Marquis de Sade News

Edward Albee's Three Tall Women. Three Tall Women starring two-time Academy Award-winner Glenda Jackson, Tony Award winner, three-time Emmy Award winner, and 2018 Academy Award nominee Laurie Metcalf, and Tony Award nominee Alison Pill opened just last night on Broadway!

Edward Albee's Three Tall Women. Three Tall Women starring two-time Academy Award-winner Glenda Jackson, Tony Award winner, three-time Emmy Award winner, and 2018 Academy Award nominee Laurie Metcalf, and Tony Award nominee Alison Pill opened just last night on Broadway!

Edward Albee's Three Tall Women. Three Tall Women starring two-time Academy Award-winner Glenda Jackson, Tony Award winner, three-time Emmy Award winner, and 2018 Academy Award nominee Laurie Metcalf, and Tony Award nominee Alison Pill opens tonight on Broadway!

Previews begin today for Edward Albee's Three Tall Women. Get to know the cast below as they begin Broadway performances!

Previews begin tomorrow, Tuesday, February 27, 2018, for Edward Albee's Three Tall Women. Three Tall Women stars two-time Academy Award-winner Glenda Jackson, Tony Award winner, three-time Emmy Award winner, and 2018 Academy Award nominee Laurie Metcalf, and Tony Award nominee Alison Pill. This production is directed by two-time Tony Award winner Joe Mantello and produced by Scott Rudin. Three Tall Women will have an official opening night on Thursday, March 29 at the Golden Theatre (252 West 45th Street).

'Isabelle Huppert reads Sade: Juliette and Justine, the Vice and the Virtue' is the electrifying one-woman show by the internationally renowned, multi-award winning French film actress ISABELLE HUPPERT which she will perform - for one night only - at Southbank Centre's Queen Elizabeth Hall on Saturday June 9th at 7.30pm.

Today Southbank Centre announces its 2018/19 performance, dance and comedy programme, celebrating the reopening of its restored and redesigned cultural venues, the Queen Elizabeth Hall and Purcell Room, and welcoming new and returning companies to its stages.

Puerto Rico's acclaimed Casa Cruz de la Luna Theatre Company and INTAR Theatre will present The Marquis de Sade is Afraid of the Sea, as part of INTAR Theatre's NewWorks Lab.  Performances will be Friday, February 23rd at 8PM, Saturday, February 24th at 8PM, and Sunday, February 25th at 4PM at INTAR Theatre, 500 West 52nd Street at 10th Avenue.  Tickets are available for $5  and may be purchased at intartheatre.org or by calling 212-352-3101.  Please note: production contains explicit adult content and nudity.

Black Flag Theatre Company begins their inaugural season with the steampunk dark fantasy Quills by Tony Award and Pulitzer Prize-winning author Doug Wright. Joel Frapart (UNT Theatre graduate) stars as Abb du Coulmier, a timid cleric who is ordered to silence the outrageously irreverent and prolific Marquis de Sade (Brian Hoffman). Directed by Hugh Lehman. The play runs February 9 March 3, 2018, in the Cox Playhouse in downtown Plano. Tickets are on sale now. Limited seating. Mature content. 18+ only.

The Pacific Standard Time Festival: Live Art LA/LA, a celebration of performance art presented as part of the Getty-led initiative Pacific Standard Time: LA/LA, will run from January 11 through 21, 2018. Organized by REDCAT, CalArts' Center for Contemporary Arts, in collaboration with partner organizations throughout the city, the 11-day festival will feature more than 75 works by Latin American and Latino artists, performed at more than 20 indoor and outdoor spaces throughout greater Los Angeles. Supported by a major grant from the Getty Foundation, events will range from large-scale, site-specific performances to multi-artist evenings and will be presented in parks, plazas, galleries, theaters, and busy urban settings.

The Pacific Standard Time Festival: Live Art LA/LA, a celebration of performance art presented as part of the Getty-led initiative Pacific Standard Time: LA/LA, will run from January 11 through 21, 2018. Organized by REDCAT, CalArts' Center for Contemporary Arts, in collaboration with partner organizations throughout the city, the 11-day festival will feature more than 75 works by Latin American and Latino artists, performed at more than 20 indoor and outdoor spaces throughout greater Los Angeles. Supported by a major grant from the Getty Foundation, events will range from large-scale, site-specific performances to multi-artist evenings and will be presented in parks, plazas, galleries, theaters, and busy urban settings.

The Pacific Standard Time Festival: Live Art LA/LA, a celebration of performance art presented as part of the Getty-led initiative Pacific Standard Time: LA/LA, will run from January 11 through 21, 2018. Organized by REDCAT, CalArts' Center for Contemporary Arts, in collaboration with partner organizations throughout the city, the 11-day festival will feature more than 75 works by Latin American and Latino artists, performed at more than 20 indoor and outdoor spaces throughout greater Los Angeles. Supported by a major grant from the Getty Foundation, events will range from large-scale, site-specific performances to multi-artist evenings and will be presented in parks, plazas, galleries, theaters, and busy urban settings.

Known for its technical wizardry, The Falcon's Eye is creating a truly immersive multimedia experience.

Early in Dirt [Contained]'s production of GARDEN OF DELIGHTS, a caller on a radio show asks Lais (Tana Sirois), the successful but tormented actress at the center of Fernando Arrabal's 1960s play, if she was was really an orphan. When Lais responds in the affirmative, the caller expresses sympathy for her presumed suffering.Lais' response provides the audience what it needs to appreciate (if not exactly to enjoy) what follows, even if Andre Breton, Antonin Artaud, the Theatre of Cruelty, the Panic Movement, and surrealism in general are literary terra incognito (as they were to me, a former English doctoral candidate specializing in the eighteenth and nineteenth centuries). But a little knowledge helps one to appreciate just how ambitious and complex a project this is. (I'm told Ferdando Arrabal, now in his 80s, made a special trip to America to see Dirt [Contained] perform his play. Having seen this extraordinary cast, led by the at once luminous and ferocious Tana Sirois, I can see why.) It may be my bias as a former academic, but the more one brings to GARDEN OF DELIGHTS, the more one gets out of it. My reading of and about Arrabal since the show has retroactively increased my respect for and pleasure in the play. Nathan Gorelick's characterization of Arrabal's work in the journal Discourse is apt: '[His] theater is a wild, brutal, cacophonous and joyously provocative world. In his violence, Arrabal is related to Sade and Artaud. Yet he is doubtless the only writer to have pushed derision as far as he did. Deeply political and merrily playful, his work is the syndrome of our century of barbed wire and Gulags, a manner of finding reprieve.'

Bringing great shows from around the world, across the country and throughout the region, the Harris Center for the Arts' new 2017-18 season is on sale now.

Producer Scott Rudin today announced that two-time Academy Award winning actress Glenda Jackson and three-time Emmy Award winner and 2017 Tony Award nominee Laurie Metcalf will star in the Broadway premiere of Edward Albee's Pulitzer Prize-winning masterpiece Three Tall Women next spring, in a production directed by two-time Tony Award-winner Joe Mantello.  Beginning preview performances on Tuesday. February 27, 2018, Three Tall Women will have an official opening night on Thursday, March 29.

From Broadway and B-Movies to fiascoes in fashion, Mr. Blackwell was the original arbiter of wrong and right on the red carpet. From Carol Channing ('Finger paints, chicken feathers, and glue thrown into an electric fan'-1966) to Bette Midler (Potluck in a laundramat'-1973), Blackwell remarked, 'I'm only saying out loud what everyone else is whispering.'

After mesmerizing audiences in a sold-out run at the 2015 Panamania Festival, Canadian Stage brings Robert Lepage's critically-lauded 887 back to Toronto for a limited engagement April 7 to 16 at the Bluma Appel Theatre. Written, directed, designed and performed by Quebec theatre visionary Robert Lepage (Needles and Opium, Far Side of the Moon), 887 combines the technical wizardry of his company Ex Machina with a highly-intimate autobiographical foray into the world of memory. Presented in English.

OUT LOUD Theatre is kicking off their 5th Season and 3-part series 'That Way Madness Lies' with Peter Weiss's 1960's classic, Marat/Sade. Full title, The Persecution & Assassination of Jean-Paul MARAT as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de SADE Set in 1808 in the asylum of Charenton, Marat/Sade explores mental health, revolution, and what it means to be 'free'. Structured almost entirely as a 'play within a play' - led by the direction of the Marquis de Sade - the inmates of Charenton relive and retell the horrors of the French Revolution, all the while grappling with their own internal and external realities.

Jaco Bouwer, the acclaimed and multiple award-winning designer and director, tackles one of the Baxter Theatre Centre's flagship productions for 2017, Peter Weiss's contemporary classic MARAT/SADE. The production will play the Baxter Flipside from 23 February - 25 March at 19:30 nightly.