Cast Set For DEATH OF A SALESMAN in Sydney
by Stephi Wild
- Mar 20, 2024
GWB Entertainment and Andrew Henry Presents have confirmed the full cast set to take the stage for the Sydney season of the widely acclaimed Death of a Salesman at the Theatre Royal.
Pinchgut Opera's ORONTEA Joining ATL ON DEMAND This Month
by Blair Ingenthron
- Dec 2, 2023
Pinchgut Opera's hilarious and raunchy baroque opera Orontea by Antonio Cesti joins ATL ON DEMAND this December, ready to be enjoyed by worldwide audiences from the comfort of their living rooms.
Chloe Zuel, Ainsley Melham, and More Added To DISNEY 100: THE CONCERT
by Blair Ingenthron
- Feb 5, 2023
Sydney audiences have embraced this once-in-a-lifetime centenary celebration with the 4 shows at the iconic Sydney Opera House officially sold out. Gold Coast audiences can be a part of the magic for 2 performances on the 31 March and 1 April at the Home Of The Arts (HOTA) Outdoor Stage and in Perth at the Riverside Theatre (PCEC) for 3 performances on the 21 and 22 April.
Adelaide Festival Announces 2023 Program
by Stephi Wild
- Nov 9, 2022
The 38th Adelaide Festival, to be launched this Wednesday 9 November, at Adelaide Town Hall and via livestream offers a total of 52 events in theatre, music, opera, dance, media and visual arts, including major festivals-within-the-festival Adelaide Writers' Week, UKARIA Chamber Landscapes and WOMADelaide – over 17 days and nights from Friday 3 to Sunday 19 March.
2022 Adelaide Festival Creates Massive Tourism Windfall
by A.A. Cristi
- Jun 20, 2022
2022 Adelaide Festival creates massive tourism windfall. A staggering 11,728 visitors came from interstate for the 2022 Adelaide Festival according to ticketing data and results just released from an Economic Evaluation of the event - a nearly three-fold increase on the previous Festival's results.
BWW Review: New HAMLET Makes Its Mark at the Met with Stellar Cast, Impressive Production
by Richard Sasanow
- May 30, 2022
Is there another Shakespearean drama filled with as many quotable quotes as “Hamlet” (even when they’re used out of context and given a foreign meaning)? But “To be or not to be” is surely the most referenced and, certainly, in the new operatic HAMLET currently at the Met by Brett Dean and Matthew Jocelyn, in Neil Armfield’s thoughtful, urgent production, it's given the best showcase. Indeed, it helps shed a different light on the hero of the story.
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