Jean Kalman News

English National Opera will open its 2024/25 season with Puccini’s LA BOHÈME and SUOR ANGELICA. Learn more about the season and see how to purchase tickets.

Aida Garifullina and Hrachuhí Bassénz will share the coveted role of Violetta in this revival of Richard Eyre's opulent production of La traviata, performed between Saturday 7 – Saturday 21 September 2024.   

The Metropolitan Opera presents a live transmission of Die Zauberflöte (The Magic Flute), one of Mozart’s most beloved operas, on Saturday 3rd June at 5.55pm. 

The Metropolitan Opera will present a live transmission of Die Zauberflöte (The Magic Flute), one of Mozart’s most beloved operas, on Saturday, June 3, at 12:55PM ET.

Mozart's Die Zauberflöte (May 19–June 10), one of opera's most beloved works, receives its first new Met staging in 19 years from acclaimed English director Simon McBurney. In his Met debut, McBurney lets loose a volley of theatrical flourishes, incorporating projections, aerial and sound effects, physical comedy, a hovering platform, and acrobatics to match the spectacle and drama of Mozart's work. Maestro Nathalie Stutzmann—having made her Met debut earlier this season with Don Giovanni—performs Mozart double duty leading both productions running simultaneously. With the pit raised, the Met Orchestra musicians will interact with the cast. Gareth Morrell conducts the May 27 performance.

The Metropolitan Opera will close out its 2022–23 season with Don Giovanni, starting May 5, and Die Zauberflöte, starting May 19. Nathalie Stutzmann will make her Met debut as conductor of both works, with Ivo van Hove directing Don Giovanni and Simon McBurney staging Die Zauberflöte—also both making their Met debuts.

The Metropolitan Opera has announced the launch of The Met: Live at Home, a streaming platform that allows audiences to watch the Met’s acclaimed series of live simulcasts from any device in the comfort of their homes—the latest effort by the company to reach as broad a public as possible.

They say good things come in small packages. This adage certainly applies to Theatre Royal Bath’s larger-than-life double bill of Benjamin Britten’s Phaedra and newly commissioned ballet, Minotaur, in the diminutive Ustinov Studio.

Casting is announced for The Tempest by William Shakespeare, which will be the first production in Deborah Warner's inaugural season as Artistic Director of the Ustinov Studio in Bath.

This co-production of the Polish National Ballet and Dutch National Ballet was originally devised by Krzysztof Pastor in the year of the Bard’s 450th birthday. Two years later, acing on his desire to reinterpret the work, the choreographer used the 400th anniversary of Shakespeare’s death as an opportunity to put on a new adaptation of The Tempest, this time round at the Polish National Opera and with the dancers of the Polish National Ballet.

The Metropolitan Opera today announced its 2022–23 season, which features seven new productions, the most in ten seasons. Opening Night is September 27 with the company premiere of Cherubini’s Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar’s new staging, conducted by Carlo Rizzi.

This January, the English National Opera (the ENO) revives Jonathan Miller’s staging of Puccini’s best-loved opera at the London Coliseum.

Bolshoi is presenting Don Carlo, an opera in Four Acts, with a libretto by François-Joseph Méry and Camille du Locle. The original Italian translation is by Achille De Lauzières, and revised by Angelo Zanardini.

Balet Krzysztofa Pastora wg Williama Szekspira.

Russia's Bolshoi Theatre will reopen on September 6 with Don Carlo. Performances run through September 10.

Today, the Metropolitan Opera announced its 2020-21 season, the first in which Yannick Nézet-Séguin assumes his full breadth of musical duties as the company's Jeanette Lerman-Neubauer Music Director, conducting six productions. His schedule includes the Met premiere of Jake Heggie's Dead Man Walking, the first contemporary opera conducted by the maestro on the Met stage, as part of his ongoing commitment to opera of our time at the Met, which will expand in the seasons to come.

Richard Eyre's production gets yet another run out 25 years on, but it's so beautiful and brilliantly sung, no further justification is required.

Two of the world's most highly prized ballet dancers, Russian born Natalia Osipova and South Dakota born David Hallberg joined their talents to perform at New York City Center on April 3-6, 2019. Both have been principal dancers with the Bolshoi Ballet in Moscow and American Ballet Theatre in NYC, among other credits.

The Royal Opera presents a new production of Britten's Billy Budd, nearly 70 years after its Covent Garden premiere in 1951, and almost two decades since the Company's last performances of the work. Acclaimed British director Deborah Warner returns to The Royal Opera for the first time since directing Britten's The Turn of the Screw in 2002. She brings this production to The Royal Opera following its successful stagings by co-producers Teatro Real, Madrid, and Rome Opera.

The best versions of La boheme are simple enough to let the genius of Puccini's opera shine, rather than distracting the audience with quirky updates and subliminal messages. The ENO's decision to return to Jonathan Miller's luscious production for the fourth time in a decade, is a beautifully pitched celebration of beauty in penury, love and heartbreak.