COCA's Summer Musical returns to the stage with this summer's production of Billy Elliot. The musical features some of the best triple-threat talent in St. Louis with COCA's student performers, local apprentice actors, and regional professional performers all coming together under the direction of Nancy Bell for an uplifting and energetic theatre experience.
Experience the first COCA Summer Musical in the Catherine B. Berges Theatre—or from your own home—with Billy Elliot! The summer musical features some of the best triple-threat talent in St. Louis with COCA's leading performers, local apprentice actors, and regional professional performers all coming together under the direction of Nancy Bell for an uplifting and energetic theatre experience you don't want to miss.
COCA has announced its 2020-2021 COCA Presents performance season, offering innovative performances that transform the way audiences think about the world, as part of the organization's Grand Opening season following the conclusion of its Create Our Future campaign.
The New Jewish Theatre has announced its 2020-21 season, opening on October 15, 2020. From Neil Simon to Gloria Steinem, the upcoming season examines the idea of self and asks, 'Where do I belong and to whom do, I belong?'
Theater is at its most compelling when the work on stage stays with the audience long after they have left the production. This is especially true with Upstream Theater's Wildfire, a well-acted and perfectly executed play that delves deeply into the psyche of some pretty ugly people.
Prolific composer/conductor Matthias Pintscher curates Los Angeles Chamber Orchestra's (LACO) SESSION, an innovative performance experience, in collaboration with Four Larks, on Thursday February 28, 8 pm, at Mack Sennett Studios in Silverlake. Designed to explore classical music's cutting-edge sounds and challenge traditional concert-going expectations, the evening features two works by Pintscher, Study II for Treatise on the Veil, a string trio inspired by painter Cy Twombly's art works, and Uriel, for cello and piano, the third part of his 'Profiles of Light' cycle. Also on the program are three-time Grammy Award-winning soprano Michelle DeYoung and LACO artists performing Ravel's Three Poemes de Stephane Mallarme; Berg's Four pieces for clarinet and piano; Grisey's surreal Stele for two percussionists and Xenakis's Rebonds A, a tour-de-force for solo percussion. SESSION includes a 'hang' with the artists, and premium tickets include parking and one drink as well. Mack Sennett Studios, where artists like Martin Scorsese, David Lynch, Lady Gaga, John Legend, Donna Summer and Jay-Z have performed, is a historic facility that serves as a soundstage, event space and a hub for a variety of cultural producers.
Power, ambition, courage, and fate vs. free will - issues people have grappled with no matter the culture or century - are just a few of the themes students will learn a bit more of as part of Shakespeare Festival St. Louis' award-winning Education Tour, now through April 14. The tour includes more than 100 performances and workshops conducted at 50 schools throughout the bi-state area and rural Missouri.
It's hard to ask for a better city in which to perform The Wolves, Sarah DeLappe's acclaimed drama that focuses on the fascinating dynamics of a girls soccer team. With its history of producing fantastic female soccer players and rabid club soccer fanbase, St. Louis is a hotbed for the sport.
It's hard to ask for a better city in which to perform The Wolves, Sarah DeLappe's acclaimed drama that focuses on the fascinating dynamics of a girls soccer team. With its history of producing fantastic female soccer players and rabid club soccer fanbase, St. Louis is a hotbed for the sport.
Three emerging playwrights - two from St. Louis and one from Chicago - have been selected to participate in a new initiative developed by Shakespeare Festival St. Louis called the Confluence Regional Writers Project. As part of the program, the festival has also selected St. Louisan Carter Lewis, a two-time nominee for the American Theatre Critics Award, as the Festival's 2019 Playwriting Fellow.
It's hard to ask for a better city in which to perform The Wolves, Sarah DeLappe's acclaimed drama that focuses on the fascinating dynamics of a girls soccer team. With its history of producing fantastic female soccer players and rabid club soccer fanbase, St. Louis is a hotbed for the sport.
Ben Nordstrom and Kari Ely will play opposite one another in "Into the Breeches!," the headlining production of Shakespeare Festival St. Louis' new program titled, In the Works, set for Oct. 28 through Nov. 24, at the Grandel Theatre. Written by George Brant and directed by Nancy Bell, the month-long, ticketed production is the culmination of the Festival's 2018 season.
"Into the Breeches," a play written by George Brant and directed by Nancy Bell, will be the main stage production of Shakespeare Festival St. Louis' new fourth pillar of programming, In the Works. The month-long, ticketed event, scheduled for late fall at the Grandel Theatre, will culminate the 2018 season that includes the Education Tour, SHAKE 38, the main stage production of "Romeo & Juliet" (June 1-24) and the Shakespeare in the Streets' production of "Blow, Winds," (June 15-16).
Missouri students will learn a bit more of the Bard's take on identity and difference, issues people have grappled with no matter the genre, culture or century, and all part of the 2018 Shakespeare Festival St. Louis award-winning Education Tour, now through April 15. The tour includes more than 150 performances and workshops conducted at 50 schools throughout the metro area and rural Missouri.
Shakespeare Festival St. Louis will be adding a fourth pillar - In the Works - to its In the Schools, In the Streets, In the Park programming, enhancing its appeal as a year-round festival, it was announced today. In the Works, a month-long ticketed event, scheduled for late fall at the Grandel Theatre, will culminate the 2018 season that includes the Education Tour (Feb. 5-April 15), SHAKE 38 (April 18-22), the main stage production of "Romeo & Juliet" (June 1-24) and Shakespeare in the Streets' production of "Blow, Winds," (June 15-16).
In the current climate of male dominated businesses and organizations, a power struggle is occurring in the arena of gender politics where women often come in second. But in Sarah Treem's play, The How and the Why, she puts the feminine first with two female evolutionary biologists in a heavily male dominated field. It is a play about science, feminism and generational rivalry. NJT will stage the production from January 24 February 11 in the Wool Studio Theatre.
Local step company, The Gentlemen of Vision, and a 60-person choir whose members represent area churches and high schools, will take to the stage with professional actors, including Joneal Joplin, and St. Louis residents when rehearsals begin this week for the sixth annual Shakespeare in the Streets' production titled, Blow, Winds, a play artfully adapted from William Shakespeare's King Lear.