Provincetown Playhouse News

Artemisia, the Chicago theatre company dedicated to the development of new plays featuring women characters who have agency, independence, and are the focal point of their own narratives, is now producing a weekly series of free podcasts.

Obie Award winner Metropolitan Playhouse will present a 'screened' reading of Susan Glaspell and George Cram Cook's one-act comedy, SUPPRESSED DESIRES, via live stream video, with special guest J ELLEN GAINOR participating in a post-show talk on Saturday, May 16, 2020 at 8 PM, EST. Running Time: 40 minutes. Talkback to follow, including audience questions. Available via Zoom and YouTube.

Not-for-profit History Matters/Back to the Future has announced its winner for this year's Judith Barlow Prize. The Annual Judith Barlow Prize is awarded to a student playwright for an exceptional one-act play inspired by the work of an historic female playwright. The student winner of the prize receives a $2,500 award and a reading of their work in New York City, with a $500 award to the professor of the course in which the inspiring play was taught.

Last year marked the 50th anniversary of the Stonewall Riotsa?"those six pivotal days of unrest that dramatically accelerated the fight for LGBTQ+ civil rights. But LGBTQ+ activism was alive long before that galvanizing moment in New York City.

Arena Stage at the Mead Center for American Theater has announced the full company for the world premiere of Eduardo Machado's (Havana Is Waiting, The Cook) Celia and Fidel.

Amas Musical Theatre (Donna Trinkoff, Artistic Producer) in association with Eric Krebs will present the Off-Broadway premiere of Romeo & Bernadette: A Musical Tale of Verona and Brooklyn, with book and lyrics by Mark Saltzman, music adapted from classic Italian melodies, and directed and choreographed by Justin Ross Cohen. Previews begin at the Mezzanine Theatre at A.R.T./New York Theatres 502 West 53rd Street (10th Avenue & 53rd Street) tomorrow night, Tuesday, January 14th at 7pm with an official opening on Thursday, January 23rd at 8pm. Performances will continue through February 16, 2020.

The Merrimack Repertory Theatre (MRT) Board of Trustees and Executive Director Bonnie J. Butkas announced today that Courtney Sale, Artistic Director of Seattle Children's Theatre, will become the Nancy L. Donahue Artistic Director here in March. She will be the first woman to serve as artistic director and the first to fill the position since it was named in honor of Founding Chair Nancy L. Donahue.

Not-for-profit History Matters/Back to the Future is accepting applications for this year's Judith Barlow Prize now through December 31st. The Annual Judith Barlow Prize is awarded to a student playwright for an exceptional one-act play inspired by the work of an historic female playwright. Annually, the first place student winner of the prize receives a $2,500 award and a reading of their work in New York City, with a $500 award to the participating professor.

BroadwayWorld is saddened to report the passing of Phyllis Newman. The news was shared on social media by her daughter, Amanda Green. Newman was 86 years old.

Arena Stage at the Mead Center for American Theater announces select cast members for upcoming productions as part of the company's 2019/20 Season in advance of single tickets going on sale July 30, 2019.

Modern American drama was born in Provincetown when the Provincetown Players were founded in July, 1915. They are credited with changing American theater forever by birthing the careers of famous playwrights such as Eugene O'Neill and Susan Glaspell, who would eventually relocate to Greenwich Village to found the historic and famous Provincetown Playhouse. These revolutionary artists set the stage for Provincetown to become a hub for talented and innovative theatrical minds. Ever since, Provincetown has been an incubator for brilliant theatrical characters, many of whom would go on to become well-known on an international stage.

NYU Steinhardt's Program in Drama Therapy presents Turbulence, a production exploring the experiences of Black and People of Color (BPOC) in clinical settings and society at large from April 11-14. This piece of 'performance activism' engages audience members in shared dialogue with the aim of enhancing cultural awareness around BPOC identities and fostering social action.

Not-for-profit History Matters/Back to the Future has announced its winner for this year's Judith Barlow Prize. The Annual Judith Barlow Prize is awarded to a student playwright for an exceptional one-act play inspired by the work of an historic female playwright. Annually, the first place student winner of the prize receives a $2,500 award and a reading of their work in New York City, with a $500 award to the participating professor. The second place student winner receives a $1,000 award. 

NYU Steinhardt's Program in Educational Theatre will present Radium Girls, a production exploring one of the biggest labor scandals of America's early 20th century, from March 1 to 10. 

Artistic Director Kristen van Ginhoven, Associate Artistic Director Talya Kingston, and the WAM team are proud to launch their much-anticipated Elder Ensemble - a performance group for a diverse cohort of women over 65 years. In July 2019, this group will spend three weeks creating an original performance using devised theatre methods. An informational workshop will be held on March 2nd, 2019, from 11am-1pm at Lenox Yoga.

Not-for-profit History Matters/Back to the Future is accepting applications for this year's Judith Barlow Prize now through December 31st. The Annual Judith Barlow Prize is awarded to a student playwright for an exceptional one-act play inspired by the work of an historic female playwright. Annually, the first place student winner of the prize receives a $2,500 award and a reading of their work in New York City, with a $500 award to the participating professor. The second place student winner receives a $1,000 award. 

There are some plays in the history of Broadway that you just scratch your head as to why they didn't have a longer run. Paula Vogel's Indecent is definitely one of those plays. It opened to rave reviews on Broadway, won the Tony Award for best direction and only ran 128 performances. The award win gave the show a considerable box office bump, but not enough to convince the show's producers to make a run of it in the summer heat. Thankfully, PBS preserved the Broadway production for posterity and the play is now getting a much deserved second life in regional theaters across the country.

NYU Steinhardt's Program in Vocal Performance will present L'Enfant et Les Sortileges (The Child and the Magic Spells) from November 30 to December 2. The one-act opera features music by Maurice Ravel and libretto by Colette and will be sung in English. NYU Steinhardt's Garth Bardsley directs.

Nuyorican author/performer Michele Carlo opens NYU's Provincetown Playhouse Fall 2018 Storytelling Series "Identity: Losing It, Finding It, Owning It" with "Fish Out of Agua," Sunday, September 23 at 3pm.

Jamie Brickhouse's award-winning, critically-acclaimed solo show Dangerous When Wet: Booze, Sex, and My Mother directed by Obie Award-winning David Drake (The Night Larry Kramer Kissed Me) is his alcoholic odyssey from small-town sissy to louche Manhattanite that's wickedly intoxicating as he hits bottom and discovers he can't escape the all-consuming love of his mother Mama Jean. A Texan Elizabeth Taylor with the split personality of Auntie Mame and Mama Rose, she never has a thought she doesn't speak and unwittingly helps Jamie become an out, proud gay, HIV-positive man in recovery. Darkly comic, you'll cry laughing.