The Squint Playwriting Award Showcase will present the work of nine emerging playwrights from low-income backgrounds. The showcase features ten minutes of each writer's work from a full-length play they are developing, performed by a professional cast. Get all the details here!
The Royal Shakespeare Company has announced that Nicholas Hytner will join the Company’s Board, formally taking up the position at the Company’s AGM in Stratford-upon-Avon. Learn more about Hynter and his position here!
One of the world's most acclaimed and popular living artists will create the launch show for Lightroom --- an extraordinary four-storey-high space in Kings Cross equipped with the latest digital projection and audio technology.
Paines Plough announces their appointment of Jodie Gilliam as their new Executive Director. Jodie joins Paines Plough from Shubbak where she was Head of Finance and Operations, and will form an integral part of the company, led by Joint Artistic Directors Charlotte Bennett and Katie Posner.
The US premiere and strictly limited, nine-week New York engagement of David Hare’s new play, Straight Line Crazy, starring Ralph Fiennes as Robert Moses and directed by Nicholas Hytner and Jamie Armitage, will be presented this fall at The Shed.
With a long-standing commitment to UK theatre, philanthropy and extending access to the arts, Sir Lloyd will lead the Board as the Royal Opera House navigates the aftereffects of the Covid-19 pandemic on the UK's creative industries, while strengthening its reputation as one of the UK and world's leading artistic and creative forces.
Theatre Royal Stratford East today announces its 2022/23 season. The season includes Anthony Neilson's poignant and comical delve into the nature of mental illness, The Wonderful World of Dissocia, directed by Emma Baggott, which opens in September 2022.
Geoids Musical Theatre, a London theatre company, will present a new production of the much-loved Gershwin musical Crazy For You for a limited run at the London Oratory Theatre, Fulham from 27 to 30 October 2021.
The film is based on the stage play of the same name that premiered at London’s Bridge Theatre, who were in the vanguard as one of the first theatres to reopen after closure due to the Covid-19 pandemic.
Joining Simon Russell Beale who will play Johann Sebastian Bach in the world premiere of Nina Raine's Bach & Sons are Samuel Blenkin as Carl, Pandora Colin as Maria Barbara, Ruth Lass as Katharina, Douggie McMeekin as Wilhelm, Racheal Ofori as Anna Magdalena and Pravessh Rana as Frederick the Great.
Simon Russell Beale will play JS Bach in the world premiere of Nina Raine's Bach & Sons, directed by Nicholas Hytner. Performances at The Bridge are from 23 June – 9 September 2021 with opening night on 29 June 2021.
The international sales success of Alan Bennett's Talking Heads, made by Nicholas Hytner and Kevin Loader for BBC One this spring, has enabled its collective of writer, actors, directors, producer and heads of department to make their second substantial charity donation to help those most affected by Covid.
Extreme cult worship disguised as a London theatre company sets the stage for the new original dramatic horror series, DOCTOR THEATRE. Releasing on Amazon.com from distributor Filmhub, the 6-episode season premieres on October 29, 2020.
The Barbican today announces a new partnership with the Bridge Theatre, to bring the highly acclaimed theatre installation, Flight, by Vox Motus, to London for the first time.
Tamsin Greig has pledged her commitment to regional theatre by being the latest actor announced to be performing one of Alan Bennett's timeless monologues TALKING HEADS to northern audiences.
As part of the current season of one-person plays, The Bridge is presenting the now sell-out runs of David Hare's Beat the Devil and Inua Ellams' and Fuel's production of An Evening with an Immigrant. Today additional performances will go on sale for both as the season is extended to 7 November 2020.
London Theatre Company has made plans to re-open the Bridge Theatre during September and October, assuming that the Government gives the go ahead for indoor performances with socially distanced audiences.
Technically excellent and engaging, the penultimate episode in this splendid reboot is let down by stakes that seem too slight to warrant our full emotional investment.