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BWW Review: THE UPSTART CROW, Gielgud Theatre

BWW Review: THE UPSTART CROW, Gielgud Theatre

by Cindy Marcolina — February 17, 2020

Born out of the celebrations for the 400th anniversary of Shakespeare's death in 2016, Ben Elton's sit-com Upstart Crow went on to have three series and multiple Christmas specials.

BWW Review: THE VISIT, National Theatre

BWW Review: THE VISIT, National Theatre

by Marianka Swain — February 14, 2020

Three years after the National's enthralling revival of Tony Kushner's Angels in America, the playwright returns with his new adaptation of Friedrich Dürrenmatt's tragicomic 1956 parable a?' which has also been turned into an Ingrid Bergman-starring film and a Kander and Ebb musical.

BWW Review: FAR AWAY, Donmar Warehouse

BWW Review: FAR AWAY, Donmar Warehouse

by Gary Naylor — February 13, 2020

In just 45 minutes, Caryl Churchill's Far Away walks a tightrope between tricksy surrealism and dystopian warning but stays upright due to its sheer theatricality.

Elmhurst Ballet School Students Shine in New Ad Campaign

Elmhurst Ballet School Students Shine in New Ad Campaign

by Chloe Rabinowitz — January 20, 2020

In 2018, Elmhurst Ballet School, the vocational school in association with Birmingham Royal Ballet, championed their home city of Birmingham in a photographic campaign that presented students dancing in and around Brum.

Photo Flash: Inside Rehearsal For UNCLE VANYA at the Harold Pinter Theatre

Photo Flash: Inside Rehearsal For UNCLE VANYA at the Harold Pinter Theatre

by Stephi Wild — January 3, 2020

Sonia Friedman Productions have today released rehearsal images for Conor McPherson's (The Weir, Girl from the North Country) new adaptation of Uncle Vanya directed by Ian Rickson (Rosmersholm, Jerusalem, The Seagull) which begins previews at the Harold Pinter Theatre on 14th January.

BWW Review: SWIVE, Sam Wanamaker Playhouse

BWW Review: SWIVE, Sam Wanamaker Playhouse

by Debbie Gilpin — December 13, 2019

Few English reigns have been quite as theatrical as that of Elizabeth I; from her fine gowns and jewellery to the youthful (or so she thought) wigs and makeup, she preserved her position as monarch by creating the characters of Gloriana and the Virgin Queen.


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