The Metropolitan Opera presents Puccini's La Bohème, conducted by Marco Armiliato, with eight initial performances beginning October 25, 2019. Ailyn Pérez returns to the role of the seamstress Mimì; her lover, the poet Rodolfo, is portrayed by Matthew Polenzani in his Met role debut. Olga Kulchynska makes her Met debut as the singer Musetta, while David Bizic sings the role of the painter Marcello.
Five years ago, Anna Netrebko unveiled her take on Verdi's Lady Macbeth at the Met and wowed audiences from here to eternity. But since the first week of the Met season, she's brought her sexy, ebullient and take-no-prisoners Lady Macbeth back and showed that she's even better than ever--singing the pant (and the spots) off the role.
Following a controversy surrounding Plácido Domingo and his last minute departure, the Met Opera's production of Verdi's Macbeth opened this week. Find out what the critics had to say!
The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, will begin its 14th season on October 12, with the Met's production of Puccini's Turandot, starring Christine Goerke in the title role, led by the Met's Jeanette Lerman-Neubauer Music Director, Yannick Nézet-Séguin.
The Metropolitan Opera Guild today announced that the honorees of its “Diamond Jubilee” celebration will be luminaries Martina Arroyo and Teresa Stratas. The Guild's 85th Annual Luncheon will take place on Wednesday, November 20th at Cipriani 42nd Street in New York City. Special remarks by Stephanie Blythe and musical tributes by Ailyn Pérez and Matthew Polenzani will be performed during the event.
The Richard Tucker Music Foundation presents one of the most highly anticipated events of the opera season, the 2019 Richard Tucker Gala, on Sunday, October 27, 2019 at 6:00pm in Stern Auditorium Perelman Stage at Carnegie Hall.
San Francisco Opera's 2019 Summer Season opens with Georges Bizet'sCarmen June 5-29 at the War Memorial Opera House. Presented in American director Francesca Zambello's acclaimed staging, which has been mounted by Opera Australia, Royal Opera, Covent Garden, and Norwegian National Opera, the opera features American mezzo-soprano J'Nai Bridges in her first professional performances of the title role and American tenor Matthew Polenzani assuming the role of Don Jose for the first time. Romanian soprano Anita Hartig makes her San Francisco Opera debut as Micaela and American bass-baritone Kyle Ketelsen is the bullfighter, Escamillo. In his first opera engagement with the Company, conductor James Gaffigan leads the cast and San Francisco Opera Orchestra.
The 2019-20 season of events presented by the George London Foundation for Singers continues this legacy with two duo recitals featuring four George London Award winners, and the esteemed George London Foundation Competition.
The Metropolitan Opera has named soprano Lisette Oropesa as the winner of the 14th annual Beverly Sills Artist Award. The $50,000 award is given to extraordinarily gifted singers with rising Met careers. Given in honor of the legendary American soprano Beverly Sills, the award was established in 2006 by an endowment gift from the late Agnes Varis, a managing director on the Met's Board of Directors.
San Francisco Opera's 2019 Summer Season opens with Georges Bizet's Carmen June 5 29 at the War Memorial Opera House. Presented in American director Francesca Zambello's acclaimed staging, which has been mounted by Opera Australia, Royal Opera, Covent Garden, and Norwegian National Opera, the opera features American mezzo-soprano J'Nai Bridges in her first professional performances of the title role and American tenor Matthew Polenzani assuming the role of Don Jos for the first time. Romanian soprano Anita Hartig makes her San Francisco Opera debut as Mica la and American bass-baritone Kyle Ketelsen is the bullfighter, Escamillo. In his first opera engagement with the Company, conductor James Gaffigan leads the cast and San Francisco Opera Orchestra.
The Richard Tucker Music Foundation announced today that Lisette Oropesa has been named as the winner of the 2019 Richard Tucker Award. The soprano already headlines major productions worldwide, and after her recent house debuts in the title role of Lucia di Lammermoor at the Teatro Real Madrid and Royal Opera House, The Guardian declared: "The Cuban American soprano is sensationally good. She makes the stratospheric vocal fireworks … sound easy; indeed, her every note is part of a convincing portrayal of a complex character." Widely referred to as the "Heisman Trophy of Opera," the Tucker Award carries the foundation's most substantial cash prize of $50,000, and is conferred each year by a panel of opera industry professionals on an American singer at the threshold of a significant international career.
While the cast for the season's revival of Mozart's LA CLEMENZA DI TITO looked good on paper, it didn't even hint at how good the singing was going to be at the Met this week. From top—tenor Matthew Polenzani, elegant and vibrant in the title role (“Se all'impero”), and the great mezzo Joyce DiDonato as Sesto (who delivers the opera's “hit” aria, “Parto, parto,” and more in opulent style)--to bottom, the cast delivered in every way possible.
Mozart's opera of ancient Rome, La Clemenza di Tito, returns to the Met starring Matthew Polenzani in the title role of the Roman emperor Tito, with Elza van den Heever as the vengeful Vitellia, who plots his assassination. Joyce DiDonato sings the trouser role of Sesto, Tito's most devoted friend, who is also in love with Vitellia. The trio of leading artists is reunited at the Met after their acclaimed performances together in the company's new production of Donizetti's Maria Stuarda in 2013. Emily D'Angelo and Ying Fang sing the roles of the lovers Annio and Servilia, Sesto's friend and sister, respectively, and Christian Van Horn portrays the captain of the Praetorian Guard, Publio. Lothar Koenigs conducts all six performances of Jean-Pierre Ponnelle's 1984 staging, which runs March 30 through April 20, 2019.
Utah Opera Artistic Director Christopher McBeth has announced the programming, initial casting, and creative teams for the company's 2019-20 season, which comprises four opera productions at the newly renovated Janet Quinney Lawson Capitol Theatre. Featuring improved seating and sightlines on the orchestra level, the theatre reopens after a six-month closure for the company's season-opening production of Verdi's La traviata in October 2019. The season continues with composer Kevin Puts and librettist Mark Campbell's Silent Night in January 2020, Rossini's The Barber of Seville in March 2020, and Massenet's Tha s in May 2020. Silent Night is presented as part of Utah Opera's American Opera Initiative, through which the company champions and commissions American contributions to the art form. Both Silent Night and Tha s are Utah Opera premieres.
The 48th annual George London Awards Competition for opera singers final round And Awards Announcement is open to the public - Today, February 22, 2019, At 4:00 Pm, At The Morgan Library & Museum's Gilder Lehrman Hall
The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, will begin its 14th season on October 12, with the Met's production of Puccini's Turandot, starring Christine Goerke in the title role, led by the Met's Jeanette Lerman-Neubauer Music Director, Yannick Nézet-Séguin.
Bryan Hymel has withdrawn from upcoming performances as the Duke in Verdi's Rigoletto, due to personal reasons.
Beginning June 5 and continuing through the 29th, San Francisco Opera presents a trio of extraordinary lyric works Georges Bizet's Carmen, George Frideric Handel's Orlando and Anton n Dvo k's Rusalka featuring powerful leading women in the title roles. Spanning three centuries and sung in French, Italian and Czech, the 2019 Summer Season repertory will occasion the Company debuts of four conductors, including two women, in productions that are new to the War Memorial Opera House stage. Some casting updates for the repertory were announced today and additional casting of supporting roles will be released at a future date.
Opera stories thrive on the tension of good versus evil, of light versus darkness, and although the outcomes are not always happy, there's always an interesting tale to be told.
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