Young Dancemakers Company, a tuition-free NYC public high school dance ensemble, announced its 2026 touring season, featuring student-created works and a repertory project with choreographer Milton Myers, culminating at the Ailey Citigroup Theater.
Young Dancemakers Company will celebrate its landmark 30th season this summer with a spirited series of original works created and performed by the teens themselves.
Young Dancemakers Company will present its 29th annual touring season. Learn more about the artists!
Young Dancemakers Company, a tuition-free dance ensemble of students drawn from NYC’s public high schools, working under the guidance of acclaimed professionals, will present its 29th annual touring season. Learn how to purchase tickets.
Manhattan Theatre Club's world premiere of The Best We Could (a family tragedy), written by Emily Feldman (Three Women in Four Chairs, My Lover Joan) and directed by Daniel Aukin (Fool For Love, Fulfillment Center), is in its final weeks of performances at New York City Center – Stage I (131 West 55th Street).
Check out photos from opening night of Manhattan Theatre Club's world premiere of The Best We Could!
Manhattan Theatre Club’s world premiere The Best We Could (a family tragedy), written by Emily Feldman opens tomorrow night, Wednesday, March 1, at New York City Center – Stage I. See how to purchase tickets!
Get a first look at footage of the world premiere of Manhattan Theatre Club's The Best We Could!
Manhattan Theatre Club’s world premiere The Best We Could (a family tragedy), written by Emily Feldman and directed by Daniel Aukin, is now in preview performances at New York City Center – Stage I. Check out photos of the cast in action!
Read BroadwayWorld's interview with playwright Emily Feldman, as she discusses the world premiere of her play The Best We Could, now playing at Manhattan Theatre Club.
Manhattan Theatre Club’s world premiere The Best We Could (a family tragedy), written by Emily Feldman and directed by Daniel Aukin will now begin preview performances on Wednesday, February 8, at New York City Center – Stage I.
The full cast has been announced for Manhattan Theatre Club’s upcoming world premiere, The Best We Could (a family tragedy), written by Emily Feldman and directed by Daniel Aukin. See performance dates, how to purchase tickets and more!
This September, The American Opera Project, one of America’s leading homes for the creation of original lyric theater, kicks off its 33rd season with premiere music from five distinctive new operas at an outdoor concert in its home neighborhood of Fort Greene, Brooklyn.
The October world premiere of White Snake Projects' Alice in the Pandemic – a virtual opera by creator and librettist Cerise Jacobs and composer Jorge Sosa – met with well-deserved praise from every corner, for its innovation and the possibilities it revealed for the future of digital opera production.
The American Opera Project announces First Glimpse, a video album of 20 songs created during the first year of AOP’s 2019-21 cycle of Composers & the Voice, the groundbreaking fellowship program that has been the starting point for many of today’s most recognized contemporary operas and artists.
Manhattan Theatre Club (Lynne Meadow, Artistic Director and Barry Grove, Executive Producer) has announced casting for the upcoming world premiere of The Best We Could (A Family Tragedy), written by the company's 2019-20 Tow Playwright-in-Residence, Emily Feldman (Three Women in Four Chairs, My Lover Joan), and directed by Daniel Aukin (Fool For Love, Fulfillment Center).
Primary Stages' production of the world premiere of On That Day in Amsterdam, written by Clarence Coo (Beautiful Province (Belle Province)-a?"Yale Drama Prize) and directed by Kareem Fahmy (3/Fifths) will begin previews on Friday, November 1. Opening night is set for Tuesday, November 19, for a run through Wednesday, December 18, 2019 at the Cherry Lane Theatre (38 Commerce Street). For ticket exchanges, please visit your point of purchase.
a??a??a??a??a??a??a??The American Opera Project (AOP), announces its selection of eight composers and librettists to receive fellowships for its 10th cycle of the Composers & the Voice training program. Composers Alaina Ferris, Matt Frey, Michael Lanci, Mary Prescott, Jessica Rudman, Tony Solitro, and librettists Amanda Hollander and Jonathan Turner, will each receive a 2-year, tuition-free fellowship that provides experience writing for the voice and opera stage. The fellows will work collaboratively with the following six singers, named as the 10th Composers & the Voice Resident Ensemble: Lyric Coloratura Soprano Justine Aronson, Lyric Soprano Jasmine Muhammad, Mezzo-Soprano Augusta Caso, Tenor Timothy Stoddard, Baritone Mario Diaz-Moresco and Bass-Baritone Brandon Coleman.
Primary Stages announces casting for the world premiere of On That Day in Amsterdam, written by Clarence Coo
Honeck-Moss Productions is presenting a?oeIn The Works.a?? In The Works is presented on the 3rd Sunday of the month and features three composers or composer teams, each presenting about 20 minutes of new material.
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