It took 30 years for Shawn Moninger, a Unity minister and longtime technical director with four MAC awards, to move out of the booth and onto the stage. His show Because I Can (which has been running monthly at the Metropolitan Room since last November) is more a one-man Off-Broadway comedy show than typical cabaret. Almost without exception, the opening of a cabaret show is the weakest. Performers tend to warm up around the third or fourth number. That was not the case at the February 27 show, or as Moniger put it, 'the Senior Citizen Happy Hour.'
There's a new Dolly coming to town and today we've got the scoop on auditions to star alongside the legend via an Equity Casting Notice, available here.
There's a new Dolly coming to town. As BroadwayWorld reported last week, Bette Midler will indeed return to Broadway in one of the most cherished shows in musical theater history when she takes on the role of Dolly Gallagher Levi in Hello, Dolly!, and according to Page Six, she'll make bank doing it.
BroadwayWorld has heard from Carol Channing, our amazing readers, and more since Bette Midler was announced for the role of 'Dolly Gallagher Levi' in the Broadway return of one of the most cherished shows in musical theater history, HELLO, DOLLY! And now the diva herself has chimed in on coming back to the Great White Way in an interview with The New York Times.
There's a new Dolly coming to town, but how does the original star feel about it? BroadwayWorld has just checked in with Carol Channing, who is thrilled about this morning's news. Channing said, 'Bette will be brilliant! Dolly is the kind of character that everyone should be blessed to play. Dolly is an institution- the American musical equivalent to Hamlet.'
Long rumored, and first reported last night by BroadwayWorld after the star teased the news on Twitter, it's now Official! Producer Scott Rudin announced this morning that Bette Midler will indeed return to Broadway in one of the most cherished shows in musical theater history when she takes on the role of Dolly Gallagher Levi in Michael Stewart's (book) and Jerry Herman's (music and lyrics) masterpiece, Hello, Dolly!.
This week FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visitwww.54Below.com/Feinsteins or call (646) 476-3551.
Craving a show after the show? FEINSTEIN'S/54 BELOW, Broadway's Supper Club, is bringing its popular late-night series with fresh faces and hot new performances to keep the party buzzing into the wee hours. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551. FEINSTEIN'S/54 BELOW welcomes you to loosen your tie and embrace the night at its upcoming event:
This December and January, FEINSTEIN'S/54 BELOW presents an exciting lineup of the brightest talent from Broadway and beyond. Located just below the legendary Studio 54 at 254 West 54th Street. For a detailed schedule of upcoming performances at Feinstein's/54 Below and to purchase tickets, visitwww.54Below.com/Feinsteins.
This December and January, Feinstein's/54 Below, Broadway's Supper Club offers an exciting lineup of holiday entertainment. Holiday shows features the talents of Michael Feinstein, Norm Lewis, The 8th Annual Joe Iconis Christmas Spectacular, Well-Strung, The Muppet Christmas Carol, Vodka Stinger, Christine Pedi and more. Additionally, celebrate New Years Eve with special performances from Marin Mazzie and Annaleigh Ashford.
There are the warhorse musicals of Rodgers and Hammerstein, Cole Porter, and Irving Berlin; there are the lavish productions befitting Phantoms in opera houses and French revolutionaries and revisionist fairy tales (and you know the ones I mean); there are the Disney powerhouses; and . . . there are musicals of a quaint, mind-nudging nature that don't quite fit into any category. Certainly THE FANTASTICKS comes to mind, and -- at least in the previous productions I have seen -- Stephen Schwartz's PIPPIN. Somewhere in my video collection is a filmed version of the musical with William Katt, and just a few years ago PIPPIN was the first musical staged at the shiny, new Playhouse on the Square (with Alvaro Francisco stepping in for a sidelined Jordan Nichols). I sometimes think that small-scale musicals are better suited to venues less grand than the Orpheum; I needn't have worried, however, as PIPPIN has acquired the kind of theatrical, Cirque du Soleil-style atmosphere that perfectly suits the show's opening number, 'Magic to Do.'
Theatre Charlotte's revival of LA CAGE AUX FOLLES allows us to catch up with its true meaning as director Dennis Delamar sets his star, Steve Bryan, free to add uproarious blandishments of shtick and impersonation.
Some shows I can see again and again, especially those composed by the forever upbeat Jerry Herman. Hello Dolly bowed on Broadway when I was a teenager in the 60s and it had a long run with original star Carol Channing, followed by turns with Ethel Merman, Ginger Rogers, Pearl Bailey, Martha Raye and Molly Picon, to name a few. Every major star wanted to do it because the role offers a female actress the chance to sing, dance and act the hell out of it. It's a big, splashy gut buster about a woman who has more moxy than the Pied Piper and enough wisdom and panache to win over an army or a whole kingdom, for that matter...and, for the audience, it's one of those extra-special feel-good musicals that just doesn't quit... for a moment. You leave the theatre actually humming the tunes.Welk Resort's current production of Dolly! in Escondido through November 15 is right on target...it's wondrously delectable.
This week at 54 BELOW, Broadway's Supper Club presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551.
Craving a show after the show? 54 BELOW, Broadway's Supper Club, is expanding its popular late-night series with fresh faces and hot new performances to keep the party buzzing into the wee hours. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551. 54 BELOW welcomes you to loosen your tie and embrace the night at its upcoming event:
The Stephen Schwartz coming-of-age musical that helped put Bob Fosse on the map exploded onto Broadway in 1972. It then had a successful televised version in 1981. With the recent 2013 revival, the theatre world and all who see it are rediscovering this powerful show. It now has a showing through May 2nd with the Theatre Department at Agoura High School.
Austin Film Festival (AFF), the premier film festival that recognizes the writers' and filmmakers' impact on film, television, and new media, is thrilled to announce Norman Lear as the recipient of the "Outstanding Television Writer" Award at the 22nd Annual Austin Film Festival, this October 29-November 5.
FST pays tribute to America's original entertainment in its third Cabaret show, Never Marry A Girl With Cold Feet: and other life lessons from Vaudeville. Developed by Richard Hopkins, Rebecca Hopkins, and Jim Prosser, it begins in the John C. Court Cabaret tonight, February 18, 2015.
Coming up this week, 54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551.
