The Unicorn is responding to the times with a new digital theatre project Unicorn Online - a fresh, innovative approach to making online theatre for young audiences during the building's closure.
As part of the newly launched Royal Shakespeare Community initiative, artists from the Royal Shakespeare Company, who are currently unable to rehearse or perform, will lend a hand in helping to unlock Shakespeare for thousands of children and young people studying at home.
Celebrating its 10th anniversary with a ceremony held in the iconic Grand Hall of Battersea Arts Centre on Sunday 8 March 2020, the Off West End Awards once again celebrated the best of independent, fringe and alternative theatres across London.
Chicago Shakespeare Theater is proud to welcome the return of the world-renowned Royal Shakespeare Company (RSC) to Chicago for the first time in nearly 25 years. Chicago Shakespeare will present the company's acclaimed gender-swapped production of Shakespeare's The Taming of the Shrew, directed by Justin Audibert, in a special limited engagement April 15a?"May 2, 2020 in The Yard at Chicago Shakespeare.
On announcing the RSC's Winter 2020 season Gregory Doran, RSC Artistic Director, said: a?oeWhen I became Artistic Director, I wanted to stage every Shakespeare play in the canon once. We are more than two thirds of the way through that journey, which will conclude at the end of 2021.
The RSC visit the Canterbury venue with As You Like It, The Taming Of The Shrew and Measure For Measure between Wednesday 29 January and Saturday 8 February. It is the first time the RSC has performed three plays in repertoire at the theatre.
The Unicorn Theatre has announced the appointment of Bailey Lock as its new Executive Director and Joint Chief Executive. Bailey will take up the position in March '20, succeeding Anneliese Davidsen who is leaving the company after eight years to become Director of Two Temple Place.
Justin Audibert directs Anthony Weigh's new version of Oscar Wilde's comic novella, The Canterville Ghost - in a riotously spooky production for all the family, using magic and spectacular illusion to bring this classic and much-loved ghost story to life.
As you enter the Barbican's auditorium to watch the RSC's The Taming of the Shrew, you can't miss the sound of fireworks in the background. It's implied a celebration is coming. As part of this RSC season alongside As You Like It and Measure for Measure, The Taming of the Shrew is directed by Justin Audibert. But is it an explosion of theatrical goodness or a wet fizzle? Prithee, read on to find out.
Christmas at the Unicorn continues the theatre's hugely successful tradition of producing thrilling, imaginative and visual theatre for all the family.
On announcing the season Gregory Doran, RSC Artistic Director, said: a?oeCreated in Stratford-upon-Avon, shared around the world, crossing borders of creativity, community, culture and technology, our new season celebrates Shakespeare's unique contribution to world culture, whilst at the same time asking us to consider our own place within society, our families and community. Whether experiencing our work on stage in Stratford-upon-Avon, on nationwide tours, in schools and local communities, through live cinema screenings or via the latest digital innovations, the shared experiences and emotional connections forged through live theatre feel as urgent and necessary today as they ever havea??.
Justin Audibert directs Anansi the Spider, a lively and playful show for the younger members of the audience about the ultimate mischief-maker, Anansi. This production marks Audibert's first show in his opening season as Artistic Director.
Justin Audibert directs Anansi the Spider, a lively and playful show for the younger members of the audience about the ultimate mischief-maker, Anansi. This production marks Audibert's first show in his opening season as Artistic Director at the Unicorn Theatre.
In 2017, Young Vic Taking Part took the Young Vic's production of The Brothers Size, by Moonlight writer Tarell Alvin McCraney, into HMP Wandsworth. The workshops led by Liverpool-born playwright Luke Barnes and director Justin Audibert which followed resulted in a brand-new piece of theatre - The Jumper Factory - developed with eight Wandsworth prisoners.
The Young Vic today announce the complete cast for The Jumper Factory. Joining original company members Ayomide Adegun, Jake Mills, Pierre Moullier and Raphael Gwilliams-Akuwudike are Joe Haddad and Rasaq Kukoyi. The production is presented by a cast of young men aged from 18 a?" 25, whose lives have all been affected in some way by the criminal justice system. The production will be staged for prisoners in HMP Brixton and HMP Wandsworth in early September, before playing at HOME Manchester from 10 a?" 14 September.
With over 725 stories to choose from, the eight writers we commissioned to reimagine Aesop's Fables were spoilt for choice. Each of the writers has had their own unique take on them - from Frances Ya-Chu Cowhig's joyful musical with a crow chorus through to as piece by Chris Goode which takes the basis of a rehearsal room and then smashes through the fourth wall with an act of animalistic rebellion.
The Unicorn will be continuing their hugely popular workshops this summer holidays. Led by professional theatre-makers, participants can learn great new skills and make new friends. From dance, set design, drama, puppetry and more. Workshops range from a day or two days, through to the five day Play In A Week workshops. The performance-based workshops close with a sharing for friends and family.
Beyond the Fables is the Unicorn Theatre's exclusive fundraising gala dinner, which will take place on the Unicorn's main stage on Wednesday 5th June 2019. Hosted by Artistic Director Justin Audibert, this unique event is aimed at raising vital funds for Reach, the theatre's major new community scheme, designed to help those in greatest need and the very hardest to reach children.
Justin Audibert, the Unicorn Theatre's new Artistic Director, announces his first season at the London venue. An audacious opening season themed around thinking about our future - the world as it is or the world as we might imagine it to be - will address concerns which affect our lives and ultimately our civilisation, with theatrical intelligence, wit and flair.