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The Royal Ballet Presents Black History Month Draft Works

This October, Royal Ballet Principal dancer Marcelino Sambé curates Black History Month Draft Works in the Clore Studio, an evening celebrating Black creators and choreographers whose voices are shaping the future of ballet.

Review: BALANCHINE: THREE SIGNATURE WORKS, Royal Ballet And Opera

The Royal Ballet continue The Dance Reflections by Van Cleef & Arpels Festival with Balanchine: Three Signature Works. And the triple bill is also an excuse to celebrate Patricia Neary. Neary has been setting Balanchine works for 57 years, and been a member of the RB family for a long time. This programme is her final one in London, and she'll be missed by all, as her staging capabilities speak for themselves.

Review: ROMEO AND JULIET, Royal Ballet And Opera

Sir Kenneth MacMillan’s Romeo and Juliet continues to enjoy endless popularity, this being its third run by the Royal Ballet since 2019, but when the results are as good, there’s no reason why not. The depth and quality in the ranks was evident as the cast relished the challenges of the Covent Garden signature work. 

CINDERELLA Runs at the Royal Ballet This Holiday Season

This Christmas, The Royal Ballet invites you to the ball with Frederick Ashton’s spectacular Cinderella.  A fairytale like no other, this magical ballet boasts astonishing stagecraft, enchanting design and exquisite dance.  This much-loved ballet is a masterpiece for all the family to enjoy this festive period. 

Review: LEGACY, Royal Ballet and Opera

It’s interesting to consider that ballet began its development in the mid 16th century, however it wasn't until around 400 years later that BIPOC (American) dancers Maria Tallchief, Raven Wilkinson and Arthur Mitchell, first joined ballet companies.

The Royal Ballet's SWAN LAKE Returns to the Royal Opera House

This Spring, The Royal Ballet's sumptuous production of Swan Lake returns to the Royal Opera House's Main Stage. Opening in Spring and returning in Summer, the production remains to this day one of the best-loved works in the classical ballet canon, demanding delicacy, grace, and strong, virtuosic technique from the dancers that take on its central roles.  

Review: THE NUTCRACKER, Royal Opera House

The world can often seem so grey at the moment, so any opportunity to step into the light is most welcome. There can be few festive shows that ignite such a sense of wonder and delight as the Royal Ballet’s The Nutcracker. If the festive season is all about tradition, then Peter Wright’s 1984 production, modelled on Lev Ivanov’s 1892 ballet, is exactly what any ballet lover wants to see.

Review: THE SLEEPING BEAUTY, Royal Opera House

After a long, hard run of Nutcracker, both London’s premier ballet companies are providing somewhat of a Tchiakovsky exhibition with English National Ballet offering Swan Lake and now the Royal Ballet giving one of their signature works, The Sleeping Beauty, an extended run until June.

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