Due to popular demand, freeFall Theatre Company is extending Perfect Arrangement through March 3. This new play by Atlanta playwright and screenwriter Topher Payne is the story of two couples that come up with a clever plan to stay one step ahead of the Lavender Scare in 1950's Washington, DC.
The St. Petersburg Celebration of the Arts is celebrating the work of William Shakespeare with local arts and cultural organizations presenting variations on the Bard's work during the month of February. American Stage will feature a one-night-only performance of An Evening With Shakespeare's Lovers with Shakespeare and Shakespeare-inspired scenes, sonnets, and songs.
San Francisco Ballet (SF Ballet) opens Program 03, In Space & Time, on February 14, with performances through February 24 at SF War Memorial Opera House. In Space & Time includes Helgi Tomasson's The Fifth Season, called a masterful arrangement of overlapping shadows (San Francisco Chronicle); Harald Lander's Etudes, a 42-dancer study of how technique becomes art; and Cathy Marston's narrative Snowblind, a retelling of Edith Wharton's Ethan Frome, which returns after its premiere at Unbound: A Festival of New Works in 2018.
Fierce. Funny. Intense. The Echo Theater Company opens its 2019 season with theLos Angeles premiere of The Wolves, the debut play by "playwright to watch" SarahDeLappe that was a finalist for the Pulitzer Prize. Alana Dietze (Dry Land) directs for aMarch 16 opening at Atwater Village Theatre. Pay-what-you-want previews begin March 13, and performances continue through April 22.
Lucy Benjamin, who is best known for playing Lisa Fowler in EastEnders and Maggie in the BAFTA award-winning series BBC Four series Detectorists, has been cast in the regional premiere of David Eldridge's In Basildon. This family drama will run at the Queen's Theatre Hornchurch from 14 - 30 March.
The Trustees of The Laurents / Hatcher Foundation, Inc. are pleased to announce that Something Clean by SELINA FILLINGER is recipient of the Laurents / Hatcher Foundation Award. Ms. Fillinger will receive $50,000 for the work, and Roundabout Theater Company, who will produce the premiere this spring, will receive $100,000 towards the production.
Musical Theatre Guild, the winner of the Los Angeles Drama Critics Circle Margaret Harford Award for sustained excellence in the theatre, will continue their 23rd Anniversary season with MINNIE'S BOYS, the rarely produced musical about the start of the famous Marx Brothers. The one-night-only concert will take place at Glendale's historic Alex Theatre on Sunday, February 10, 2019 at 7:00 PM.
Today Montreal hip-hop/producer trio Planet Giza - comprised of Rami B, Tony Stone and Dumix - announce their newest project entitled Added Sugar. OutFebruary 12th, the record features collaborations with the likes of Mick Jenkins, a co-produced Kaytranada track and more. To celebrate the announcement, Planet Giza release a new track “You Wasn't Lyin'” alongside an incredible Walid Jabri-directed music video.
The Country Music Association's new international artist-focused touring series, Introducing Nashville, will join the C2C lineup in Berlin and Amsterdam. Lindsay Ell, Lauren Jenkins and Logan Mize will open the first C2C Berlin at the Verti Arena Berlin with a mainstage performance on Saturday, March 2 and follow up with a performance as part of C2C Amsterdam at AFAS Amsterdam on Monday, March 4. Following the stops in Germany and the Netherlands, a second Introducing Nashville lineup will visit multiple cities in Australia, as well as Auckland, New Zealand and Tokyo, Japan. Tickets for C2C Berlin and C2C Amsterdam dates are available here.
A beloved, award winning veteran of the NYC music scene, Rob Kevlin has wowed audiences everywhere from Swing 46, the Metropolitan Room, the Master Theatre, and Carnegie Hall. Now, 'It's a New Day' for the multi-talented singer and performer, who makes his highly anticipated debut at Feinstein's/54 Below, Broadway's Supper Club, on Friday, February 22, 2019.
Jeffrey Horowitz announces that TFANA will extend its current four-play season to five plays and present Soho Rep.'s production of Jackie Sibblies Drury's Fairview, staged by Sarah Benson. Fairview will play June 2-30, 2019, on the Samuel H. Scripps Mainstage at Polonsky Shakespeare Center, TFANA's state-of-the-art home in the Brooklyn Cultural District. The return engagement marks the first opportunity for New York audiences to experience this bold, innovative work since its sold-out, thrice-extended world premiere at Soho Rep. Fairview is currently only on sale as part of TFANA's two-play subscription package of Fairview and Julius Caesar.
Vineyard Theatre announced that the 2019 Gala fundraiser will celebrate Tony, Olivier, Drama Desk, and Drama League Award nominated artist and Vineyard Board Member, Colman Domingo. The annual benefit Gala will take place on Monday, May 6, 2019, beginning at 6:30pm at Edison Ballroom (240 West 47th Street).
OK, so putting up a dark and moody production of Anton Chekhov's 'Uncle Vanya' may sound redundant but remember, this is The Seagull Project. They've spent the last eight years killing it with all things Chekhov and now with the completion of the main plays, the dark and moody tone isn't so much the story but the way it's presented that thrilled.
Two parts fever dream and one part personality quiz, Final Form takes aim at the desperate lengths we go to in our eternal quest to be liked. It's a meditation on being everything to everyone, replete with ghosts, strawberries, a cello, and the teachings of 1950s sociologist Erving Goffman.
What better way to celebrate Valentine's Day weekend than with romantic songs sung in the indelible style of the "First Lady of American Song" Ella Fitzgerald?! Houston Symphony Principal POPS Conductor Steven Reineke and the Houston Symphony provide the passionate, musical answer to that question with the program The Ella Fitzgerald Songbook, 8 p.m. Feb. 15 & 16 and 7:30 p.m. Feb. 17.
Nearly two years after an impressive debut at the Jeffrey and Paula Gural Theater at A.R.T, Broken Box Mime Theater is back with SKIN, a collection of fifteen short pieces which alternate between the playful and the political. In Reverse (which dazzled this reviewer), consisted of just ten pieces. These physical storytellers, who come from diverse performing arts backgrounds (none of which, remarkably, include dance) have a palpable bond, perhaps because they communicate outside the sphere of language. Acting depends upon listening, but in mime, the 'listening' takes a more visceral and amorphous form. This accounts, I think, for the intimacy one witnesses in BXBR. It's easy for mime to miss the mark, at least if one associates meaning with hitting one's marks. These performers must trust each other to help make each action intelligible. Meaning itself, one might say, is collaborative.
There is much to admire in Skin, and under Becky Baumwoll's direction, the performers continue to amaze with their ability to convey such depth and precision of feeling with recourse only to facial expressions and body language.
For Jesus Hopped the 'A' Train, Kate Hewitt directs Oberon K. A. Adjepong (Lucius Jenkins), Matthew Douglas (D'Amico), Dervla Kirwan (Mary Jane Hanrahan), Ukweli Roach (Angel Cruz) and Joplin Sibtain (Valdez). The production previews from 14 February, with a Press Night on 20 February, and runs until 30 March.
The Civilians will present a staged reading on February 1stand 2nd, hosted by the Lewis Center for the Arts at Princeton University. The play is based on Daniel C. Dennett and Linda LaScola's groundbreaking book Caught in the Pulpit, Leaving Belief Behind, adapted by Marin Gazzaniga and directed by Steve Cosson.