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A GIRL & A GUN Returns To London

Artist, theatre-maker, film buff and Godard-fan Louise Orwin began to wonder about this, and question whether the media's portrayal of women has moved on in the 50 odd years since he made his claim. She thought about this when watching Beyonce's video for 'Videophone' featuring the singer and Lady Gaga dressed in their scanties bearing multi-coloured guns, and the Springbreakers (US film) scene where two teenage girls lie on a bed surrounded by guns, using them as suggestive props... She began to wonder whether anything had moved on at all.

BWW Interview: Carole J. Bufford Discusses the Fearless Females of the 1960s and Her Celebration of Them at Feinstein's/54 Below

One of the country's most vibrant eras in music, in general and especially for women, was the 1960s, filled to the brim with girl groups like The Chantels and The Supremes, folk pioneers like Joan Baez, and songwriters so influential that, decades later, that musical written about them keeps filling its Broadway house to capacity for close to four years (Carole King, of course). In the midst of political and public unrest, in a male-dominated world and industry, these women made space and carved out their own spots in music history. Who better to spotlight these singers and songwriters than Carole J. Bufford, who has carved out her own spot within the New York cabaret scene as an enthusiastic and rich interpreter of the Jazz Age songbook, and returned to the circuit with something a little different: YOU DON'T OWN ME: THE FEARLESS FEMALES OF THE 1960S, a celebration of the 'bold and daring women [who] planted their flags and ensured their voices were heard.' And as it turns out, it's not only Bufford's most fearless show, but also one of her best.

UMe Set to Reissue 'The Supremes A' Go-Go' Deluxe Edition & More This April

By the time Motown released The Supremes A' Go-Go, the group's ninth studio album, on August 25, 1966, the group had already scaled the charts with hits like 'Where Did Our Love Go?,' 'Baby Love,' 'Come See About Me,' 'Stop! In the Name of Love,' 'Back in My Arms Again' and 'I Hear a Symphony.'

Creative Loafing's Multi-Faceted Performing Arts Fest Returns to Tampa

Creative Loafing's fourth annual Gasp!, presented by Tampa International Airport, is a performing arts event like no other - a kaleidoscopic circus of theater, dance, music, spoken word, visual art, soundscapes, cabaret and more at the Tampa Museum of Art this Friday, March 31st, from 6 p.m. to 10 p.m. Tickets available at GaspTampa.com.

BWW Review: PANTO WONDERFUL WIZARD Gets Silly at Stages Repertory Theatre

This year, STAGES reinvents OZ for a sardonic look at what 2016 means for America, all the while offering a fun, frothy musical on the surface. It's an odd mix of jabs at the federal government combined with a jingoistic love of all things Texas. It works though, and gosh darn it if it isn't fun!

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