Schmidt Vocal Arts announced 58 teen singers advancing to the semifinals of its fifth annual National Vocal Competition, held in partnership with Sarasota Opera at the Sarasota Opera House in Florida.
Composer Rene Orth's award-winning opera 10 Days in a Madhouse will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company.
Mannes Opera at The New School’s College of Performing Arts has announced its 2025–2026 season, a bold lineup that will spotlight women composers and directors across all productions.
RED BULL THEATER is presenting the Off-Broadway production of The Imaginary Invalid by Molière, adapted by Jeffrey Hatcher and directed by Jesse Berger. See photos from opening!
Pioneers Go East Collective revealed the lineup for the 2025 Out-FRONT! Festival, showcasing innovative performances and new works by emerging artists. Discover the future of theater in NYC.
OPERA America, the national service organization for opera, has welcomed a new class of six board members that includes creators, administrators, artist managers, and opera company trustees. They join the Board of Directors under the ongoing leadership of Chair Carol F. Henry, esteemed philanthropist and founding trustee of Los Angeles Opera.
Five outstanding young artists have been selected to participate in Opera Columbus' annual Cooper- Bing Competition. The operatic vocal competition drew a record-breaking pool of 270 submissions, attracting talent from around the world to compete for the grand prize of $10,000.
On Wednesday, April 6 at 7:30pm, Vocal Arts DC presents mezzo-soprano Jamie Barton with composer—pianist Jake Heggie in concert at the Kennedy Center Terrace Theater. This program will include selections by Henry Purcell, Franz Schubert, Johannes Brahms, and Florence Price.
On Tuesday, March 15, Vocal Arts DC will present soprano Elena Villalón in recital with pianist Kathleen Kelly. The concert will take place at 7:30pm at The John F. Kennedy Center for the Performing Arts’ Terrace Theater.
Originally broadcast on June 17 and 18, both concerts are now available for on-demand viewing. Watch excerpts here!
The concerts are now available for on-demand viewing. Check out excerpts from the performances ehre!
OPERA America has awarded the second cycle of IDEA Opera Grants (Inclusion, Diversity, Equity, and Access) to composer/librettist Damon Davis for Ligeia Mare (No Space, No Time) and composer Liliya Ugay and librettist Sokunthary Svay for Chhlong Tonle (Crossing the River).
Victory Hall Opera, in conjunction with UVA's Disability Studies Symposium, will present a one-of-a-kind exploration of Deaf Opera: 'Breaking The Sound Barrier: Deaf Opera Workshop,' featuring scenes from Poulenc's Dialogues of the Carmelites. The performance will take place in Charlottesville at Old Cabell Hall on the campus of The University of Virginia on February 27th at 7pm. Admission is free.
'Once upon a time, there was a little ogre named Shrek....' And thus begins the tale of an unlikely hero who finds himself on a life-changing journey alongside a wisecracking Donkey and a feisty princess who resists her rescue. Throw in a short-tempered bad guy, a cookie with an attitude and over a dozen other fairy tale misfits, and you've got the kind of mess that calls for a real hero. Luckily, there's one on hand... and his name is Shrek. Performances July 12th thru the 14th at the Hilliard Darby Theatre in the Hilliard Darby High School, 4200 Leppert Rd., Hilliard, OH. For performance times and more information visit: http:www.hilliardartscouncil.orghacshrek2019-freakflagfly
Washington National Opera (WNO) announces the roster of emerging artists engaged for the 18th season of its Domingo-Cafritz Young Artist Program, beginning August 26, 2019.
New York City Opera has announced that Blythe Gaissert & Michael Kelly and Briana Elyse Hunter & Jorell Williams will comprise the rotating casts of its upcoming production of AS ONE.
The 2018-2019 Renee Fleming VOICES series continues withJamie Barton on Saturday, March 23, 2019, at 7:30 p.m. in the Terrace Theater. Accompanied by pianist Kathleen Kelly, Barton's one-night-only recital will feature classics from Haydn, Strauss, and Ravel while showcasing the voices of women, including works by composers Nadia and Lili Boulanger and Americans Elinor Remick Warren and Amy Beach. Barton's performance also features Love After 1950, a contemporary song cycle by Libby Larsen that uses offbeat vocal styles like blues, tango, and honky-tonk to evoke different moods. Tickets for this program are $49-$69.
Videos
