Ken Howard News

The SAG-AFTRA National Board of Directors overwhelmingly approved a Code of Conduct on Sexual Harassment as part of a broader program to combat sexual harassment and achieve workplace equity.

Klaus Florian Vogt will sing the title role in the first revival of one of the most acclaimed Met productions in recent years, Wagner's final opera, Parsifal, conducted by Yannick Nézet-Séguin and directed by François Girard.

LA Opera will present its premiere of Candide, Leonard Bernstein's 1956 musical comedy classic. Music Director James Conlon will conduct a cast led by Emmy winner Kelsey Grammer and Tony winner Christine Ebersole, both making their company debuts. Performances take place at the Dorothy Chandler Pavilion (135 North Grand Avenue, Los Angeles CA 90012).

Due to ticket demand, LA Opera has scheduled an additional matinee performance of Candide, Leonard Bernstein's 1956 Broadway classic. The added performance will take place on Saturday, February 17, at 2pm.

On January 27, 2018, Los Angeles Opera presented the Bernstein work at the Dorothy Chandler Pavilion with a cast that included Emmy-winning television star Kelsey Grammer. He is best remembered for his two-decade-long portrayal of psychiatrist Dr. Frasier Crane on the situation comedies Cheers, Wings, and Frasier. As Voltaire and Pangloss, Grammer had a huge speaking role that he acquitted with a commanding personality and considerable wit. Surprisingly, he sang quite well, too.

The Unique Panel Discussion will celebrate a new book by Ronald Rand, "CREATE! How Extraordinary Artists Live to Create and Create to Live" at the historical theatrical club, The Lambs 3 West 51st Street, New York City, Monday, March 12th, 2018, 7:00-8:00pm. There is no charge for the Event. Seating is limited - reservations are necessary at: (212) 586-0306 or RSVP@The-Lambs.org     

The trials and tribulations of the Met's new take on Puccini's TOSCA have been well documented--with all three principals replaced along with two conductors--and it would be nice to be able to say that everything came out happily-ever-after. Alas. There's nothing wrong with the company's surprise-free new take on one of Italian opera's most famous works that a stronger director couldn't come in and cure.

Emmanuel Villaume will conduct the Met's new production of Puccini's Tosca, on December 31, 2017, and January 3, 6, 9, 12, 23, and 27, 2018, replacing James Levine.

The best new production of the Gelb era is now ten years old. And it still has the power to please.

American soprano Ailyn P rez makes her role debut as the glamorous courtesan in the title role of Tha s, opening November 11 for seven performances.

The 2009 winner of the George London-Leonie Rysanek Award and American opera's latest Rigoletto: Marjorie Owens, soprano, and Quinn Kelsey, baritone, with Myra Huang, piano, will offer the second event in the season's George London Foundation Recital Series at The Morgan Library & Museum on Sunday, December 10, 2017, at 4:00 pm.

American soprano Ailyn P rez makes her role debut as the glamorous courtesan in the title role of Tha s, opening November 11 for seven performances.

It's 'deja vu all over again' goes the quip attributed to the NY Yankees pitcher Yogi Berra. But that's the feeling I had with Thomas Ades's THE EXTERMINATING ANGEL, with libretto based on the Luis Bunuel film, 'El angel exterminador,' by Tom Cairns and the composer. (Cairns also directed.) Not that the opera looks or sounds like anything else recently produced on the Met's stage, except perhaps for Ades's own TEMPEST. Rather, it's because it seems like the operatic arm of France's Nouvelle Vague, the New Wave, of the late '50s and '60s.

The Met Opera presents the American premiere of Thomas Ad s's THE EXTERMINATING ANGEL, and the critics are weighing in!

On Oct 14, 2017, Los Angeles Opera presented Giuseppe Verdi's third opera, NABUCCO in a new and extremely well detailed production by Thaddeus Strassberger.

During the final day of the SAG-AFTRA National Convention in Los Angeles, SAG-AFTRA President Gabrielle Carteris unveiled the President's Award, an inaugural honor that celebrates someone who has given meritorious service to the union and its members.

On October 7, 2017, Los Angeles Opera presented Georges Bizet's THE PEARL FISHERS starring sweet-voiced Mexican star tenor Javier Camarena as Nadir. Steel-voiced Mexican baritone Alfredo Daza, was Zurga, his rival for the hand of Leila, a beautiful priestess who had taken a vow of chastity.

The trio of soprano Sondra Radvanovsky, mezzo Joyce DiDonato and tenor Joseph Calleja promised a fine evening of singing for the Met's new NORMA and, for the most part, there wasn't much to quibble about. Too bad Sir David McVicar--and his design team--couldn't come up with something a little bolder, a little braver, a little more inventive than wandering trees and a giant lair that looked like an igloo in the off season to anchor its new production.

Soprano Erin Wall is one busy woman. Luckily, the talented (and funny!) singer had some time to sit down with BroadwayWorld's Taylor Long to talk about singing, joke about her composer boyfriends, and share some of the preparation involved in mounting a large-scale opera like ARABELLA.

CARMEN, the title character in Georges Bizet's opera, is a young woman who wants the social freedoms nineteenth century men simply took for granted. Sung magnificently by Ana Maria Martinez, Carmen is suave and self-confident, but enroute to certain destruction. Currently, L A Opera is offering an excellent performance of this beloved opera that Angelinos should not miss.