Rattlestick Playwrights Theater has announced details and complete casting for the world premiere of Novenas for a Lost Hospital, a communal experience created by playwright Cusi Cram (A Lifetime Burning) and Rattlestick's Artistic Director Daniella Topol (Ironbound) and starring Tony Award-nominated and four-time Obie-winning actress Kathleen Chalfant (Angels in America, Wit). Novenas for a Lost Hospital sets out to remember and celebrate St. Vincent's Hospital, the 161-year-old Catholic institution that treated victims of calamities from the sinking of the Titanic to September 11th. Guided by Saint Elizabeth Seton (Chalfant) and inspired by the caretakers and patients of St. Vincent's Hospital, this unique event takes a 60-person audience on an uplifting journey from an enclosed West Village garden to Rattlestick's intimate theater to the NYC AIDS Memorial Park. Novenas for a Lost Hospital runs September 5a?"October 13, 2019, at Rattlestick Playwrights Theater (224 Waverly Place) with an opening night of September 19. Tickets are on sale now at rattlestick.org.
Doug Nevin and Michael Urie, in partnership with Rattlestick Playwrights Theater closed out the Pride Plays' festival of play readings commemorating the 50th anniversary of the Stonewall Uprising, with a benefit reading of Terrence McNally's Some Men, helmed by Logan Reed, on June 24 at Rattlestick Playwrights Theater.
Festival producers Doug Nevin and Michael Urie, in partnership with Rattlestick Playwrights Theater, and Festival Director Nick Mayo announce casting for the benefit closing night reading of Some Men, written by Terrence McNally
Classic Stage Company announces two events in conjunction with Tony Award-winner John Doyle's production of Marc Blitzstein's 1937 play in music The Cradle Will Rock. On May 14, legendary former New York Times labor reporter Steven Greenhouse, author of the forthcoming Beaten Down, Worked Up: The Past, Present, and Future of American Labor (Alfred A. Knopf, August 2019),and Kate Shindle, president of Actors' Equity Association, will discuss the history and current state of labor and union movements in relation to Cradle's timely and timeless themes.
Classic Stage Company announces two exciting and illuminating events in conjunction with Tony Award-winner John Doyle's production of Marc Blitzstein's 1937 play in music The Cradle Will Rock.
In June of 1937, the United States government padlocked New York's Maxine Elliot Theatre and sent security guards to prevent the performance of a new musical, but the unknown leading lady Olive Stanton courageously fought her fears and led an act of defiance that made headlines the morning after opening night.
In the spirit of Classic Stage Company's new production of The Cradle Will Rock, Marc Blitzstein's historic pro-labor American play in music (March 21 - May 19), CSC is implementing a policy through which members of any union will receive $25 rush tickets to the show. In order to redeem these tickets, patrons must show their union ID at the box office the day of the performance they would like to attend, pending availability. This will be in addition to CSC's regular and student rush policies.
Classic Stage Company presents Marc Blitzstein's allegorical play in music The Cradle Will Rock, directed by John Doyle, March 21 - May 19, 2019. A Depression-era indictment of rampant capitalism told almost entirely in song, The Cradle Will Rock maintains a twinkle in its eye while bearing sharp fangs. The 1937 premiere of this story of American class tensions-directed by Orson Welles-was famously shut down on the eve of opening night by federal authorities over so-called 'budget cuts,' commonly considered a thin veil for fears of the play's pro-labor stance. The artists involved rebelliously circumvented its cancellation, making for one of the most memorable stories in 20th century theater history. While Blitzstein's libretto is very much a product of its own 1930s political context, The Cradle Will Rock pulses with immediacy in an era of expanding economic inequality and policy for purchase. CSC's 2018-2019 season began with The Resistible Rise of Arturo Ui, Bertolt Brecht's allegory about the rise of fascism via a charismatic tyrant; this spring, it closes with an all-American Brecht-and-Weill-inspired work, which carries a message of defiance built into its very title.
Mike Geffner, founder/producer of the popular performance series InspiredWordNYC.com and former New York City journalist, including 12 years as a columnist for the Village Voice, presents On the Table, a one night only one woman show written and performed by actor/poet/storyteller Diana Arnold, daughter of the late legendary TV writer/producer Nick Arnold (a writer for 261 episodes of The Tonight Show starring Johnny Carson as well as writer and producer of Welcome Back, Kotter, among many other major credits).
Just last night, New York Stage and Film held its annual Winter Gala, featuring performances and appearances by Tony Award nominee and Pulitzer Prize finalist Jon Robin Baitz, Tony Award nominee Santino Fontana, David Forman, Tony Award winner John Gallagher Jr, Grammy Award nominee Rob Hyman, Rebecca Naomi Jones, Screen Actors Guild Award nominee Mozhan Marno, Bonnie Milligan, Manu Narayan, Josh Radnor, Dee Roscioli, Academy Award and Tony Award winner John Patrick Shanley, Grammy Award and Tony Award winner Duncan Sheik, and Obie Award winner Lucy Thurber. Brian Usifer served as Musical Director.
National Alliance for Musical Theatre (Betsy King Militello, Executive Director) is thrilled to announce final casting for the 30th Annual FESTIVAL OF NEW MUSICALS along with The Songwriters Showcase and Midday Cabarets. The FESTIVAL OF NEW MUSICALS takes place on Thursday, October 25 and Friday, October 26, 2018 at New World Stages (340 West 50th Street, between 8th and 9th Avenues). Festival events kick off on Monday, October 22 with Thank You, 30! a gala event to celebrate the 30th Annual Festival.
Vassar & New York Stage and Film have announced additional casting for the highly anticipated 34th Powerhouse Season in Poughkeepsie, NY, which is currently running through Sunday, July 29.
Vassar & New York Stage and Film have announced the next wave of casting for the highly anticipated 34th Powerhouse Season in Poughkeepsie, NY, which starts this Friday, June 22 and runs through Sunday, July 29. Actors joining the annual summer play development incubator include Tony Award nominee Raul Esparza, Tony Award winner Alice Ripley, Tony Award nominee Denee Benton, Tony Award nominee Lauren Worsham, Tony Award nominee Alex Brightman, Noah Galvin, Frankie J. Alvarez, Lesli Margherita, Michael Esper, and Carson Elrod.
RATTLESTICK PLAYWRIGHTS THEATER (Daniella Topol, Artistic Director; Annie Middleton, Managing Director) is proud to announce the workshop production of SAINT VINCENT'S PROJECT: NOVENAS FOR A LOST HOSPITAL, presented in partnership with the Greenwich Village Society for Historic Preservation, NYC AIDS Memorial Board, The Stonewall Chorale, and St. John's in the Village.
Before a performance of the play America is Hard to See, audience members have the opportunity to wander across a canvas map of Miracle Village. What appears as a gridded crisscrossing of rural living quarters is home to a community of men - sex offenders - who are finding a way to move forward. Travis Russ, artistic director at Life Jacket Theatre Company, calls this Southern Florida community one of many "little dots" on a map, where real people have stories to tell. In his case, Russ decided that the stories within Miracle Village should be told onstage. In a phone interview with BroadwayWorld, Russ discussed bringing the residents' true stories to the theatre.
The music-infused play AMERICA IS HARD TO SEE from Life Jacket Theatre Company will have its opening performance tonight, Friday, February 2nd. From Life Jacket artistic director Travis Russ and songwriter Priscilla Holbrook, the production will run through February 24th at HERE (145 6th Avenue). Get a first look at the production ahead of opening!
The YALE INSTITUTE FOR MUSIC THEATRE (Mark Brokaw, Artistic Director) announces the creative teams and casting for the two original book musicals, COWBOY BOB, created by Molly Beach Murphy, Jeanna Phillips, and Annie Tippe, book by Molly Beach Murphy, music and lyrics by Jeanna Phillips; and GUMBO, music by Brett Macias and book and lyrics by Christina Quintana, conceived by Brett Macias and Christina Quintana, which are being developed in an intensive two-week summer lab at Yale School of Drama, June 13-24. Scott Frankel is the Artistic Advisor, and Catherine Sheehy is the resident Dramaturg for this year's Institute, which culminates with open rehearsal readings of each project, presented as part of New Haven's International Festival of Arts & Ideas on June 23 and 24.
At the beginning of The Debate Society's premiere production of THE LIGHT YEARS (written by Hannah Bos and Paul Thureen, developed and directed by Oliver Butler) we're told that Arcturus, the star that guided Christopher Columbus to what he thought was India, is precisely forty light years away from Earth.
The world premiere production of The Light Years, written by Drama Desk Award winner Hannah Bos (The Open House, Jacuzzi, Blood Play, Buddy Cop 2) and Obie Award winner Paul Thureen (Jacuzzi, Blood Play, Buddy Cop 2), directed and developed by Obie Award winner Oliver Butler (Jacuzzi, The Open House, Blood Play), made by The Debate Society, is currently in previews at Playwrights Horizons' Mainstage Theater (416 West 42nd Street). The production has an Opening Night set for Monday, March 13, and will play a limited engagement through Sunday, April 2. BroadwayWorld has a first look at the cast in action below!
