Lauren Parrish News

10 Hairy Legs, the all-male repertory dance company is pleased to announce that Nikolas Owens and Michael Wang are members of 10 Hairy Legs, effective immediately. They join current company members Alex Biegelson, Robert Mark Burke, Derek Crescenti, Jared McAboy, Alexander Olivieri, Nicholas Sciscione and William Tomaskovic. Company member Bios.

10 Hairy Legs, the all-male repertory dance company extends its footprint during its seventh season of performances and educational programming, appearing in Kansas, Oklahoma, Missouri, New York, Maine, Maryland and Rhode Island as well as in its home state of New Jersey.

Playwright Daniel McCoy's new plays, Perfect Teeth and Dick Pix are set to run in rotation at Theaterlab in mid-town Manhattan, July 18 - August 12. Opening night is slated for Sunday July 22.

Playwright Daniel McCoy's new comedy Dick Pix is currently running at Theaterlab in mid-town Manhattan. Dick Pix is directed by Heidi Handelsman and runs through August 11. The production is running in rotation with McCoy's drama, Perfect Teeth.

Playwright Daniel McCoy's new play, Perfect Teeth is currently running at Theaterlab in mid-town Manhattan. The drama is directed by David Hilder.

Playwright Daniel McCoy's new plays, Perfect Teeth and Dick Pix are set to run in rotation at Theaterlab in mid-town Manhattan, July 18 - August 12. Opening night is slated for Sunday July 22.

Playwright Daniel McCoy's new plays, Perfect Teeth and Dick Pix are set to run in rotation at Theatrelab in mid-town Manhattan, July 18 - August 12. Opening night is slated for Sunday July 22.

Playwright Daniel McCoy's new plays, Perfect Teeth and Dick Pix are set to run in rotation at Theaterlab in mid-town Manhattan, July 18 - August 12. Opening night is slated for Sunday July 22.

Playwright Daniel McCoy's new plays, Perfect Teeth and Dick Pix are set to run in rotation at Theaterlab in mid-town Manhattan, July 18 - August 12. Opening night is slated for Sunday July 22.

Playwright Daniel McCoy's new plays, Perfect Teeth and Dick Pix are set to run in rotation at Theatrelab in mid-town Manhattan, July 18 - August 12. Opening night is slated for Sunday July 22.

10 Hairy Legs, the all male repertory dance company, dèbuts at Baryshnikov Arts Center for its sixth consecutive New York Season for four performances June 7 -10. The program features World Premieres by Bessie Award Nominee and company member Nicholas Sciscione, and Yin Yue. Works by Al Blackstone, Raja Feather Kelly and Christopher Williams complete the program. Sciscione will perform his solo work and Ofer Pelz his original composition at all performances. Tickets are $25 for Adults and $20 for Students and Groups of 10 or more through 10HL.org.

10 Hairy Legs returns to New Brunswick for its sixth consecutive season at a new location. Tickets for the weeknight show are $10 General Admission.  Tickets: 10HL.org. The evening features works performed in 10 states during the company's national tour in the fall and winter, including debuts at The Kravis Center in West Palm Beach and Dance Place in Washington, DC, and a Preview of a World Premiere by Yin Yue that will debut at the company's 2018 New York Season at Baryshnikov Arts Center. The performance is underwritten in part by a grant from The MagyarBank Charitable Foundation. Loree Dance Theatre is located on the Douglass Campus of Rutgers University, 70 Lipman Drive. Parking and directions.

10 Hairy Legs, the all male repertory dance company, dèbuts at Baryshnikov Arts Center for its sixth consecutive New York Season for four performances June 7 -10. The program features World Premieres by Bessie Award Nominee and company member Nicholas Sciscione, and Yin Yue. Works by Al Blackstone, Raja Feather Kelly and Christopher Williams complete the program.

THE AWARD-WINNING NEW YORK NEO-FUTURISTS (NYNF), now in their 14th Season, are pleased to announce the world premiere production of Rob Neill's WIND-UP VARIATIONS, their 21st MainStage production. WIND-UP VARIATIONS will play a limited engagement at The Kraine Theatre (85 East 4th Street, NYC). Performances begin Thursday, April 19 and continue through Saturday, May 12.

10 Hairy Legs returns to New Brunswick for its sixth consecutive season at a new location. Tickets for the weeknight show are $10 General Admission.

Peak Performances continues its acclaimed 2017-2018 season of works by women with ink, from award-winning choreographer and TED Fellow Camille A. Brown, February 1-4, 2018, at the Alexander Kasser Theater at Montclair State University.

Acclaimed choreographer Kirk Peterson returns to New York City with two works, The Eyes that Gently Touch (set to Philip Glass' Mad Rush) and the New York premiere of his Carmen (with music by Rodion Shchedrin), when American Repertory Ballet performs today, October 5 at 8pm, at the Gerald W. Lynch Theatre of John Jay College of Criminal Justice (524 W. 59th Street).

10 Hairy Legs will provide the Dance to Learn program to all second grade students at the Jerome Dunn Academy #9 in Elizabeth, NJ.

Acclaimed choreographer Kirk Peterson returns to New York City with two works, The Eyes that Gently Touch (set to Philip Glass' Mad Rush) and the New York premiere of his Carmen (with music by Rodion Shchedrin), when American Repertory Ballet performs on Thursday, October 5 at 8pm, at the Gerald W. Lynch Theatre of John Jay College of Criminal Justice (524 W. 59th Street).

10 Hairy Legs, the all-male repertory dance company extends its footprint during its sixth season of performances and educational programming, appearing in Delaware, the District of Columbia, Florida, Maine, Maryland, Massachusetts, New York, North Carolina, Oklahoma and Vermont, as well as in its home state of New Jersey.  Artistic Director Randy James noted, "We are pleased to have had such a positive and wide-reaching response from our presenting partners across the county to our vision of exploring the artistry of the male dancer. With more than 23 works in our repertory including 14 commissioned works, we bring a wealth of ways to investigate and illuminate the male role in dance today and to display the tremendous versatility of our company members while inviting interesting conversations about gender roles."