The Royal Court Theatre announced the cast for ARE YOU WATCHING?, Georgie Dettmer's playwriting debut, running May 29 to July 4, 2026, starring Maimuna Memon, Lucy McCormick, and Kosar Ali.
Shakespeare’s Globe has announced that the new musical Pinocchio will return for the 2026 festive season. Based on Carlo Collodi’s original stories, Pinocchio is directed by Associate Artistic Director Sean Holmes.
Pinocchio at the Globe Theatre is a radiant and heartfelt triumph which transforms a much loved story into a richly imaginative new musical. The atmosphere is electric, with the standing audience filling the lower space, with a striking set emblazoned with giant letters spelling PINOCCHIO framed by grand red curtains, ensuring the sense of occasion is unmistakable.
One of the least performed plays in Shakespeare’s canon, and also one of the most aptly labelled as a ‘problem play’; Troilus and Cressida is ostensibly about the romance between these two Trojans, but in reality much of the play focuses on the backdrop to their love - the ongoing siege of Troy by the Greeks. This production in the open-air Globe Theatre is the final new show of the summer season.
With their co-production with the RSC of The Buddha of Suburbia about to transfer to the Barbican, Wise Children has announced their forthcoming season of work, which includes Artistic Director Emma Rice's brand-new adaptation of Alfred Hitchcock's North by Northwest, which she also directs. Learn more about the full season here!
The casts have been revealed for THE SPY WHO CAME IN FROM THE COLD and THE CAT & THE CANARY at Chichester Festival Theatre. Learn how to purchase tickets.
Norfolk & Norwich Festival 2024 opened this Friday (10 May) with the spectacle of a 25ft puppet roaming Norwich's streets in front of thousands of spectators following the route of the procession.
A show dripping in pretension performed by a naked man? An impenetrable work obsessed with having a sex toy deep inside one’s backside? A meditation on “existential anxiety” that does little of note with an hour of precious life? There’s enough irony in You Are Going To Die to power an Alanis Morissette comeback, and then some.
All in all, Cowbois isn’t a bad play. It’s a fun and gimmicky queer-affirming semi-comedy that makes for a good night out if you’re willing to close an eye here and there. It’s weird and long, but it means well.
What a year! I pulled out my notebook over a hundred times and came away, more often not, with a happy heart. Below is a condensed list of the very best - and worst - that I saw.
The Royal Shakespeare Company (RSC) and Royal Court Theatre have announced the London transfer of Charlie Josephine's rollicking queer western Cowbois.
Cowbois might sound like a reboot of Sister Act but there is far more going under the satin bonnets. Gunslinger Jack Cannon (Vinnie Heaven) arrives in a small Wild West-era outpost, handsome by appearance, fearsome by reputation and with a bounty of 200 dollars on their head. The town is populated only by women and a drunken sheriff (Paul Hunter), their menfolk having been gone for over a year and presumed dead after a mine blast.
Watching Lucy and Friends is how I imagine a halluncinatory drug trip. From smothering her body with tomato puree to exposing naked truths (literally) to maiming a piñata and cutting a strip-pole with a disc saw, Lucy challenges the limits of art in an absurd combination of comedy, theatre and performance installations.
George Michael: Singer, songwriter, LGBTQ icon, and tragic hero? Kissing a Fool, an interdisciplinary Queer Cabaret show about the Wham! frontman might just have you revaluating everything you thought you knew about your mum’s favourite teenage heartthrob.
A full Soho Theatre Ed Fringe programme will be presented, consisting of 16 comedy and theatre shows across seven venues from artists around the world. Learn more about the lineup here!
The second Edinburgh Fringe announcement for the Pleasance Theatre Trust is a whopper with returning award-winning acts, amazing newcomers, European sensations, shows with fun for all the family and political chatterings.
Jude Christian's visually stunning take on this goriest of stories from Shakespeare is bound to raise more than a few eyebrows. In a gender reversal of what likely took place on its first outing, this production has an all-female cast committing the heinous murders. The many, many deaths are portrayed by candles being snuffed out. This may be set in ancient Rome, but the dress code here is pyjamas and, in place of lyres and pan pipes, the music here consists mainly of darkly comic songs. A classic interpretation? Hardly