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Marquis de Sade News

Provincetown Theater to Present OLEANNA, 9/2-12

The Provincetown Theater is proud to present the Cotuit Center for the Arts production of, Oleanna*, by Pulitzer Prize-winning playwright David Mamet, Wednesday through Saturdays September 2-12. A Top Pick by Capecod.com, this riveting drama, is one of Mamet's most controversial plays. John, a college professor being considered for tenure, agrees to meet Carol, his female student, in his office to discuss her frustrations with the course he is teaching; a meeting which finds both teacher and student embroiled in a war of words with explosive results.

MARAT/SADE Set for Players' Ring, Now thru 4/12

Seacoast theatergoers will be treated to a glimpse inside the mind of the infamous Marquis de Sade when Peter Weiss's 'Marat/Sade' is staged at the Players' Ring.

MARAT/SADE Set for Players' Ring, 3/27-4/12

Seacoast theatergoers will be treated to a glimpse inside the mind of the infamous Marquis de Sade when Peter Weiss's "Marat/Sade" is staged at the Players' Ring.

Luna Theater's Opens Season with QUILLS Tonight

Luna Theater Company's 13th 'Season of Seduction', commences with the darkly comic QUILLS by Doug Wright, tonight, October 25-November 15; followed by CLOSER by Patrick Marber, January 17 - February 7; and concludes with RASHOMON by Ryunosuke Akutagawa (adapted by Fay & Michael Kanin from the screenplay of Akira Kurosawa), March 21- April 11.

Jane's Addiction to Return to Brooklyn Bowl Las Vegas, 11/21-22

Jane's Addiction is set for an encore presentation at Brooklyn Bowl Las Vegas at The LINQ, 3545 Las Vegas Blvd. South on Friday and Saturday, November 21 & 22, 2014 at 9:00 PM. Tickets on sale Saturday, October 4, 2014 at 10 a.m. PST.

Luna Theater's to Open Season with QUILLS, 10/25-11/15

Luna Theater Company's 13th 'Season of Seduction', commences with the darkly comic QUILLS by Doug Wright, October 25-November 15; followed by CLOSER by Patrick Marber, January 17 - February 7; and concludes with RASHOMON by Ryunosuke Akutagawa (adapted by Fay & Michael Kanin from the screenplay of Akira Kurosawa), March 21- April 11.

Luna Theater to Close Season with Doug Wright's QUILLS, 3/21-4/11

Luna Theater Company's 13th 'Season of Seduction', commences with the darkly comic QUILLS by Doug Wright, October 25-November 15; followed by CLOSER by Patrick Marber, January 17 - February 7; and concludes with RASHOMON by Ryunosuke Akutagawa (adapted by Fay & Michael Kanin from the screenplay of Akira Kurosawa), March 21- April 11. All shows take place at the new Luna Theater at 620. S. 8th Street (between South and Bainbridge). Tickets are $15-$25 and can be purchased by visiting www.lunatheater.org or by calling 215-704-0033.

Mockingbird Theatre to Present QUILLS, Now thru 15 August

The Victorian premier of Doug Wright's Obie Award-winning play Quills - a provocative and daring study of sexuality and madness. What happens when the lunatics rule the asylum! Season: today, August 2 - August 15, 2014

Old 505 Theatre Presents KINSKI AND I, Sept 3-14

Kinski And I explores playwright and film critic CJ Johnson's response to German movie star Klaus Kinski's sordid memoir of sexual addiction. As a lover of celebrity memoirs that do not shy away from squalid truths, nothing prepared CJ Johnson for Klaus Kinski's Uncut, which reveals and revels in an intense, often pornographic description of Kinski's lifelong sexual addiction.

MARAT/SADE Opens Tonight at California Stage

California Stage will open its highly anticipated production of Marat/Sade by Peter Weiss tonight, July 19th, 2014. Veteran Los Angeles director Kent Johnson dives into Weiss' avant garde masterwork to create the most outrageous musical spectacle of the season.

Fair Oaks Actor Richard Spierto Rouses Audiences at California Stage as the Marquis de Sade

Fair Oaks actor and community organizer Richard Spierto plays the infamous Marquis de Sade in California Stage Theater Company's upcoming production of Marat/Sade, opening July 19thSpierto leads California Stage's illustrious cast as it reveals what happens when the '1%' goes too far and takes too much in Peter Weiss' provocative play-within-a-play.

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