited's TRU Love Benefit
by Chloe Rabinowitz
- Dec 6, 2019
Theater Resources Unlimited (TRU) welcomes Broadway sensation, composer Frank Wildhorn (Jekyll & Hyde, The Scarlett Pimpernel, The Civil War), who joins Jekyll and Hyde revival star and American Idol finalist Constantine Maroulis and the star-studded cast of the 2019 TRU Love Benefit: Follow Your Art, Fulfill Your Dreams, honoring York Theatre Producing Artistic Director James Morgan and multi-talented stage, screen and concert performer and producer Haley Swindal.
The Ivoryton Playhouse Announces 2020 Season
by A.A. Cristi
- Dec 3, 2019
On March 18th, 2020, The Ivoryton Playhouse opens its doors for a new season - a year full of exciting, affordable professional theatre. From the First Family of Country to the First Lady of Mystery; from battles among the rose beds to love that lasts forever, our 2020 Season has a little bit of everything and something extra! A great melting pot of a season in a theatre that feels like home
Photo Flash: First Look at the Cast of BABY
by Chloe Rabinowitz
- Nov 18, 2019
Out of the Box Theatrics has released “First Look” photos of the cast of their upcoming limited engagement production of BABY. Featuring a book by Sybillie Pearson, lyrics by Richard Maltby, Jr. and music by David Shire's (music), the production will be directed and choreographed by Ethan Paulini at a site-specific loft in midtown Manhattan (14 W 45th Street), Friday, December 6 through Saturday, December 14, 2019. Tickets are now on sale.
BWW Review: MISS SAIGON at the Paramount - The Heat is On, but Not All the Way
by Jay Irwin
- Oct 30, 2019
Dear Readers, I've been a fan of a?oeMiss Saigona?? for years now, ever since it first came out back in 1991. I've seen tours, local productions, revivals on Broadway, and even a one-man interpretation that needs to find new life somewhere. So, I know what I'm looking for in any production; amazing voices and a heart wrenching, tear inducing love story. The current production at the Paramount has the voices but lacked the honesty and realism that would satisfy the love story.
BWW Review: Stunning MISS SAIGON Revival at Segerstrom Center Can't Wipe Away Its Outdated Problematic Motifs
by Michael Quintos
- Oct 12, 2019
30 years after its stage debut, experiencing MISS SAIGON nowadays exposes just how outdated and out-of-touch it is with our increasingly diverse world view. The musical's original production---which first debuted in the West End in 1989 before transferring to Broadway in 1991---became a global hit despite some loud, very understandable controversy. Most audiences, however, ignored the accusations of orientalism, misogyny, and white-washing and instead focused on the show's epic melodrama and theatrical splendor, much of it powered by the lush music of Claude-Michel Schönberg and the lyrics by Alain Boublil and Richard Maltby Jr. The show continues at Orange County's Segerstrom Center for the Arts in Costa Mesa through October 13, 2019.
MISS SAIGON Comes to The Eccles Theater
by Stephi Wild
- Oct 12, 2019
Casting for Cameron Mackintosh's acclaimed new production of Boublil and Schönberg's legendary musical MISS SAIGONa?"a smash hit in London, Broadway and across the UKa?"has been announced for its highly anticipated engagement in Salt Lake City at the Eccles Theater for one week only, October 15-20, 2019. To purchase tickets, visit Broadway-at-the-Eccles.com, call 801-355-ARTS (4787) or visit the box office at 131 South Main Street. Ticket prices start at $40 plus fees.
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