The Met has announced a special viewers’ choice lineup for an upcoming week of its Nightly Met Opera Streams, the company’s ongoing series of encore Live in HD presentations and classic telecasts streamed on the its website during the coronavirus closure.
This February, BroadwayWorld is committed to celebrating the outstanding contributions that Black artists have made to the American theatre. How can you tune in for Black History month programming? We've rounded up just a few events that highlight that legacy.
The Met has announced themed lineups for the first two weeks of February in its ongoing series of Nightly Met Opera Streams, a free series of encore Live in HD presentations and classic telecasts streamed on the company's website during the coronavirus closure.
This holiday week the Virtual Opera Tour’s Magic Opera Flying Carpet is making its first stop at Opera San Jose for their magnificent online performance of Three Decembers. It costs $40 to watch on demand.The price is a bit steep, but the story is affecting, the music is fabulous and the performances are riveting.
Although the Metropolitan Opera is closed through the end of the year, you can still experience some of the its greatest performances on the big screen at The Ridgefield Playhouse.
While Jobsite's production of DOUBT, A Parable, is temporarily suspended in light of the current national health crisis, the resident theater company of the Straz Center is not delaying the release of their new season.
The Old Globe has announced the 2020 Classical Directing Fellowships, a program of the Karen and Stuart Tanz Fellowships at The Old Globe, led by the Globe's Erna Finci Viterbi Artistic Director Barry Edelstein, a leading Shakespearean scholar, author, and director.
I'm not sure where to begin with Phelim McDermott and Philip Glass's rhapsodic, hypnotic ode to creativity and collaboration,Tao of Glass, as part of Perth Festival. As a theatre reviewer, my task is to look at a performance with objectivity while also remaining open to its emotional intentions, which means that, of necessity, a bit of subjectivity makes its way into my summary. Since watching Tao of Glass, I find my thoughts and impressions of it making a circle loop around my brain, as if they too were revolving on the platform that turns counter-clockwise in the centre of the show's set.
Two years ago, when I first saw photos of the projected new COSI FAN TUTTE,which was a production that originated at English National Opera and was slated to come to the Met, I was circumspect. I had grown up on three previous incarnations of COSI, the first dating from the 1950's a very traditional production which starred Richard Tucker and Eleanor Steber, the subsequent one dating from the 1980's, which had featured Kiri TeKanawa, and the last from 1996, which starred Carol Vaness and Suzanne Mentzer as the sisters Fiordiligi and Dorabella. All were very much 'period' pieces which made no effort to update or change the locale from the original setting of eighteenth century Naples.
Houston Grand Opera (HGO) announces that mezzo-soprano Michaela Martens, scheduled to sing the role of Amneris in Verdi's Aida, recently withdrew from the production due to personal reasons. Renowned soprano Melody Moore, making her role debut as Amneris, sings the first three performances, while HGO Studio Alumna and mezzo-soprano Catherine Martin sings the final three performances. The production runs from Jan. 31 a?" Feb. 16, 2020 at the Wortham Theater Center.
Verdi's timeless Aida returns to the Wortham stage in an awe-inspiring new production directed by Phelim McDermott. This stunning new design is enhanced by the incorporation of visionary artists Basil Twist's silk choreography. Set in ancient Egypt during the pinnacle of war, the captive princess Aida falls in love with a conquering general and must choose between true love and loyalty to her country. Verdi's powerful music heightens the unforgettable story of betrayal and sacrifice.
On November 2, countertenor Anthony Roth Costanzo, Brooklyn Youth Chorus, the Mannes Orchestra, and Gandini Juggling gave thousands of attendees at Brooklyn Museum's free First Saturdays event a taste of Philip Glass's AKHNATEN.
The Metropolitan Opera production of Philip Glass's Akhnaten comes to the big screen in HD at The Ridgefield Playhouse on Sunday, December 1 at 12:55pm in an extra special encore presentation featuring a live Q&A on The Playhouse stage during intermission with The Met Opera's Susan Gomez Pizzo, Solo Ladies Wardrobe Supervisor, and Louis Valantasis, Principal Men's Wardrobe Supervisor.