La MaMa Experimental Theatre Club will present COFFEEHOUSE CHRONICLES #183 — AN AFTERNOON WITH AGOSTO MACHADO on Saturday, May 30 at 3 p.m. at the Ellen Stewart Theatre.
La MaMa Experimental Theatre Club has revealed the Fall performances of its 64th season–featuring dozens of new works from around the world. See the full lineup here!
Each year, La MaMa’s Squirts gathers the most exciting voices from New York City’s queer performance world across the generations. This year, confronting the nationwide legislative assault on trans people and drag performance, Squirts puts a heavy concentration into NYC’s drag and nightlife scenes from the 90s to today.
Leopoldstadt marks the 19th production of a Tom Stoppard play to open on Broadway since Rosencrantz and Guildenstern are Dead opened 55 years ago. Stoppard has won four Best Play Tony Awards, more than any other playwright in history. What are the 18 other productions of Tom Stoppard plays to open on Broadway? Let's take a look back!
1812 Productions, Philadelphia's All-Comedy Theater Company, will welcome live audiences back as they announce their 2021-22 season, featuring a variety of in-person, hybrid, and online offerings to suit any audience member's preference.
Find out what happens to the beloved characters in Fiddler on the Roof after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories (“What, Me Worthy?” and “Get Thee Gone!”), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted (“Strange Jews on a Train,” “The Yiddish Sisyphus” and “A Stepmother’s Trash-Talk”).
1812 Productions has announced its 2020-2021 theatre season. The 2020-2021 season features four original comedic works that are being designed for virtual performance, with live performances tentatively scheduled for spring, 2021. Each production will feature a mixture of live performance and pre-recorded material and will be streamed through 1812 Productions' website.
1812 Productions will present Comedy Conversation, a one-night-only special event featuring storytelling and a live reading with author and humorist R. Eric Thomas as well as a Q&A with Philadelphia storyteller Hillary Rea.
La MaMa is proud to present the world premiere of now my hand is ready for my heart: intimate histories, the newest work from Nicky Paraiso, an award-winning 40-year veteran of the New York City performance community. In a deep exploration of an artist's life, Paraiso investigates aging, identity, sexuality, class and race. Directed by MacArthur Fellow John Jesurun, now my hand is ready for my heart: intimate histories is also a multi-disciplinary celebration of an artistic community as it grows older and continues to make work, both individually and with each other.
TEVYE SERVED RAW made its New York premiere in 2018 to unanimous rave reviews ("Hilarious" - Jewish Standard; "Incredibly moving" - Tablet; "Brilliantly directed" - Forward) and, by popular demand, returned this year to its home at The Playroom Theater, 151 West 46 Street (just east of Seventh Ave.) There are only two more performances before the strictly limited engagement concludes tonight.
TEVYE SERVED RAW made its New York premiere in 2018 to unanimous rave reviews and, by popular demand, will return this Monday, January 28th to its home at The Playroom Theater, 151 West 46 Street (just east of Seventh Ave.), where it will play through February 13th.
Sholem Aleichem's Tevye stories formed the basis of Fiddler on the Roof. TEVYE SERVED RAW presents this material 'raw,' i.e., as it was created in Europe, before being Americanized for Broadway.
Find out what happens to the beloved characters in FIDDLER ON THE ROOF after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his 'Tevye' stories ('What, Me Worthy?' and 'Get Thee Gone!'), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ('Strange Jews on a Train,' 'The Yiddish Sisyphus' and 'A Stepmother's Trash-Talk'). The production is set to officially open next Tuesday, July 17th at The Playroom Theater in the Heart of the Theatre District, 151 West 46 Street (just east of Seventh Ave.)
Find out what happens to the beloved characters in FIDDLER ON THE ROOF after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories ("What, Me Worthy?" and "Get Thee Gone!"), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ("Strange Jews on a Train," "The Yiddish Sisyphus" and "A Stepmother's Trash-Talk").
A brand new video offering a sneak peek into the upcoming New York premiere of Tevye Served Raw made its debut today on YouTube. Watch it below!
Find out what happens to the beloved characters in Fiddler on the Roof after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories ("What, Me Worthy?" and "Get Thee Gone!"), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ("Strange Jews on a Train," "The Yiddish Sisyphus" and "A Stepmother's Trash-Talk").
1812 Productions is pleased to present a two-night only concert performance of its original holiday musical, The Carols, written by Jennifer Childs and Monica Stephenson. The Carols premiered at 1812 Productions in December 2016 and returns for this special concert performance featuring original cast members Rachel Camp, Caroline Dooner, Emily Kleimo, and T.J. Harris. We are thrilled to welcome to the ensemble Barrymore Award-winners Joilet Harris and Scott Greer.
La MaMa's wildly popular family series LA MAMA KIDS returns this season with a line-up of Family Friendly productions and workshops from artists.
Over 50 productions of local and international artists will visit the stages of La MaMa during the 2017-2018 season. La MaMa's 56th season highlights artists of different generations, gender identities, and cultural backgrounds, who question social mores and confront stereotypes, corruption, bigotry, racism, and xenophobia in their work.
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