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EDINBURGH 2019: Crystal Rasmussen Q&A
by Natalie O'Donoghue - Jul 5, 2019


BWW catches up with Crystal Rasmussen to chat about bringing The Bible 2 (Plus a Cure For Shame, Violence, Betrayal and Athlete's Foot) LIVE! to the 2019 Edinburgh Festival Fringe.

Arden Theatre Company Announces 2019-20 Children's Theatre Season
by Stephi Wild - Jun 17, 2019


Philadelphians don't have to look far to find quality and thoughtful entertainment that will appeal to their entire family. The Arden Theatre Company's 2019-20 Children's Theatre season includes two shows that will delight kids of all ages, and the kid-at-heart in all of us.

Lincoln Center Announces 2019 White Light Festival
by Julie Musbach - Jun 13, 2019


Lincoln Center for the Performing Arts today announced its 2019 White Light Festival, which will run October 19 through November 24. For its tenth anniversary season, the multidisciplinary festival will feature events presented in eight venues across the city, including U.S. and New York premieres and the return of festival favorites.

BWW Review: RUTHERFORD AND SON, National Theatre
by Marianka Swain - May 29, 2019


Rain gushes down the front of the Lyttelton stage, a pitiless wall of water trapping and framing the Rutherfords - a clan very much defined by their environment. It's an arresting image to open Polly Findlay's sure revival of Githa Sowerby's 1912 drama, inspired by Sowerby's own family's dealings in Tyneside glass manufacturing.

Ensemble Theatre Presents the Regional Premiere of THE WOLVES
by Julie Musbach - May 15, 2019


It's time to take the field! Ensemble Theatre Cincinnati presents gripping Pulitzer Prize finalist The Wolves by Sara DeLappe. In this highly anticipated regional premiere drama, a high school girls' soccer team fights tooth and nail for a chance at the championship-and for their futures. Infused with the raw, jagged energy of youth, The Wolves offers a refreshingly complex and powerful reflection on society, sex, and soccer. Playing June 1-29, 2019. Directed by D. Lynn Meyers.

Chief Conductor Marc Albrecht Crowned Conductor Of The Year
by Stephi Wild - Apr 30, 2019


Marc Albrecht, chief conductor of Dutch National Opera and the Netherlands Philharmonic Orchestra, was crowned best conductor in the world at the prestigious 2019 International Opera Awards.

Legendary Soprano Leontyne Price Honoured At 2019 International Opera Awards
by A.A. Cristi - Apr 29, 2019


Legendary soprano Leontyne Price was tonight [29 April 2019] awarded the prestigious Lifetime Achievement award at the 2019 International Opera Awards (IOA) at a glittering red-carpet gala event at London's Sadler's Wells theatre. The Awards, considered opera's answer to the Oscars, celebrate achievements in opera around the globe over the last calendar year in a wide range of categories. The IOA acknowledged the pioneering singer's many achievements over her illustrious career, stating in a ground-breaking career that for the first time placed a great African-American artist at the very pinnacle of the operatic profession, both in her native United States and throughout Europe, Leontyne Price upheld the highest vocal standards that led to her receiving universal acclaim wherever and whatever she sang.

Back to School: The National Theatre's Creative Choices Programme
by Gary Naylor - Apr 12, 2019


BWW's Chief London Reviewer spent a morning at the National Theatre with 12-14 year olds finding out about how studying STEM (Science, Technology, Engineering and Mathematics) subjects can help forge a career in the theatre.

BWW Review: Fleming and Whishaw Open NY Arts Center, The Shed, with NORMA JEANE BAKER OF TROY
by Richard Sasanow - Apr 10, 2019


Helen of Troy didn't launch a thousand ships but was a put-upon sexual victim and Marilyn Monroe--born Norma Jeane Baker, of the title--was a cloud in the shape of a woman. It was also a “disaster to be a girl” in those days before #MeToo, with powerful men (whether Menelaus or Arthur Miller) holding beautiful women captive (and worse). That was just part of Anne Carson's new ”dramatic work,” NORMA JEANE BAKER OF TROY, with its effective tonal score by Paul Clark, and two wonderful performers, soprano Renee Fleming and British actor Ben Whishaw, under director Katie Mitchell.

Review Roundup: What Did Critics Think of Whishaw and Fleming in NORMA JEANE BAKER OF TROY?
by Julie Musbach - Apr 10, 2019


The Shed, led by Artistic Director and CEO Alex Poots, has just begun its 2019 inaugural season in Manhattan with Norma Jeane Baker of Troy led by Ben Whishaw, with soprano Renee Fleming. Let's see what the critics had to say.

The Barter Players Presents THE CAT IN THE HAT
by Sarah Hookey - Apr 9, 2019


The Barter Players are bringing a favorite children's book to life on stage, THE CAT IN THE HAT. Our story has been adapted from Dr. Seuss by Katie Mitchell, and it will be playing on Gilliam Stage April 23 - May 25.

The Shed Opens This Friday With Specially Commissioned New Works
by Stephi Wild - Apr 3, 2019


The Shed, New York City's new arts center dedicated to commissioning, develops, and presents original works of art, across all disciplines, for all audiences, will open to the public on April 5 with the world premiere of Soundtrack of America. The five-night concert series, conceived and directed by Steve McQueen with a creative team led by Quincy Jones and Maureen Mahon, celebrates the unrivaled impact of African American music on contemporary culture with performances by a new generation of artists. A free live stream of the April 5 concert will be available on The Shed's website, TheShed.org, and its social media channels.

National Theatre Holds Drama Teacher Conference With Over 130 Drama Teachers Across The UK
by Stephi Wild - Feb 20, 2019


This February half-term, over 130 drama teachers from across the UK will be congregating at the National Theatre for the annual Drama Teacher Conference 2019.

Review Roundup: Critics Weigh in on Cate Blanchett in WHEN WE HAVE SUFFICIENTLY TORTURED EACH OTHER
by Alan Henry - Feb 7, 2019


The National Theatre's When We Have Sufficiently Tortured Each Other, a new play by Martin Crimp is now on stage. It is directed by Katie Mitchell, with a cast including Cate Blanchett, who makes her National Theatre debut alongside Stephen Dillane returning to the National Theatre for the first time since The Coast of Utopia in 2002.

Finalists Announced For International Opera Awards 2019
by A.A. Cristi - Jan 29, 2019


The International Opera Awards today announces the finalists for its 2019 Awards.

BWW Review: WHEN WE HAVE SUFFICIENTLY TORTURED EACH OTHER, National Theatre
by Marianka Swain - Jan 23, 2019


Step away from the returns queue. The rare presence of Hollywood star Cate Blanchett on a London stage has caused a box office frenzy, but sadly this would-be provocative vehicle - Martin Crimp's loose variations on Samuel Richardson's 1740 proto-novel Pamela, directed by Katie Mitchell - isn't worthy of her talents, nor those of the excellent Stephen Dillane.

Photo Flash: First Look at Cate Blanchett & Cast In WHEN WE HAVE SUFFICIENTLY TORTURED EACH OTHER
by Marianka Swain - Jan 23, 2019


Ahead of its opening tonight, the National Theatre have released the image for When We Have Sufficiently Tortured Each Other, a new play by Martin Crimp, directed by Katie Mitchell, with a cast including Cate Blanchett, who makes her National Theatre debut alongside Stephen Dillane returning to the National Theatre for the first time since The Coast of Utopia in 2002. See production photos below!

National Theatre Announces Lineup For First Half of 2019
by Stephi Wild - Jan 18, 2019


The National Theatre has announced its upcoming lineup for the first half of 2019.

Barbara Hannigan Makes Her New York Conducting Debut With The Juilliard Orchestra
by A.A. Cristi - Jan 17, 2019


Singer/conductor Barbara Hannigan makes her New York conducting debut with the Juilliard Orchestra in works by Strauss, Haydn, Debussy, Sibelius, and Bartok on Friday, February 8, 2019, at 7:30pm in Alice Tully Hall. The program features Strauss' "Salome's Dance" from Salome, Op. 54; Haydn's Symphony No. 96 in D Major, Hob. I:96, ("The Miracle"); Debussy's Syrinx (flute soloist to be announced); Sibelius' Luonnatar, Op. 70, with Juilliard soprano Meghan Kasanders; and Bartok's Suite from The Miraculous Mandarin. Hannigan made her debut as a conductor in 2011 at the Chatelet in Paris with Stravinsky's Renard; the soprano has been dividing her time between singing and conducting ever since.

ASPECTS OF LOVE Leads January's Top 10 New London Shows
by Marianka Swain - Jan 3, 2019


London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Cate Blanchett's UK stage debut to a reborn Andrew Lloyd Webber, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

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