It was announced today that Elena Shaddow will join the Lincoln Center Theater production of Rodgers & Hammerstein's THE KING AND I as Anna Leonowens, beginning March 20 in Tempe, AZ.
Featuring outstanding performances from a cast led by Laura Michelle Kelly and Jose Llana, the beautiful and exquisite national tour production of Lincoln Center Theater's Tony Award-winning revival of the 1951 Rodgers and Hammerstein classic THE KING AND I leaves audiences utterly spellbound by its sweeping opulence and gorgeous, reverent staging-which notably combines the elegance and grace of the classic musical many of us have known and loved for decades with a knowing sensitivity to modern times that we exist in today. The national tour production continues its two-week run of performances at Orange County's Segerstrom Center for the Arts in Costa Mesa that continues through March 11, 2018.
At 67, this King is timely and timeless in a lush tour based on the Tony-winning Lincoln Center Theater revival directed by Bartlett Sher. As on Broadway, Lady Thiang steals the show.
Sumptuously designed and opulently mounted, the visual aesthetic for the Lincoln Center revival of Rodgers and Hammerstein's The King and I (a year-and-a-half into its national tour and now ensconced at Nashville's Tennessee Performing Arts Center for an eight-performance run through Sunday, February 4) is breathtakingly gorgeous, representative of the golden age of the Broadway musical. Add to those physical attributes the sublime performances of an ideally cast ensemble of multi-talented actors - including Laura Michelle Kelly as Anna Leonowens, Jose Llana as the King of Siam and Joan Amedilla as Lady Thiang - under the focused and imaginative direction of Bartlett Sher, whose revivals of some of the best-known masterpieces to be found in the Rodgers and Hammerstein canon have cemented his placement in the firmament occupied by the legends of musical theater, and you have a classic show rendered in such a way that audiences respond and react as if they are seeing the much-beloved and time-honored work for the very first time.
Ambassador Theatre Group and NETworks Presentations LLC announce that the national tour of the Lincoln Center Theater Production of Rodgers & Hammerstein's THE KING AND I will make its San Jose premiere at the Center for the Performing Arts (255 S. Almaden Blvd.) February 20 25, 2018. Single tickets ($48 $128) are on-sale now online atwww.ticketmaster.com, in-person at the City National Civic Box Office (150 W. San Carlos St., San Jose), or by calling 800-982-ARTS (2787). Ticket prices are subject to change without notice.
BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature The Book of Mormon, Waitress, Love Never Dies, and More!
It takes a bit of push to get me to attend more classical works of musical theatre. I didn't grow up with the movies, so the nostalgia is a little lost on me. That being said, I was excited to see the tour of the Lincoln Center's recent production of The King and I, which nabbed a Tony Award for Best Revival of a Musical.
Dear Readers, it's been quite a year and, hopefully, we've come through it unscathed. God knows we've needed some shows to help us escape and others to make us think. But through it all we've had several shows that have proven to shine as some of the best of the year. Out of all the shows I was fortunate enough to see this year, I've selected a few that stood out. Here are those stand outs, a few honorable mentions and a few special mentions about which I just couldn't help myself but to mention in their own special way.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
A touring company of Rodgers and Hammerstein's THE KING AND I is currently playing the Fox Theatre, and it's a very engaging revival of the classic musical. It's an elegant and entertaining show that won a Tony for best revival in 2015, and it's easy to see why. With familiar and lovely songs like Getting to Know You and the rousing Shall We Dance, this venerable warhorse still lights up the stage, and I thoroughly recommend it!
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
Videos
.jpg?format=auto&width=365)
