Houses on the Moon Theater Company has announced, today, Yvette Ganier (Jitney, King Hedley II), has joined the cast for the World Premiere of SuperHero, a new play written by Ian Eaton, developed with and directed by Warren Adams. Ms. Ganier replaces the previously announced Valisia LeKae.
Houses on the Moon Theater Company today announced the cast and creative team for the World Premiere of SuperHero, a new play written by Ian Eaton, developed with and directed by Warren Adams.
Tonight, The 24 Hour Plays partner with Developing Artists to bring together theater professionals with young artists in the New York City metro area to celebrate, support and collaborate as part of their annual REBEL VERSES event.
Broadway might be dark, but that doesn't mean that theatre isn't happening everywhere! Below, check out where you can get your daily fix of Broadway this weekend, October 231-November 1, 2020.
Shakespeare's haunting psychological tale of raw political ambition is re-imagined as a virtual, immersive auditory experience with Macbeth: A Surround Sound Experiment. This all-new intimate 3D audio event, features an immersive soundscape by Will Padilla, with direction and adaptation by Joseph Discher.
I've been acting since 1989 - a union member of both major acting unions since the late 1990's/early 2000's. During my career, I've been described as a 'working actor,' an 'actor's actor' and/or 'a blue collar actor.' There have been times where even though I have called myself, with outward pride, an actor; internally, I've felt lacking. I never went to a four-year acting program. I actually started out as a visual artist, attending art school after high school. But even as a child in North Carolina, I'd strike poses in my bedroom mirror, as if I was appearing in the opening credits of shows like 'Hawaii Five-O,' humming the theme song as I vamped it up. I had the dream, but I honestly didn't even know there was such a thing as an acting school.
A HUMAN BEING, OF A SORT represents an examination of what may lie beneath the surface. It suggests we look more closely at a reality complicated by context. It presents many of the paradoxes seemingly present in human interaction. It is a period piece but also quite timely and relevant. We find ourselves questioning the constructs of control, freedom, power, faith, and the notion of perception versus reality. Is it possible to know what lies in the hearts and minds of men or any other creature? Can we ever truly know, why the caged bird sings?
Quick Silver Theater Company (QSTC), in partnership with the Episcopal Actors' Guild (EAG), will present readings of Albino Deer as part of EAG's Open Stage Grant.
Based on the short story by Isak Dinesen (and made famous by the 1987 Academy Award-winning film), Babette's Feast will play its final performance Sunday May 13th, at the Theatre at Saint Clement's (423 West 46th Street, between Ninth & Tenth Avenues). Babette's Feast will have played 14 previews and 56 regular performances.
Merrimack Repertory Theatre (MRT) is proud to announce that it has won four 2018 Awards from the Independent Reviewers of New England (IRNE) in the large stage category
Merrimack Repertory Theatre (MRT) is proud to announce that it received 15 nominations from the Independent Reviewers of New England (IRNE) for its 22nd Annual IRNE Awards, including nominations in the Best Play and Best Director categories for Silent Sky and The Royale, and two nominations for My 80-Year-Old Boyfriend, including Best New Play.
Based on the short story by Isak Dinesen (and made famous by the 1987 Academy Award-winning film), Babette's Feast will begin performances Wednesday March 14th at the Theatre at Saint Clement's (423 West 46th Street, between Ninth & Tenth Avenues) for an open-ended Off-Broadway engagement. Opening Night is set for Sunday March 25th (5pm). The performance runs 90 minutes with no intermission.
Portland Stage has mounted an adaptation of Isak Dinesen's short story Babette's Feast, conceived by Abigail Killeen and written by Rose Courtney, that retains the message of grace and humanity at the core of the tale, while casting the narrative in an entirely different, highly contemporaneous light. Intriguing and sometimes perplexing in its Brechtian staging, this production adheres closely to the Dinesen text and bears little resemblance to the iconic movie of 1987.
Merrimack Repertory Theatre rings the bell for the start of its 39th season with the New England premiere of Marco Ramirez's award-winning play inspired by the life of Jack Johnson, the first black man to fight for the title of World Heavyweight Boxing Champion. THE ROYALE is a beautifully-written and acted story about a man's quest to get his due and make a difference, about the unforeseen consequences of his actions and the damage he leaves in his wake, and a stunning commentary on the rending of the American social fabric that continues to threaten our peace and tranquility.
Merrimack Repertory Theatre (MRT) launches its 39th season with 'The Royale,' the new power-packed drama inspired by the life of Jack Johnson, the first black man to fight for the title of World Heavyweight Champion.
Merrimack Repertory Theatre (MRT) launches its 39th season with 'The Royale,' the new power-packed drama inspired by the life of Jack Johnson, the first black man to fight for the title of World Heavyweight Champion.
ANTONY AND CLEOPATRA is one of those mandatory high school reading Shakespeare classics that never gets old. Though it is a tragedy, Orlando Shakes production is glamorous, entertaining and extremely palatable. Casting, costumes, and classic story come together to make ANTONY AND CLEOPATRA the crown jewel of the season.
Orlando Shakespeare Theater (Orlando Shakes) in Partnership with UCF is thrilled to present William Shakespeare's Antony and Cleopatra featuring Michael Dorn as Antony and Caralyn Kozlowski as Cleopatra.