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Johan Persson News

Barbican Theatre: What You Need To Know

Barbican Theatre: What You Need To Know

by Debbie Gilpin — March 11, 2020

Chamberlin, Powell & Bon's brutalist design is an instantly recognisable part of London's architecture; the grade II listed building formed the inspiration for the film adaptation of JG Ballard's novel High-Rise.

BWW Interview: Rob Houchen Chats CITY OF ANGELS

BWW Interview: Rob Houchen Chats CITY OF ANGELS

by Fiona Scott — March 10, 2020

Last year, Rob Houchen was seen on both sides of the Atlantic in The Light in the Piazza, and returned to the role of Marius in Les Miserables: The Staged Concert at the Gielgud Theatre.

BWW Review: WOMEN BEWARE WOMEN, Sam Wanamaker Playhouse

BWW Review: WOMEN BEWARE WOMEN, Sam Wanamaker Playhouse

by Anthony Walker-Cook — February 28, 2020

Following the lacklustre reception of The Taming of the Shrew, Thomas Middleton's Women Beware Women opens in the candlelit Sam Wanamaker Playhouse as part of the Globe's continuing 'She Wolves and Shrews' season.

BWW Review: ON YOUR FEET, New Wimbledon Theatre

BWW Review: ON YOUR FEET, New Wimbledon Theatre

by Aliya Al-Hassan — February 25, 2020

With 22 Grammys and hundreds of millions in worldwide sales, the potentially fascinating story of Gloria Estefan, her husband Emilio and their journey to success with the Miami Sound Machine has the potential to be a fantastic jukebox musical.

BWW Review: A NUMBER, Bridge Theatre

BWW Review: A NUMBER, Bridge Theatre

by Debbie Gilpin — February 20, 2020

Back in 2002, when Caryl Churchill's A Number premiered at the Royal Court, genetics was the hot new topic.

BWW Review: THE UPSTART CROW, Gielgud Theatre

BWW Review: THE UPSTART CROW, Gielgud Theatre

by Cindy Marcolina — February 17, 2020

Born out of the celebrations for the 400th anniversary of Shakespeare's death in 2016, Ben Elton's sit-com Upstart Crow went on to have three series and multiple Christmas specials.

BWW Review: THE VISIT, National Theatre

BWW Review: THE VISIT, National Theatre

by Marianka Swain — February 14, 2020

Three years after the National's enthralling revival of Tony Kushner's Angels in America, the playwright returns with his new adaptation of Friedrich Dürrenmatt's tragicomic 1956 parable a?' which has also been turned into an Ingrid Bergman-starring film and a Kander and Ebb musical.

BWW Review: FAR AWAY, Donmar Warehouse

BWW Review: FAR AWAY, Donmar Warehouse

by Gary Naylor — February 13, 2020

In just 45 minutes, Caryl Churchill's Far Away walks a tightrope between tricksy surrealism and dystopian warning but stays upright due to its sheer theatricality.


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