Cory Becker's debut album, ONE, came to life in a one-room studio in the dirt floored basement of his Echo Park rental, which he built from ground up. The album embraces the authenticity and experimentation of analog recording - engineering and producing the album himself, he experimented with a variety of techniques and performed nearly every aspect of the album himself, aside from select musical guests he invited to play on select tracks. Despite being Becker's first try at recording and producing everything on his own, he was able to create a unique sonic footprint that encompasses modern indie rock and folk, and the values and traditions of the canon of American roots music. ONE is out now on all streaming platforms.
Cory Becker's debut album, One, came to life in a one-room studio in the dirt floored basement of his Echo Park rental, which he built from ground up. The album embraces the authenticity and experimentation of analog recording - engineering and producing the album himself, he experimented with a variety of techniques and performed nearly every aspect of the album himself, aside from select musical guests he invited to play on select tracks. Despite being Becker's first try at recording and producing everything on his own, he was able to create a unique sonic footprint that encompasses modern indie rock and folk, and the values and traditions of the canon of American roots music. One is out tomorrow, February 21st.
Cory Becker's debut album, One, came to life in a one-room studio in the dirt floored basement of his Echo Park rental, which he built from ground up. The album embraces the authenticity and experimentation of analog recording - engineering and producing the album himself, he experimented with a variety of techniques and performed nearly every aspect of the album himself, aside from select musical guests he invited to play on select tracks. Despite being Becker's first try at recording and producing everything on his own, he was able to create a unique sonic footprint that encompasses modern indie rock and folk, and the values and traditions of the canon of American roots music.
If there's a D.C. theater company that would approach presenting James Joyce, it'd be the literary-minded Washington Theatre Guild, which has made its mark by presenting everything written by George Bernard Shaw, among other ambitious projects.
Today, LA-based indie folk artist Cory Becker shares 'The Preacher', the third single off his upcoming debut album One. Vents Magazine premiered the track earlier today and shared some information behind the latest single, stating 'the singer-songwriter opens up about his past and present with a vulnerability that rarely some get to archive.' Lead single 'Haunt', released in October, was featured on Spotify's coveted Fresh Finds playlist and second single 'Rivers', came out in December and received praise from local tastemaker, Buzzbands LA. Stream all three singles now ahead of the release and check Cory Becker live in LA this February. Cory Becker's debut album One is out 2/21.
The Washington Stage Guild continues its season of great writers with the Washington premiere of Bloomsday by Steven Dietz. This delicate, time-bending romance is set in James Joyce's Dublin on June 16th, the date on which Joyce's Ulysses is set. Robert returns to that city 35 years after meeting Caithleen on a walking tour of Joyce's Dublin. He and Cait meet again and revisit their youthful relationship, amid the echoes of Joyce's masterwork, and the missed connections of that earlier time in their lives. Helen Hayes Award winning Kasi Campbell will direct. A post-show discussion will follow the Sunday matinee on February 2nd, James Joyce's birthday.
Keegan Theatre's production of 'An Irish Carol' by Matthew J.Keenan holds all the charm and heart of the original Dickens tale, except this time with a tad more profanity, and booze. A staple tradition of the DC theatre scene, 'An Irish Carol' is in its 9th annual production for Keegan and hasn't lost any bit of vitality or its classic Irish wit.
Today, LA-based indie folk artist Cory Becker shares 'Rivers', the second single off his upcoming debut album One. Buzzbands LA premiered the track earlier this week, praising, 'It's an album that in many ways embraces the traditions of American folk music yet abides an important creative M.O.: Go where the song takes you. Becker transforms 'Rivers' from a simple paean to acceptance into an incandescent, almost-cosmic meditation that rises and falls over rustling percussion and pedal steel employed as an element of ambient drone. Think of it as a cowboy mystic's take on 'Que Sera, Sera'.' Lead single 'Haunt', released in October, was featured on Spotify's coveted Fresh Finds playlist. Stream both singles now ahead of the release - Cory Becker's debut album One is out 2/21.
The Keegan Theatre announces its lineup for the 2019 holiday season, including its beloved holiday tradition, AN IRISH CAROL, written by Dublin native and Keegan company member Matthew J. Keenan opening on December 12, a Keegan PLAY-RAH-KA production for families, THE MAGICAL PI?'ATA, an original Mexican play with music featuring a book and lyrics by Karen Zacarías and music by Deborah Wicks LaPuma, opening on December 14, and the return of the beloved DC horn-and-percussion band The Harry Bells for a one-night-only holiday concert, Keegan's Greetings.
Theory is an interesting show with a strong cast and solid technical elements. It raises some valid questions about living our ideals and the limitations we set (or don't) on ourselves and others in public, but it never quite figures out how to go beyond that. Still, it opens conversations about these issues, and pushes audiences to reconsider their own perspectives, and there's certainly value in that.
Mosaic Theater Company of DC presents the second offering in its 'Stages of Awakening' Season 5 with the American premiere of Theory by Norman Yeung, directed by Associate Artistic Director, Victoria Murray Baatin, making her Mosaic directorial debut. The play, Winner of Canada's Herman Voaden National Playwriting Competition and produced to acclaim at Toronto's Tarragon Theatre last fall, runs at the Atlas Performing Arts Center from October 23 through November 17, 2019. Opening press night takes place Monday, October 28 at 7:30 pm following 5 preview performances, including a full Pay-What-You- Can performance October 23, with additional Pay-What-You-Can tickets available throughout the preview period.
Mosaic Theater Company of DC launches its 5th season this month with the DC premiere of Lynn Nottage's Fabulation, Or The Re-Education of Undine, previewing August 21 (see our August 1 Fabulation press release for opening night information, and our March 29 a?oe#Wokeseason5a?? release for full season line-up), exactly one month after the close of the most successful show in Mosaic's history, the co-production of Kelvin Roston Jr.'s Twisted Melodies, which sold out its last week of performances, playing to record crowds and box office, providing the capstone to a season of transformative artistic and fundraising achievements.
Moonlight Stage Productions opens its 39th summer season with the hit show that has won more Tony Awards than any other musical. Mel Brooks' 'The Producers' comes to the Moonlight Amphitheatre for the first time June 12 to June 29 at 8:00 p.m. Featuring the Broadway national tour sets and costumes, this comedic masterpiece is based on Mel Brooks' 1968 film of the same name.
Folger Theatre's Love's Labor's Lost, directed by Vivienne Benesch, compliments the uniqueness of this comedy through a delightfully funny cast and production set during the 1930's.
Mind vs. Matter. Game on. Folger Theatre concludes its 2018/19 season of characters that "shake the world" with Love's Labor's Lost, Shakespeare's quick-witted comedy filled with oaths, trickery, and confessions of love. Vivienne Benesch, the 2017 winner of the annual Zelda Fichandler Award, makes her Folger directorial debut.
You may be forgiven if the phrase 'romantic getaway' doesn't immediately inspire images of Iceland and, though it features several couples, Steve Yockey's 'Reykjavik' is unlikely to change your mind. What it will do is give a momentary, and at times uncomfortably intimate, glimpse into the relationships of these couples as paths intersect and unwind in the titular city. It is a haunting and disorienting ride you won't want to miss.
Humbug's my usual reaction when there's yet another variation of 'A Christmas Carol' on local stages this time of year. Can't someone come up with an original idea for a Christmas play?
James is in Reykjavik for the Northern Lights, but they're not here. Instead he ventures into the 24-hour dark of the Icelandic winter and finds himself entangled with dangerous strangers, suspicious lovers, malevolent birds and the mysterious Huldufolk.
The Keegan Theatre announces its lineup for the 2018 holiday season with the December 13 opening of its beloved holiday tradition, AN IRISH CAROL, written by Dublin native and Keegan company member Matthew J. Keenan. Opening on December 22, the Keegan PLAY-RAH-KA family friendly production of the delightful children's classic with a holiday twist, THE ELVES AND THE SHOEMAKER, written by Kristin Walter. And back by popular demand, THE HARRY BELLS: Keegan Greetings, in concert on December 22.
