Roxy Regional Theatre Offers Staged Reading of GROSS INDECENCY For 4-Show Run
by Jeffrey Ellis
- Mar 13, 2012
Beginning March 21, the Roxy Regional Theatre will delve deeper into the life and times of the man who penned such classics as The Picture of Dorian Gray and The Importance of Being Earnest, with a limited run of Gross Indecency: The Three Trials of Oscar Wilde in theotherspace, the Roxy's 50-seat black-box theatre located upstairs.
HIGH to Play Royal Alexandra Theatre, 5/8-13
by Nicole Rosky
- Mar 13, 2012
Two-time Golden Globe® winner, Academy Award® & Tony Award® nominee Kathleen Turner returns to Toronto in the National Tour of Matthew Lombardo's play HIGH, May 8-13, 2012 at The Royal Alexandra Theatre. Directed by Rob Ruggiero, HIGH also features Evan Jonigkeit as "Cody Randall" and Timothy Altmeyer as "Father Michael Delpapp".
Roxy Regional Theatre Presents GROSS INDECENCY, 3/21-24
by Kelsey Denette
- Mar 12, 2012
Beginning March 21, the Roxy Regional Theatre will delve deeper into the life and times of the man who penned such classics as The Picture of Dorian Gray and The Importance of Being Earnest, with a limited run of GROSS INDECENCY: The Three Trials of Oscar Wilde in theotherspace, the Roxy's 50-seat black-box theatre located upstairs.
Photo Flash: Simon Callow Returns to BEING SHAKESPEARE
by Kelsey Denette
- Mar 12, 2012
Simon Callow has returned to London's Trafalgar Studios 1 to reprise his highly acclaimed show BEING SHAKESPEARE for a strictly limited season from 7 to 31 March, before heading across the seas to appear at the Brooklyn Academy Of Music in New York and then at the Chicago Shakespeare Theatre at the Broadway Playhouse.
Gilbert & Sullivan Repertory to Present PATIENCE, 3/11
by BWW
News Desk
- Mar 11, 2012
America's foremost Gilbert & Sullivan repertory ensemble, the New York Gilbert & Sullivan Players (NYGASP), continues its new spring season with PATIENCE on Sunday, March 11th (5PM) at Peter Norton Symphony Space (2535 Broadway at 95th Street). This is a one performance only event!
Sonoma State University Department of Theatre Arts & Dance Announces LOOT
by BWW
News Desk
- Mar 8, 2012
Sonoma State University Department of Theatre Arts & Dance today announced LOOT, which is being described as 'Oscar Wilde meets Monty Python in this outrageous, hilarious romp of a whodunit as seen through the jaded eyes of mid-20th century English playwright Joe Orton. This greedy, sexy, tawdry (yet stylish) comic masterpiece goes to the next level when religious fervor and a deceased mother become cover-ups for a bank heist gone wrong. Throw in an inept detective and you have a classic satirical critique of the bourgeoisie.'
BETC Presents GROSS INDECENCY, 4/19-5/5
by Harmony Wheeler
- Mar 7, 2012
GROSS INDECENCY: THE THREE TRIALS OF OSCAR WILDE is directed by Producing Ensemble Director Stephen Weitz and features a cast of new and familiar BETC faces, including Michael Bouchard, Bob Buckley, Jim Hunt, Sam Sandoe, and Chip Persons as Oscar Wilde.
Park Square Theatre Presents DOUBT, 4/20-5/13
by Kelsey Denette
- Mar 7, 2012
Park Square Theatre presents John Patrick Shanley's Tony-award-winning play, Doubt, A Parable, April 20-May 13. The play, which also won the 2005 Pulitzer Prize for Drama, confronts the issues of hierarchical power, control, uncertainties and doubt. Set in a Catholic school in the Bronx in the 1960s, Doubt tells the story of an old-school, no-nonsense nun who considers charging a charismatic young priest with her unproven allegations. The drama takes place in a school much like the one playwright Shanley attended.
Photo Flash: Costume Designs for Canadian Opera Company's FLORENTINE TRAGEDY and GIANNI SCHICCHI
by Harmony Wheeler
- Mar 6, 2012
The Canadian Opera Company presents a double bill of one-act operas as part of its 2012 spring season with the Canadian premiere of Alexander Zemlinsky's A Florentine Tragedy and the return of Giacomo Puccini's Gianni Schicchi, last seen with the COC in 1996. The two operas are presented in a new COC production by the legendary soprano-turned-director Catherine Malfitano and world-renowned conductor Sir Andrew Davis. A Florentine Tragedy is sung in German and Gianni Schicchi is sung in Italian, both with English SURTITLES™. The double bill of A Florentine Tragedy/Gianni Schicchi runs for eight performances at the Four Seasons Centre for the Performing Arts on April 26, May 2, 5, 12, 15, 18, 20 and 25, 2012.
Canadian Opera Company Presents Two One Acts, A FLORENTINE TRAGEDY and GIANNI SCHICCHI, 4/26-5/25
by Harmony Wheeler
- Mar 6, 2012
The Canadian Opera Company presents a double bill of one-act operas as part of its 2012 spring season with the Canadian premiere of Alexander Zemlinsky's A Florentine Tragedy and the return of Giacomo Puccini's Gianni Schicchi, last seen with the COC in 1996. The two operas are presented in a new COC production by the legendary soprano-turned-director Catherine Malfitano and world-renowned conductor Sir Andrew Davis. A Florentine Tragedy is sung in German and Gianni Schicchi is sung in Italian, both with English SURTITLES™. The double bill of A Florentine Tragedy/Gianni Schicchi runs for eight performances at the Four Seasons Centre for the Performing Arts on April 26, May 2, 5, 12, 15, 18, 20 and 25, 2012.
Steven Sater & Duncan Sheik's THE NIGHTINGALE to Play La Jolla Playhouse in July
by Nicole Rosky
- Mar 6, 2012
La Jolla Playhouse just announced that The Nightingale, by the creative team behind the Tony Award-winning musical Spring Awakening: Steven Sater (book and lyrics) and Duncan Sheik (music), directed by Tony Award nominee Moises Kaufman (33 Variations), will be part of the Playhouse's 2012/2013 season. Running in the Sheila and Hughes Potiker Theatre July 10 - August 5, 2012, The Nightingale will be presented as part of the Playhouse's acclaimed Page To Stage Play Development Program.
Cincinnati Shakespeare Company Announces 2012-2013 Season
by Jennie Mamary
- Mar 4, 2012
Cincinnati Shakespeare Company announced its 2012-2013 season schedule. All productions will feature Cincinnati Shakespeare Company's Resident Company of Artists. CSC's 19th season of bringing the classics to life in Cincinnati is generously sponsored by The Otto M. Budig Family Foundation. Subscription packages went on sale February 1, 2012 Single tickets are now on sale.
American Heartland Theatre Presents THE IMPORTANCE OF BEING EARNEST, 3/2-4/15
by BWW
News Desk
- Mar 2, 2012
American Heartland Theatre brings Oscar Wilde's farce The Importance of Being Earnest to Kansas City. A recent hit on Broadway, The Importance of Being Earnest is a comedy of mistaken identities which ridicules codes of propriety and etiquette. Dashing men-about-town John Worthing and Algernon Moncrieff pursue fair ladies Gwendolen Fairfax and Cecily Cardew. Matters are complicated by the imaginary characters invented by both men to cover their on-the-sly activities - not to mention the disapproval of Gwendolen's mother, the formidable Lady Bracknell, played by Jim Korinke.
Roundabout Broadway Highlights: THE IMPORTANCE OF BEING EARNEST
by Roundabout Theatre Company
- Mar 1, 2012
One of the greatest joys of our job is seeing our audiences transformed by a theatre performance. At some point in Roundabout's 46-year history, you've likely experienced a play or musical that has inspired you. Roundabout has been fortunate to produce award-winning productions on Broadway for 20 years now. You may even recall our first Broadway production of Anna Christie at the Criterion Center in 1992.
Peter Gill Returns To Cardiff To Direct Chekov's A Provincial Life
by BWW
News Desk
- Mar 1, 2012
Peter Gill, returns to his native city with a portrait of provincial life in 1890s Russia. Based on Chekhov's short story, A Provincial Life follows one young man's struggle to exchange his privileged position for the life of a worker.
American Heartland Theatre Presents THE IMPORTANCE OF BEING EARNEST, 3/2-4/15
by Harmony Wheeler
- Feb 28, 2012
American Heartland Theatre brings Oscar Wilde's farce The Importance of Being Earnest to Kansas City. A recent hit on Broadway, The Importance of Being Earnest is a comedy of mistaken identities which ridicules codes of propriety and etiquette. Dashing men-about-town John Worthing and Algernon Moncrieff pursue fair ladies Gwendolen Fairfax and Cecily Cardew. Matters are complicated by the imaginary characters invented by both men to cover their on-the-sly activities - not to mention the disapproval of Gwendolen's mother, the formidable Lady Bracknell, played by Jim Korinke.
FAR FROM HEAVEN, BLUE DEEP, et al. Set for Williamstown Theatre Festival's 2012 Season
by Nicole Rosky
- Feb 28, 2012
Artistic Director Jenny Gersten announced in Williamstown today the roster of Main Stage and Nikos Stage productions for the 2012 Williamstown Theatre Festival (WTF) Season, the Festival's 58th season and second under Ms. Gersten's leadership. The Main Stage Season will kick off with a production of Oscar Wilde's classic The Importance of Being Earnest as you've never seen it before, directed by Tony Award-winner David Hyde Pierce (an alum of the Festival's training programs, making his WTF directorial debut), playing from June 26 - July 14, 2012. A new translation of Ivan Turgenev's A Month in the Country, directed by Tony Award-winner Richard Nelson (James Joyce's The Dead) has also been added to the Main Stage line-up, from August 1 - August 19, 2012. On the Nikos Stage, WTF veteran Jessica Stone (A Funny Thing...Forum) directs Neil Simon's comedy Last of the Red Hot Lovers, playing from July 11 - July 22, 2012, and the World Premiere of Olivier Award-winner Katori Hall's (The Mountaintop) WHADDABLOODCLOT!!!, will run, in association with Signature Theatre, from August 8 - 19, 2012.
Endangered Species Project Presents THE WINSLOW BOY
by Max Schwager
- Feb 27, 2012
The Endangered Species Project has announced their first Terence Rattigan play: The Winslow Boy, from 1946, a masterfully-constructed work that is also a totally engaging emotional experience. The play is a fictional version of an actual court case which had occurred three years before Rattigan was born: The Arche-Shee family had sued the British Admiralty for a false accusation of theft lodged against their naval cadet son, leading to a political sensation. Rattigan changed much of the circumstances of the actual case, but in the character of Sir Robert Morton he kept many of the attributes of the barrister who led the original charge, Sir Edward Carson: a thoroughgoing conservative - one of the prosecutors of Oscar Wilde - who, against expectation, agreed to take on the Admiralty.
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