Matthew Polenzani News

San Francisco Opera's 2019 Summer Season opens with Georges Bizet's Carmen June 5 29 at the War Memorial Opera House. Presented in American director Francesca Zambello's acclaimed staging, which has been mounted by Opera Australia, Royal Opera, Covent Garden, and Norwegian National Opera, the opera features American mezzo-soprano J'Nai Bridges in her first professional performances of the title role and American tenor Matthew Polenzani assuming the role of Don Jos for the first time. Romanian soprano Anita Hartig makes her San Francisco Opera debut as Mica la and American bass-baritone Kyle Ketelsen is the bullfighter, Escamillo. In his first opera engagement with the Company, conductor James Gaffigan leads the cast and San Francisco Opera Orchestra.

The Richard Tucker Music Foundation announced today that Lisette Oropesa has been named as the winner of the 2019 Richard Tucker Award. The soprano already headlines major productions worldwide, and after her recent house debuts in the title role of Lucia di Lammermoor at the Teatro Real Madrid and Royal Opera House, The Guardian declared: "The Cuban American soprano is sensationally good. She makes the stratospheric vocal fireworks … sound easy; indeed, her every note is part of a convincing portrayal of a complex character." Widely referred to as the "Heisman Trophy of Opera," the Tucker Award carries the foundation's most substantial cash prize of $50,000, and is conferred each year by a panel of opera industry professionals on an American singer at the threshold of a significant international career.

The Richard Tucker Music Foundation announced today that Lisette Oropesa has been named as the winner of the 2019 Richard Tucker Award. The soprano already headlines major productions worldwide, and after her recent house debuts in the title role of Lucia di Lammermoor at the Teatro Real Madrid and Royal Opera House, The Guardiandeclared: “The Cuban American soprano is sensationally good. She makes the stratospheric vocal fireworks … sound easy; indeed, her every note is part of a convincing portrayal of a complex character.” Widely referred to as the “Heisman Trophy of Opera,” the Tucker Award carries the foundation's most substantial cash prize of $50,000, and is conferred each year by a panel of opera industry professionals on an American singer at the threshold of a significant international career. Past winners include such luminaries as Stephanie Blythe, Lawrence Brownlee, Joyce DiDonato, Renée Fleming, Christine Goerke, Matthew Polenzani, and Deborah Voigt. Oropesa will be inducted into this who's who of American opera at the foundation's annual gala, a perennial highlight of the opera season, on Sunday, October 27, at Carnegie Hall.

While the cast for the season's revival of Mozart's LA CLEMENZA DI TITO looked good on paper, it didn't even hint at how good the singing was going to be at the Met this week. From top—tenor Matthew Polenzani, elegant and vibrant in the title role (“Se all'impero”), and the great mezzo Joyce DiDonato as Sesto (who delivers the opera's “hit” aria, “Parto, parto,” and more in opulent style)--to bottom, the cast delivered in every way possible.

Mozart's opera of ancient Rome, La Clemenza di Tito, returns to the Met starring Matthew Polenzani in the title role of the Roman emperor Tito, with Elza van den Heever as the vengeful Vitellia, who plots his assassination. Joyce DiDonato sings the trouser role of Sesto, Tito's most devoted friend, who is also in love with Vitellia. The trio of leading artists is reunited at the Met after their acclaimed performances together in the company's new production of Donizetti's Maria Stuarda in 2013. Emily D'Angelo and Ying Fang sing the roles of the lovers Annio and Servilia, Sesto's friend and sister, respectively, and Christian Van Horn portrays the captain of the Praetorian Guard, Publio. Lothar Koenigs conducts all six performances of Jean-Pierre Ponnelle's 1984 staging, which runs March 30 through April 20, 2019.

Utah Opera Artistic Director Christopher McBeth has announced the programming, initial casting, and creative teams for the company's 2019-20 season, which comprises four opera productions at the newly renovated Janet Quinney Lawson Capitol Theatre. Featuring improved seating and sightlines on the orchestra level, the theatre reopens after a six-month closure for the company's season-opening production of Verdi's La traviata in October 2019. The season continues with composer Kevin Puts and librettist Mark Campbell's Silent Night in January 2020, Rossini's The Barber of Seville in March 2020, and Massenet's Tha s in May 2020. Silent Night is presented as part of Utah Opera's American Opera Initiative, through which the company champions and commissions American contributions to the art form. Both Silent Night and Tha s are Utah Opera premieres.

The 48th annual George London Awards Competition for opera singers final round And Awards Announcement is open to the public - Today, February 22, 2019, At 4:00 Pm, At The Morgan Library & Museum's Gilder Lehrman Hall

The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, will begin its 14th season on October 12, with the Met's production of Puccini's Turandot, starring Christine Goerke in the title role, led by the Met's Jeanette Lerman-Neubauer Music Director, Yannick Nézet-Séguin.

Bryan Hymel has withdrawn from upcoming performances as the Duke in Verdi's Rigoletto, due to personal reasons.

Beginning June 5 and continuing through the 29th, San Francisco Opera presents a trio of extraordinary lyric works Georges Bizet's Carmen, George Frideric Handel's Orlando and Anton n Dvo k's Rusalka featuring powerful leading women in the title roles. Spanning three centuries and sung in French, Italian and Czech, the 2019 Summer Season repertory will occasion the Company debuts of four conductors, including two women, in productions that are new to the War Memorial Opera House stage. Some casting updates for the repertory were announced today and additional casting of supporting roles will be released at a future date.

​​​​ Opera stories thrive on the tension of good versus evil, of light versus darkness, and although the outcomes are not always happy, there's always an interesting tale to be told.

The 48th annual George London Awards Competition for opera singers final round And Awards Announcement is open to the public - Friday, February 22, 2019, At 4:00 Pm, At The Morgan Library & Museum's Gilder Lehrman Hall

Palm Beach Opera celebrated the company's upcoming gala and its Gala Host Committee with an intimate performance by Palm Beach Opera Apprentice Artists at Lee Ann and Jeffrey Alderton's Palm Beach home on Jan. 8.

The Metropolitan Opera presents a double bill of two rarely performed one-act operas, Tchaikovsky's romantic fairy tale Iolanta and Bartók's harrowing Bluebeard's Castle, with six performances January 24 to February 14, 2019. Iolanta stars Sonya Yoncheva in the title role of a blind princess and Matthew Polenzani as Vaudémont, the knight who loves her. Bluebeard's Castle stars Angela Denoke as Judith, an innocent young bride who discovers the terrifying truth about her new husband, the menacing Bluebeard, sung by Gerald Finley. Henrik Nánási makes his Met debut conducting both operas, which are presented in a production by acclaimed director Mariusz Trelinski.

I interviewed Diana Damrau when she had just done her first Violetta, her role debut in the Met's old Willy Decker production. It was a part she lusted over from the time she saw the 1982 Zeffirelli film, but was careful about taking on--waiting for the right time in her vocal development. That was nearly six years ago and the good news is that she has developed into a first-rate Violetta, sounding better than she has in some time, and looking every inch the glamorous (yet consumptive) courtesan.

Anna Netrebko brings her acclaimed portrayal of the passionate real-life French actress at the heart of Francesco Cilea's Adriana Lecouvreur to the Metropolitan Opera for the first time in a new production that opens in a special New Year's Eve gala performance and continues through January 26, 2019. Anita Rachvelishvili, who starred opposite Netrebko in Verdi's Aida earlier this season, is the Princess of Bouillon, renewing their onstage rivalry. Piotr Becza?a is Maurizio and Ambrogio Maestri is Michonnet, the two men in love with Adriana. Rounding out the cast are Carlo Bosi as the Abbé and Maurizio Muraro as the Prince of Bouillon. Maestro Gianandrea Noseda returns to the Met to conduct Cilea's elegant score. Sir David McVicar's production—the work's first new staging at the Met in more than 50 years—brings the world of the theater to vivid life, with all of the drama playing out in a working replica of a Baroque playhouse. On January 23 and 26, the title role is sung by Jennifer Rowley.

The Dallas Opera is proud to present three of the most sought-after tenors of the 21st century as they perform a tremendously exciting program of classic opera arias, Broadway favorites and American standards.

Emily D'Angelo will sing Annio in all performances of Mozart's La Clemenza di Tito, replacing Paula Murrihy, who has withdrawn for personal reasons.

In April 2018, the New World Symphony joined The Sphinx Organization and the League of American Orchestras in announcing their new partnership, the National Alliance for Audition Support (NAAS), which is a field-wide initiative with the long-term goal of increasing diversity in American orchestras. Supported by a four-year, $1.8 million grant from The Andrew W. Mellon Foundation, the Alliance offers a holistic and personalized array of support to Black and Latinx musicians to develop their audition skills, increase their participation in auditions, and ultimately, increase their representation in orchestras.