Ken Howard News

On July 28, 2018, 13 years after its premiere, Santa Fe Opera presented John Adams and Peter Sellars' DOCTOR ATOMIC. This new production featured bass-baritone Ryan McKinny as the volatile scientist J. Robert Oppenheimer. The opera, which takes place during the last few days before the first atomic bomb test, shows Oppenheimer battling with his mental demons as he tried to deal with the impending use of his scientific discovery to destroy an entire city and its inhabitants. McKinny showed the audience the human side of the scientific genius and I doubt that operagoers who saw his portrayal will soon forget it.

Daniela Mack is Isabella, an Italian pilot, who makes an emergency landing in Algiers and is captured by its ruler, the Bey. He wants an Italian girl for a wife but she loves Lindoro, the Bey's Italian slave. L'ITALIANA has lots of good bel canto singing and plenty of comedy to keep you smiling all evening. There are three more performances, Aug 3, 9 and 17.

MN: What would you like operagoers to know about DR ATOMIC? RMcK: I hope folks are able to arrive with an open heart and mind. As with any librettist Peter Sellars and composer John Adams collaboration, what we are creating is not traditional opera. In this case, it almost feels like a kind of ceremony-a celebration of this land and a display of mourning for what happened here in the desert 75 years ago.

Season 12 of Great Performances at the Met continues Sunday, July 8 on PBS (check local listings) with a rare Met performance of Rossini's masterpiece Semiramide, starring Angela Meade as the titular Queen of Babylon and Elizabeth DeShong as the warrior Arsace. Javier Camarena, Ildar Abdrazakov and Ryan Speedo Greencomplete the all-star bel canto cast.

Orpheus could charm the very stones with his lyre and his singing. Just such magic can be seen on the stage of Opera Theatre St. Louis when Jennifer Johnson Cano portrays the mythical superstar in the company's current production. She gives an utterly stunning performance.

Opera Theatre St. Louis continues its 43rd season of exceptionally fine opera with another world premiere. An American Soldier is their twenty-seventh such premiere, a record which sets OTSL among the forefront of producers of new opera in America.

AN AMERICAN SOLDIER--music by Huang Ruo and libretto by David Henry Hwang, directed by Matthew Ozawa--opened at Opera Theatre of Saint Louis (OTSL) on June 3. The opera asks the powerful question: What does it mean to be an American? It is based on the true story of a young Chinese American, who enlisted in the Army during the war in Afghanistan and became victim of military hazing that led to his suicide. The artists spoke about the creation of the piece at the Guggenheim Museum's Works & Process series.

Opera Theatre St. Louis has produced many wonderful productions, and a handful of simply perfect ones. Their production of 'Regina' is among the latter.

On May 12, 2018, Los Angeles Opera presented a searing rendition of RIGOLETTO, Giuseppe Verdi's dark tale of curses and murder. Recently, General Director Placido Domingo said of this work, 'I can think of no opera that better demonstrates the power of deeply emotional music melded with incredibly gripping drama.'

BroadwayWorld has a first look at Bartlett Sher's production of Gounod's sumptuous Shakespeare adaptation of Romet et Juliette, which was a hit of the 2016–17 Met season (“a revelation” declared the Huffington Post). Now the sweeping tragedy returns with Ailyn Pérez and Charles Castronovo as the star-crossed young lovers. Plácido Domingo conducts.

Sir David McVicar's “smashing new production” is “a grand triumph” (Huffington Post), offering a splendid backdrop for two extraordinary sopranos sharing the title role of the jealous prima donna: Sonya Yoncheva and Anna Netrebko. Vittorio Grigolo and Yusif Eyvazov alternate in the role of Tosca's revolutionary artist lover Cavaradossi, with Željko Lu?i? and Michael Volle as the depraved police chief Scarpia. Emmanuel Villaume and Bertrand de Billy share conducting duties

The Met's new CENDRILLON is a Cinderella of a production, finally allowing Massenet's take on the classic tale of the girl from the cinders who finds her Prince Charming to reach the Met's stage 119 years after its premiere at the Opera-Comique in Paris.

BroadwayWorld has a first look at CENRILLON at The Met - now on stage through May 11th! Check out the photos below!

The final production of the Met's 2017-18 season, Gounod's Roméo et Juliette opens on April 23, 2018, with Bryan Hymel and Ailyn Pérez as the star-crossed lovers, conducted by Plácido Domingo and directed by Bartlett Sher. The cast also includes Karine Deshayes as Stéphano, Joshua Hopkins as Mercutio, and Kwangchul Youn as Frère Laurent, with six performances through May 12, 2018.

Verdi's Luisa Miller returns to the Met for the first time since 2006, starring Sonya Yoncheva as the title character and Piotr Beczala as her lover, Rodolfo.Placido Domingo adds a new role to his Met repertory as Miller, Luisa's father, a role he shares with Luca Salsi. Olesya Petrova sings the widowed duchess Federica, Alexander Vinogradov is the lord Walter, and Dmitry Belosselskiy sings the role of Wurm. Bertrand de Billy conducts all performances of the revival which runs for 7 performances from March 29 through April 21, 2018.

Donizetti's Lucia di Lammermoor returns to the Met starring Olga Peretyatko-Mariotti and Pretty Yende as the title character. Vittorio Grigolo and Michael Fabiano share the role of Lucia's lover Edgardo, with Massimo Cavalletti, Luca Salsi, and Quinn Kelsey as Enrico, her villainous brother. Vitalij Kowaljow and Alexander Vinogradov share the role of the chaplain Raimondo.

On March 11, 2018, Los Angeles Opera presented Christoph Willibald Gluck's ORPHEUS AND EURYDICE in conjunction with Joffrey Ballet Chicago at the Dorothy Chandler Pavilion. Having previously presented the Italian version of the opera with a mezzo-soprano as Orfeo, L. A. Opera offered the 1774 French version with a tenor Orpheus and a great deal more dance this time

A lot of risk, fast rotations in perfect unison, a precarious balance point. No, I'm not talking about doing a twizzle in Olympic ice-dancing--but starring in SEMIRAMIDE by Gioacchino Rossini, a man who believed there was no such thing as too many runs, roulades and high notes. Neither did soprano Angela Meade, who fearlessly stars in the Met's current run of this dazzlingly difficult piece.

Rossini's Semiramide is presented at the Met for the first time in 25 years, with eight performances beginning February 19, 2018, led by Maurizio Benini. The cast, comprised of artists considered by many to be amongst the world's leading bel canto singers, includes Angela Meade in the title role, Elizabeth DeShong as Arsace, Javier Camarena as Idreno, Ildar Abdrazakov as King Assur and Ryan Speedo Green as the High Priest Oroe. On March 10, 2018, the production will be transmitted to cinemas throughout the world as part of the Met's Live in HD series.

Richard Wagner's last opera, PARSIFAL, is a tough nut to crack. With its highly religious overtones, lack of action and incredible length (it ran about 5 hours 40 minutes the other night), it's not exactly a 'light night' at the opera--even if for those of us who consider opera to be a 'light night'. Still, with the right cast and conductor, it can be transcendent. The Met's new revival came pretty close to getting us there.