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ARV Comes to Dramaten This Month

Nypremiär på Lilla scenen. Samma älskade berättelse, men på större scen, med delvis ny ensemble och med ny scenografi!  Arv är en episk och mångfacetterad heldagsföreställning i två delar där vi möter ett antal homosexuella män i New York i dag.

Canadian Stage Records Surplus of $289,749

Canadian Stage has eliminated a 37-year deficit for the 2023-24 season, marking a significant financial milestone for the renowned arts organization. Learn more!

Interview: Derek Charles Livingston, The Newest Artistic Director At STAGES Houston

Derek Charles Livingston has taken over this year as artistic director for STAGES HOUSTON. He was preceded by Kenn Mclaughlin, who stepped down after 25 seasons. Most recently, Derek was the director of new play development at the Utah Shakespeare Festival. Derek also previously served as the managing artistic director of the Celebration Theatre!

THE INHERITANCE Comes to Sydney in November

Matthew Lopez’s blockbuster play, The Inheritance, will premiere in Sydney following hit seasons on the West End and Broadway, four Tony and four Olivier Awards including Best Play. This two-part epic reimagines E.M. Forster’s Howards End as a contemporary portrait of New York’s gay community.

Review: MERRILY WE ROLL ALONG at Take Two Productions is an Entertaining Gem

Take Two Production of MERRILY WE ROLL ALONG far exceeded expectations. Stephen Peirick’s leadership, the vocally accomplished cast, and the polished musical direction all come together to create a gem of a show. This production illustrates how, in the hands of the right people, a show of any size can succeed, giving an audience a memorable evening in the theatre.

Mad Horse Theatre Reveals 39th Season Lineup

The 39th season of Mad Horse Theatre will include three Maine Premieres and a Pulitzer Prize winning American Theater Classic. Learn more about the lineup here!

Review: A Stunning WHAT WILL HAPPEN TO ALL THAT BEAUTY? at Contemporary American Theater Festival

This is an important play, to be considered a peer of Angels in America and The Inheritance, a sweeping two-play multigeneration account of the impact of AIDS on the American gay community -- with the difference that this one focuses on men and women of color. It may suffer from some lack of restraint and melodrama, but it makes up for it with the depth and breadth of its consideration, the power of the acting, and the force of its polemic concerning the beauty of the gay community and its members, the care shown by its caretakers, and the importance of creating records. You could feel the love in the play, and fall in love with the characters.

Review: Tesseract Theatre Company's THE INHERITANCE PARTS 1 & 2 is a Gripping Triumphant Success

The Tesseract Theatre Company’s production of THE INHERITANCE was a marvelous accomplishment thanks to the genius direction of Stephen Peirick and the out-of-body performances he evoked from each member of his cast. Peirick took the more than 300 pages of Lopez’s wordy script and swiftly paced the production, making it so succinct that the time in the theater melted away as rapidly as a piece of satisfying chocolate on the tongue.   Peirick artfully blocked his well-rehearsed actors on his small set design consisting of two small risers surrounded by the three walls of the small black box theatre. Paintings of familiar New York City scenes representing The Bethesda Terrace Fountain and theatre marquees were interspersed with artwork of cherry blossoms adorning the side walls. Decorating the back wall were vines of cherry blossoms in a crisscross pattern reminiscent of a NYC subway map. He judiciously used the performance space to move his actors between NYC, the apartment interiors, and an upstate New York estate while maintaining a lively pace to his sensational storytelling. 

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