Brooklyn performance and civic space JACK opens its space to public performance for the first time in 16 months, with three free concerts July 29 - 31 by virtuosic trumpet player/composer Peter Evans and his band, Being & Becoming.
This week (June 28- July 4) in live streaming: Emma Kingston and Josh Gad visit Backstage Live, Tovah Feldshuh in Becoming Dr. Ruth, a Jenn Colella Masterclass, and so much more!
Directed by Bell Shakespeare Artistic Director Peter Evans, Shakespeare's seminal revenge tragedy is reimagined for contemporary audiences, transporting them to a wintery Denmark in the 1960s. Inside the glamorous court, a family is torn apart by murder and betrayal. Outside, a country is threatened by Norway. And at the centre of this struggle is a young man's grief for a murdered father.
Bell Shakespeare today announced the cast for the upcoming production of A Midsummer Night's Dream, travelling to 26 venues across Australia in New South Wales, Victoria, Western Australia, Northern Territory, Tasmania and Queensland between July and November this year.
Artist-focused non-profit Giant Step Arts partners with Jazz Generation's KEYED UP! for new edition of acclaimed concert series Walk With The Wind, April 10-11 free performances at Central Park: Summit Rock in Seneca Village.
Bell Shakespeare presents an intimate performance by company Founder John Bell, One Man In His Time: John Bell and Shakespeare, for a few nights only in Sydney and Canberra, with an extra show added due to popular demand.
Bell Shakespeare has today announced their 2021 season, which will mark the company's return to the stage and live performance for the first time since the COVID-19 lockdown in March.
Wet Ink Ensemble today releases the fourth edition of its new, monthly online journal of adventurous music and conversation, the Wet Ink Archive: 04 'Smoke, Airs.'
Wet Ink Ensemble today releases the fourth edition of its new, monthly online journal of adventurous music and conversation, the Wet Ink Archive: 04 'Smoke, Airs.'
The Jeff Awards has announced the nominees for the 52nd annual awards for theater excellence that include 142 theater artists across 30 artistic and technical categories. The awards will be presented in an online program on Monday, November 9, 2020 at 7:00PM.
Bell Shakespeare today announced a series of debates to take place around the country and available virtually to celebrate the company's 30th anniversary year. The Bell Debates will bring together high-profile Australians from a range of industries to debate direct quotes from Shakespeare, addressing and tackling ideas from his plays in the context of our modern world. The first debate on Thursday 24 September will be livestreamed at 7.30pm from Sydney's Carriageworks via Bell Shakespeare's website on a 'pay what you feel' basis.
On Saturday, August 1, 2020 the Wet Ink Ensemble released the third issue of its new, monthly online journal of adventurous music and conversation, the Wet Ink Archive.
Pianist and composer Cory Smythe evokes cyborg choirs and coastal floods on Accelerate Every Voice, his second release for Pyroclastic Records and the follow-up to 2018 album Circulate Susanna. Bringing together five vocalists from the a cappella, new and improvised music scenes, AEV cradles Smythe's piano in an uncanny valley of voices before submerging it in an undersea expanse.
On Friday, May 1, 2020, the Wet Ink Ensemble releases Glossolalia/Lines on Black on Carrier Records. The release features two extended works by Ensemble composers Sam Pluta and Alex Mincek: Mincek's Glossolalia and Pluta's Lines on Black. Performer/members of the Wet Ink Ensemble include Erin Lesser, flutes; Josh Modney, violin; Kate Soper, voice; Alex Mincek, saxophone; Eric Wubbels, piano; Ian Antonio, percussion; and Sam Pluta, electronics.
On Friday, May 1, 2020, the Wet Ink Ensemble releases Glossolalia/Lines on Black on Carrier Records. The release features two extended works by Ensemble composers Sam Pluta and Alex Mincek: Mincek's Glossolalia and Pluta's Lines on Black.
Steppenwolf's production of ensemble member Tracy Letts's BUG is positively skin crawling, with magnificent central performances from Carrie Coon and Namir Smallwood that make the play all the more unnerving. While Letts's 1996 play may have seemed far-fetched and ahead of its time when it debuted in the nascent days of the internet, it reads eerily prescient now. BUG's dual exploration of paranoid schizophrenia and government surveillance becomes even more unsettling in the current digital era.